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Bibliophobia
- A Memoir
- Duração: 10 horas
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Sinopse
“A must for the obsessive reader.”—Elif Batuman, author of Either/Or and The Idiot
A “soul-baring, witty, and slyly provocative” (Whiting Foundation) memoir about reading, writing, and depression
Books can seduce you. They can annihilate, reveal, and provoke you. And anyone incurably obsessed with books, Sarah Chihaya thinks, has had this kind of unsettling literary encounter. She calls books that have this effect “Life Ruiners.”
Chihaya’s Life Ruiner, Toni Morrison’s The Bluest Eye, became a talisman for her in high school, and its electrifying treatment of race exposed her deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. Transformed, Chihaya knew she’d build her life around books, searching for another Life Ruiner that could show her how to live. But a lifelong struggle with depression thwarted the resolution to every plot, and when she was hospitalized for a nervous breakdown, the world became an unreadable blank page.
Alternately searing and darkly humorous, Bibliophobia is a story of breakdown and survival told through books. Delving into Anne of Green Gables, Possession, A Tale for the Time Being, The Last Samurai, and many other texts, Chihaya interrogates her cultural identity, her relationship with depression, and the intoxicating, sometimes painful, ways books push back on those who love them.
Resumo da Crítica
“Bibliophobia feels like the first book I have ever read that accords the correct (massive) weight to the role of books in my own life, reminding me how high the stakes were when I first fell in love with reading, and restoring to me the sense that books are still a matter of life and death. At once a radical analysis of the relationship between reading, writing, and suicide, and a case study in how seemingly unnarratable and overwhelming experience can be transformed into a transcendent book. A must for any obsessive reader.”—Elif Batuman, author of The Idiot, Either/Or, and Possessed
“A moving account of the experience of loving, fearing, and resenting literature, written with the authority of a trained specialist and the solicitude of an amateur. Sarah Chihaya is funny, subtle, and—particularly when writing about her own life—as sharp as cut glass. Whether reflecting on a Toni Morrison novel or flipping through the oldest book in the world, Chihaya refuses to bracket herself out. She is always there alongside us, patient and generous but never doing us the disservice of protecting us from the text. It is there, and she is there too: that is enough. If you hate books the way I do, this one you’ll love.”—Andrea Long Chu, New York Magazine critic, winner of the Pulitzer Prize