"Nehanda infuses queer Black disabled resilience and wretchedness into a poetic sinew that stretches, tears, and heals again and again...Shatters mirrors and windows to reveal the jagged shards of self-determination: 'gently volatile' and absolutely crucial."
—Kirkus Reviews, starred review

“Nehanda is a gifted poet with a fiercely honest, achingly vulnerable voice. They reveal both the ugly and the beautiful, their anger (‘Concept: Coraline but Make It Black’) as compelling as their stunning love poems (‘Heaven Is at Grandma’s House’ is unforgettable) and odes (‘Nail Salon as Self-Care’)…Teens will recognize the inspirations for many of the poems, from bell hooks to Megan Thee Stallion, as they follow Nehanda’s journey to its cathartic, revelatory end.” —Booklist, starred review

"Bless the Blood is unlike any book I’ve read before. In a voice that’s utterly electric and completely new, Walela Nehanda explodes the tidy narratives of the typical illness arc. Equal parts prose and poetry, memoir and manifesto, this book rejects every trope of what it means to be sick and disabled. When in the throes of illness, it’s so easy to feel helpless, but Bless the Blood pulses with a power that’s contagious. Reading this book gives me the energy to take it on." —Suleika Jaouad, New York Times bestselling author of Between Two Kingdoms