Daddy's Girl Audiolivro Por Lisa Scottoline capa

Daddy's Girl

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Daddy's Girl

De: Lisa Scottoline
Narrado por: Barbara Rosenblat
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Sobre este áudio

Law professor Natalie Greco has an ordered life. She feels a passion for teaching, especially her arcane History of Justice seminar, even though the course is pathetically undersubscribed in the high-powered law school. She has an attentive boyfriend and a protective family, although her testosterone-fueled big brothers and very successful parents tend to overlook the quiet Nat.

Then, one terrible day, everything changes. Nat accompanies her colleague Angus to a prison in Chester County, where he's a guest lecturer. They are hardly inside before the speaker system announces a "disturbance" and the warden orders a lockdown. They're smack in the middle of a riot. In front of a horrified Nat, a prison guard is fatally injured. Nat rushes to help him, only to hear his last words: "Tell my wife. It's under the floor. The money."

At that moment, reinforcements arrive, the riot is quelled, and Nat and Angus are escorted out of the building by U.S. marshals. Remembering the dying guard's words, Nat feels she must find his widow. But this is no simple quest, and along the way, Nat is framed for murder and the retiring scholar finds herself in a desperate fight to save her own life.

©2007 Lisa Scottoline (P)2007 HarperCollins Publishers
Mistério Thriller e Suspenses

Resumo da Crítica

"This one finds the author in good form, combining suspense- and character-building effectively." (Booklist)

Resumo editorial

Natalie Greco, a law professor, is teaching a class at a local prison when a riot breaks out. Trying to rescue a dying guard, she's witness to his last words: "Tell my wife it's under the floor." Suddenly she's suspected of murder, chased by cops and killers, not to mention a colleague with romance in mind. Barbara Rosenblat is a perfect match for Scottoline's dramatic story. Scottoline writes with breakneck speed, and Rosenblat reads breathlessly. Scottoline injects humor, and Rosenblat inserts wry tones to relieve the intensity. Scottoline's characters are fully dimensional; Rosenblat breathes life into them. The author's cast is large; Rosenblat invents a huge range of voices to enliven the exciting story.

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