Didn't Nobody Give a Shit What Happened to Carlotta Audiolivro Por James Hannaham capa

Didn't Nobody Give a Shit What Happened to Carlotta

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Didn't Nobody Give a Shit What Happened to Carlotta

De: James Hannaham
Narrado por: James Hannaham, Flame Monroe
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Sobre este áudio

In this “dangerously hilarious” novel (Los Angeles Times), a trans woman reenters life on the outside after more than twenty years in a men’s prison, over one consequential Fourth of July weekend—from the author of the PEN/Faulkner Award winner Delicious Foods.

Carlotta Mercedes has been misunderstood her entire life. When she was pulled into a robbery gone wrong, she still went by the name she’d grown up with in Fort Greene, Brooklyn—before it gentrified. But not long after her conviction, she took the name Carlotta and began to live as a woman, an embrace of selfhood that prison authorities rejected, keeping Carlotta trapped in an all-male cell block, abused by both inmates and guards, and often placed in solitary.

In her fifth appearance before the parole board, Carlotta is at last granted conditional freedom and returns to a much-changed New York City. Over a whirlwind Fourth of July weekend, she struggles to reconcile with the son she left behind, to reunite with a family reluctant to accept her true identity, and to avoid any minor parole infraction that might get her consigned back to lockup.

Written with the same astonishing verve of Delicious Foods, which dazzled critics and readers alike, Didn’t Nobody Give a Shit What Happened to Carlotta sweeps the listener through seemingly every street of Brooklyn, much as Joyce’s Ulysses does through Dublin. The novel sings with brio and ambition, delivering a fantastically entertaining listen and a cast of unforgettable characters even as it challenges us to confront the glaring injustices of a prison system that continues to punish people long after their time has been served.

©2022 James Hannaham (P)2022 Little, Brown & Company
Literatura e Ficção Vida em Família

Resumo da Crítica

“As if by means of some mashup of Hubert Selby, Darius James, and Bruce Wagner, James Hannaham’s tripwire provocations and dazzling verbal fireworks give way to a fathomless tenderness and remorse. His Carlotta is spectacularly Brooklyn and devastatingly human all the way down to the bone.” (Jonathan Lethem, New York Times best-selling author of Motherless Brooklyn)

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