Does My Head Look Big in This?
Falha ao colocar no Carrinho.
Falha ao adicionar à Lista de Desejos.
Falha ao remover da Lista de Desejos
Falha ao adicionar à Biblioteca
Falha ao seguir podcast
Falha ao parar de seguir podcast
Assine e ganhe 30% de desconto neste título
R$ 19,90 /mês
Compre agora por R$ 42,99
Nenhum método de pagamento padrão foi selecionado.
Pedimos desculpas. Não podemos vender este produto com o método de pagamento selecionado
-
Narrado por:
-
Rebecca Macauley
Sobre este áudio
The slide opened and I heard a gentle, kind voice: What is your confession, my child? I was stuffed. The Priest would declare me a heretic; my parents would call me a traitor... The Priest asked me again: What is your confession, my child? I'm Muslim, I whispered. Welcome to my world. I'm Amal Abdel-Hakim, a seventeen year-old Australian-Palestinian-Muslim still trying to come to grips with my various identity hyphens. It's hard enough being cool as a teenager when being one issue behind the latest Cosmo is enough to disqualify you from the in-group. Try wearing a veil on your head and practising the bum's-up position at lunchtime and you know you're in for a tough time at school. Luckily my friends support me, although they've got a few troubles of their own. Simone, blonde, gorgeous and overweight - she's got serious image issues, and Leila's really intelligent but her parents are more interested in her getting a marriage certificate than her high school certificate! And I thought I had problems.
©2005 Randa Abdel-Fattah (P)2006 Bolinda PublishingResumo da Crítica
Resumo editorial
In Does My Head Look Big In This?, Randa Abdel-Fattah, an Australian-born Muslim writer, has produced a poignant novel about faith and culture clashes.
Voiced with cheeky humor by Rebecca Macauley, Abdel-Fattah’s novel deals with what happens when 16-year-old Amal decides to wear a head scarf full time. She must deal with reactions from friends and family and taunts from intolerant strangers. Meanwhile, she develops a crush on the cutest boy at school.
Performing the work in a conversational tone and brash Australian accent, Macauley wrings out the right amount of pathos and self-deprecating humor from this poignant novel.