Doubles 1: Vincent van Gogh and Edvard Munch Audiolivro Por Marina Vaizey capa

Doubles 1: Vincent van Gogh and Edvard Munch

Cv/Visual Arts Research, Book 300

Amostra

Assine e ganhe 30% de desconto neste título

R$ 19,90 /mês

Teste grátis por 30 dias
R$ 19,90/mês após o teste gratuito de 30 dias. Cancele a qualquer momento.
Curta mais de 100.000 títulos de forma ilimitada.
Ouça quando e onde quiser, mesmo sem conexão
Sem compromisso. Cancele grátis a qualquer momento.

Doubles 1: Vincent van Gogh and Edvard Munch

De: Marina Vaizey
Narrado por: Mark Rice-Oxley
Teste grátis por 30 dias

R$ 19,90/mês após o teste gratuito de 30 dias. Cancele a qualquer momento.

Compre agora por R$ 10,99

Compre agora por R$ 10,99

Confirmar a compra
Pagar usando o cartão terminado em
Ao confirmar sua compra, você concorda com as Condições de Uso da Audible e a Política de Privacidade da Amazon. Impostos, quando aplicável. PRECISA SER AJUSTADO
Cancelar

Sobre este áudio

Cover: Vincent van Gogh Self-Portrait Saint-Rémy, autumn 1889 Oil paint on canvas 578 x 445 mm National Gallery of Art, Washington, Collection of Mr and Mrs John Hay Whitney 1998.74.5.

Edvard Munch (1863-1944). Self-Portrait, 1895. © The Trustees of the British Museum.

Doubles 1: Vincent van Gogh and Edvard Munch by Marina Vaizey.

Introduction

In a set of essays entitled "Doubles" author, critic, curator, and traveller, Marina Vaizey explores pairings of artists drawn from the canonical cycle of Western art. She considers themes of engagement such as the portrait or figure, treated as stories of wider implication for society, that draw on the artist’s perception of the seen, combined with personal visions of dreams and imagination.

The artist as recorder

It is the supreme ability of art, perhaps its highest purpose - acknowledged or not - to show and tell: To show us what we are, and in so doing to tell us. Art even at its most abstract is story-telling. And what we like most is encapsulated in Alexander Pope’s phrase from 1733, the proper study of mankind is man. Perhaps that explains that the artists who are among those most currently revered those exact contemporaries Rembrandt and Velazquez, Van Gogh and Munch, the appeal of the disruptive Francis Bacon, and the joyful David Hockney are artists who in their own individual ways are both disturbing and consoling.

There is a particular kind of painter who is indeed only interested in appearance of what he or she is looking at, and that appearance might be anything. And there are others who acknowledge the importance of appearance and also go beyond. Titian, Rembrandt, Velazquez, El Greco, Holbein, Van Dyck, Goya, Cézanne, Dégas, Edvard Munch, Vincent van Gogh, Picasso, Matisse, Francis Bacon, Lucian, Freud, Gerhard, Richter, are just a handful of the masters of the portrait and the self-portrait. A significant majority of the artists considered the greatest in the Western canon devoted much even at times the majority, of their work to the portrait. There are even some mythical figures in the painted world that produced, it seems, hardly anything but portraits, mysteries with humans at the centre. The tiny output of Vermeer is a case in point and paint: Almost no interior without a single person or a couple.

©2020 Cv Publications (P)2020 Cv Publications
Artes e Entretenimento

O que os ouvintes dizem sobre Doubles 1: Vincent van Gogh and Edvard Munch

Nota média dos ouvintes. Apenas ouvintes que tiverem escutado o título podem escrever avaliações.

Avaliações - Selecione as abas abaixo para mudar a fonte das avaliações.