Gideon the Ninth
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Narrado por:
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Moira Quirk
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De:
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Tamsyn Muir
Sobre este áudio
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
Of course, some things are better left dead.
©2019 Tamsyn Muir (P)2019 Recorded BooksResumo da Crítica
"Tamsyn Muir's absorbing storytelling and Moira Quirk's immersive performance create a richly imagined fantasy world.... Quirk is at turns antagonistic, vulnerable, and hopelessly helpful as she characterizes all the participants and stewards of Canaan House.... Listeners will eagerly anticipate the trilogy's next installment." (AudioFile Magazine)
O que os ouvintes dizem sobre Gideon the Ninth
Nota média dos ouvintes. Apenas ouvintes que tiverem escutado o título podem escrever avaliações.Avaliações - Selecione as abas abaixo para mudar a fonte das avaliações.
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Geral
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Execução
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História
- Ana Luisa Lima
- 26/11/2024
Extremely weak story, saved by the narration
The story is weak to the point of being annoying, as the authorial voice is extremely affected and constantly trying to convince you of how smart the author is, to the detriment of actually developing all the plot points thrown at the reader. The consequence of that is the story and content suffer for the style, and we're left with very strong "aesthetic" vibes and very little actual world and character building, which is used to justify the length of this series: now four (previously three) books. Unfortunately, the first book alone is 500 pages of mostly padding and the aforementioned "vibes" and there's little to no coherent world-building. Very unimpressed and will not be reading anything else by this author.
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