How to Date Men When You Hate Men
Falha ao colocar no Carrinho.
Falha ao adicionar à Lista de Desejos.
Falha ao remover da Lista de Desejos
Falha ao adicionar à Biblioteca
Falha ao seguir podcast
Falha ao parar de seguir podcast
Assine e ganhe 30% de desconto neste título
R$ 19,90 /mês
Compre agora por R$ 118,99
Nenhum método de pagamento padrão foi selecionado.
Pedimos desculpas. Não podemos vender este produto com o método de pagamento selecionado
-
Narrado por:
-
Blythe Roberson
-
De:
-
Blythe Roberson
Sobre este áudio
This program is read by the author.
From New Yorker and Onion writer and comedian Blythe Roberson, How to Date Men When You Hate Men is a comedy philosophy audiobook aimed at interrogating what it means to date men within the trappings of modern society.
Blythe Roberson’s sharp observational humor is met by her openhearted willingness to revel in the ugliest warts and shimmering highs of choosing to live our lives among other humans. She collects her crushes like ill-cared-for pets, skewers her own suspect decisions, and assures listeners that any date you can mess up, she can top tenfold. And really, was that date even a date in the first place?
With sections like: Real Interviews with Men About Whether or Not It Was a Date; Good Flirts That Work; Bad Flirts That Do Not Work; and Definitive Proof That Tom Hanks Is the Villain of You’ve Got Mail, How to Date Men When You Hate Men is a one-stop shop for dating advice when you love men but don't like them.
Early Praise for How to Date Men When You Hate Men:
"How to Date Men When You Hate Men is an incredibly funny read that was surely not written when Blythe was supposed to be working for me." (Stephen Colbert)
"Funny, sharp, and feminist fun in a way we’re led to believe isn’t possible. You’ll have a blast reading this and then date...or not date anyone because you are living your best single life with new best friend Roberson by your side.” (Phoebe Robinson, New York Times best-selling author of You Can't Touch My Hair)
©2018 Blythe Roberson (P)2018 Macmillan AudioResumo da Crítica
"Roberson’s achievement in remaining funny while excavating her pain is just straightforwardly heroic." (The New Republic)