The Immortal Life of Henrietta Lacks
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The Immortal Life of Henrietta Lacks
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Narrado por:
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Cassandra Campbell
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Bahni Turpin
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De:
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Rebecca Skloot
Sobre este áudio
Number one New York Times best seller.
Now a major motion picture from HBO® starring Oprah Winfrey and Rose Byrne.
One of the “most influential” (CNN), “defining” (Lit Hub), and “best” (The Philadelphia Inquirer) books of the decade.
One of essence’s 50 most impactful Black books of the past 50 years.
Named one of the best books of the year by The New York Times Book Review, Entertainment Weekly, O: The Oprah Magazine, NPR, Financial Times, New York, Independent (UK), Times (UK), Publishers Weekly, Library Journal, Kirkus Reviews, Booklist, Globe, and Mail.
Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor Southern tobacco farmer who worked the same land as her slave ancestors, yet her cells - taken without her knowledge - became one of the most important tools in medicine: The first “immortal” human cells grown in culture, which are still alive today, though she has been dead for more than 60 years. HeLa cells were vital for developing the polio vaccine; uncovered secrets of cancer, viruses, and the atom bomb’s effects; helped lead to important advances like in vitro fertilization, cloning, and gene mapping; and have been bought and sold by the billions. Yet Henrietta Lacks remains virtually unknown, buried in an unmarked grave.
Henrietta’s family did not learn of her “immortality” until more than 20 years after her death, when scientists investigating HeLa began using her husband and children in research without informed consent. And though the cells had launched a multimillion-dollar industry that sells human biological materials, her family never saw any of the profits. As Rebecca Skloot so brilliantly shows, the story of the Lacks family - past and present - is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.
Over the decade it took to uncover this story, Rebecca became enmeshed in the lives of the Lacks family - especially Henrietta’s daughter Deborah. Deborah was consumed with questions: Had scientists cloned her mother? Had they killed her to harvest her cells? And if her mother was so important to medicine, why couldn’t her children afford health insurance? Intimate in feeling, astonishing in scope, and impossible to put down, The Immortal Life of Henrietta Lacks captures the beauty and drama of scientific discovery, as well as its human consequences.
©2010 Rebecca Skloot (P)2010 Random HouseResumo da Crítica
Winner of The Chicago Tribune Heartland Prize for nonfiction
"The story of modern medicine and bioethics - and, indeed, race relations - is refracted beautifully, and movingly.” (Entertainment Weekly)
"Writing with a novelist's artistry, a biologist's expertise, and the zeal of an investigative reporter, Skloot tells a truly astonishing story of racism and poverty, science and conscience, spirituality and family driven by a galvanizing inquiry into the sanctity of the body and the very nature of the life force." (
Booklist)
Resumo editorial
The Immortal Life of Henrietta Lacks is both a story of scientific progress and a biography of the poor Southern family whose matriarch, Henrietta Lacks, made that progress possible. It is also a critical exploration of the interplay between science, race, class, and ethics in the United States. Finally, it is, at times, the personal narrative of Rebecca Skloot, a reporter who worked for 10 years to learn these stories and to tell them. Cassandra Campbell’s performance captures the full range of tone in these elegantly woven narratives. She delivers what the story demands of her, uniting several storytelling styles into one single, dynamic voice.
In her narration, Campbell makes particularly masterful use of distance and proximity. At some points in the story, she has the cool tone of an investigative reporter, duly noting the gruesome evidence of patient mistreatment at the Hospital for the Negro Insane in the 1950s or the horrors of medical malpractice in the Tuskegee Syphilis Study. When she tells the stories of the members of the Lacks family, her voice is warm and compassionate, but still carries the distinct distance of a biographer/observer. And, at a few rare but poignant moments in the story, Campbell’s voice sounds exposed and intimately close to the listener’s ear, as the narrative brings us inside Skloot’s own struggle to understand and cope with the uncomfortable truths and thorny issues Henrietta’s story raises.
Bahni Turpin, who performs the dialogue for all the members of the Lacks family, supplies those voices with more than the appropriate dialect. Though she speaks for several different characters some of them appear only briefly or infrequently in the story Turpin manages to give unique weight and depth to each. Her portrayal of Zacharia Lacks, Henrietta’s youngest son, is perhaps most exceptional in its taciturn conveyance of anger, love, and pain. Emily Elert