The Mercedes Coffin
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Narrado por:
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George Guidall
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De:
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Faye Kellerman
Sobre este áudio
Fifteen years later, the high-tech CEO reads about another execution-style murder; this time the victim is a Hollywood music producer named Primo Ekerling. There is no obvious connection, but the case is eerily similar to Little's, and Genoa feels the time is right to close Dr. Ben's case once and for all - offering the L.A.P.D. a substantial financial "incentive" if justice is finally served for Little.
Lieutenant Peter Decker resents having to commit valuable manpower to a 15-year-old open case simply because a rich woman says "Jump!" Still, the recent murder of Primo Ekerling does bear a disturbing resemblance to Little's case, even though two thug suspects are currently behind bars for the Ekerling murder. Decker can't help but wonder about a connection. His first phone calls are to the two primary investigators in the Little case, retired detectives Calvin Vitton and Arnie Lamar. Lamar is cooperative, but Vitton is not only reluctant to talk, he winds up dead of a suspicious suicide 12 hours later.
Decker's team of top investigators not only includes his favorite homicide detectives, Scott Oliver and Marge Dunn, but also his newly minted Hollywood detective daughter, Cindy Kutiel, whose help proves to be invaluable.
A relentlessly gripping tale spun by a master, Faye Kellerman's The Mercedes Coffin races through a dangerous urban world of fleeting fame and false dreams, making heart-pumping hairpin turns at each step of a terrifying journey, where truth and justice are fine lines between life and death.
©2008 Plot Line, Inc. (P)2008 HarperCollins PublishersResumo editorial
Golden Voice George Guidall turns Kellerman's 17th novel featuring LAPD Lt. Peter Decker and his wife, Rina Lazarus, into an intimate listening experience. Computer billionaire Genoa Greeves insists that the LAPD look into a 15-year-old cold case, the homicide of Bennett Alston Little, her favorite high school history teacher, whose bound body the police found, with three shots in the back of his head, in the trunk of Little's Mercedes. The investigation falls to Decker. Guidall's skill at changing voices and accents makes Kellerman's secondary characters ring with truth, while he brings warmth and familial affection to the Decker/Lazarus relationship.