The Sunlight Pilgrims
Falha ao colocar no Carrinho.
Falha ao adicionar à Lista de Desejos.
Falha ao remover da Lista de Desejos
Falha ao adicionar à Biblioteca
Falha ao seguir podcast
Falha ao parar de seguir podcast
Assine e ganhe 30% de desconto neste título
R$ 19,90 /mês
Compre agora por R$ 37,99
Nenhum método de pagamento padrão foi selecionado.
Pedimos desculpas. Não podemos vender este produto com o método de pagamento selecionado
-
Narrado por:
-
Steven Cree
-
De:
-
Jenni Fagan
Sobre este áudio
Set in a Scottish caravan park during a freak winter - it is snowing in Jerusalem, the Thames is overflowing, and an iceberg separated from the Fjords in Norway is expected to arrive off the coast of Scotland - The Sunlight Pilgrims tells the story of a small Scottish community living through what people have begun to think is the end of times. Bodies are found frozen in the street with their eyes open; midst economic collapse, schooling and health care are run primarily on a voluntary basis.
Dylan, a refugee from panic-stricken London who is grieving for his mother and his grandmother, arrives in the caravan park in the middle of the night - to begin his life anew. Under the lights of the aurora borealis, he is drawn to his neighbour Constance, a woman who is known for having two lovers; her 11-year-old daughter, Stella, who is struggling to navigate changes in her own life; and elderly Barnacle, so crippled that he walks facing the earth.
But as the temperature drops, daily life carries on: people get out of bed, they make a cup of tea, they fall in love, they complicate.
The Sunlight Pilgrims, the thrilling follow-up to The Panopticon, is a humane, sad, funny, odd and beautiful novel about absence, about the unknowability of mothers. It is a story about people in extreme circumstances finding one another - and finding themselves.
©2016 Jenni Fagan (P)2017 Audible Studios LtdResumo da Crítica
"The Sunlight Pilgrims evokes a chillingly plausible near-future...intimately imagined." (Paraic O'Donnell, The Spectator)
"Fagan's vivid, poetic-prose style injects the book with energy. She writes at the pace of thought, sentences like gunfire.... She has a poet's affection for precision and image." (Sophie Elmhirst, Financial Times)