The Templar Salvation
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Narrado por:
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Richard Ferrone
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De:
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Raymond Khoury
Sobre este áudio
At last, the book more than a million fans are waiting for: the sequel to The Last Templar.
With its iconic title and unmistakable cover, Raymond Khoury's million-copy- selling The Last Templar remains one of the most memorable thriller publications of the last decade. Finally, after four long years, Khoury returns to the world of the Templars with The Templar Salvation, a sequel that's every bit as eye-popping and as gripping as its predecessor.
Constantinople, 1203: As the rapacious armies of the Fourth Crusade lay siege to the city, a secretive band of Templars infiltrate the imperial library. Their target: a cache of documents that must not be allowed to fall into the hands of the Doge of Venice. They escape with three heavy chests, filled with explosive secrets that these men will not live long enough to learn.
Vatican City, present day: FBI agent Sean Reilly infiltrates the Pope's massive Vatican Secret Archives of the Inquisition. No one but the Pope's trusted secondi get in - but Reilly has earned the Vatican's trust, a trust he has no choice but to violate. His love, Tess Chaykin, has been kidnapped; the key to her freedom lays in this underground tomb, in the form of a document known as the Fondo Templari, a secret history of the infamous Templars.
With his trademark blend of incendiary history and edge-of-your-seat suspense, Raymond Khoury's The Templar Salvation marks a triumphant return to the rich territory that launched his best-selling career.
©2010 Raymond Khoury (P)2010 Penguin AudioResumo da Crítica
“[A] sublime narrative. The result is a full-throttle action-adventure thriller wrapped in a political cautionary tale with a gratifyingly eloquent center.” (Library Journal)
“[A] very well-constructed blend of historical mystery and present-day thriller....There’s no denying he’s got the storytelling chops.” (Booklist)
“The constant suspense, ever-mounting body count, and interesting historical lore will keep readers turning the pages.” (Publishers Weekly)