Our fourth season was the best year yet for our downloads. Thank you for your listenership! And we still welcome your listener "moments" of Bach as ideas for future episodes.

For this season closer, we invite Reverend Eric Clausen, a Lutheran pastor, to help us unpack the background of BWV 80 (A Mighty Fortress Is Our God). The bold and powerful text of the source hymn comes directly from Martin Luther. Bach's cantata incorporates the four hymn stanzas plus poetry by Salomon Franck. Two aMoB listeners suggested moments from BWV 80; we discuss the specific moment requested for the second movement.

PATREON for A Moment of Bach - always optional, always appreciated.

Huge thanks as always to the Netherlands Bach Society for allowing us to use their audio examples on our podcast.

BWV 80 Ein feste Burg ist unser Gott, as performed by Netherlands Bach Society under the leadership of Shunske Sato, Artistic Director

Martin Luther, J.S. Bach, and Reformation Sunday -- this most Lutheran of all cantatas is our subject for today. "Ein feste Burg" was the battle-cry of the Reformation: "A mighty fortress is our God!" Bach's cantata weaves in all 4 stanzas of Luther's strong hymn.

We marvel at movement 1 with its "dizzyingly complex counterpoint" (as Richard Atkinson puts it in his video). This is one of the maybe 2 or 3 most complex opening chorale fantasias in all of Bach's cantata ouevre, and that's a high bar to clear! But then we zoom in on a more tender moment, the end of the alto/tenor duet in movement 7: "[the heart] will finally be crowned, when it slays death". Here, the bass line drags down in twisting chromatic motion, the tempo slows, and Bach resists the urge to return to an "A" section of text, instead closing the movement with a short instrumental coda.

BWV 80 Ein feste Burg ist unser Gott, as performed by Netherlands Bach Society under the leadership of Shunske Sato, Artistic Director

Come see this very cantata, BWV 80, in Orange, California at a free concert put on by Alex's church music program! October 20, 4pm, more details at this link. Also on the program: a new arrangement of A Mighty Fortress, orchestral liturgical music, BWV 29 sinfonia, and "Dona nobis pacem" from Mass in B minor.

Translation of the text of BWV 80 from bachcantatatexts.org, which we mentioned in this episode

A great article about BWV 80 featured on the Bach Choir of Bethlehem's website

Dizzyingly Complex Counterpoint in BWV 80: video by Richard Atkinson which we mentioned in this episode

"In Your Eyes" by Peter Gabriel, a song that was referenced in this episode. The last minute or so of the song features the dense instrumentation that Alex mentioned: 2 bassists, 2 drummers, etc. Also, here is a great episode of the podcast Strong Songs which breaks down "In Your Eyes".

The organ, a sacred sound, gets an unusual role in this cantata for solo voice. We hear the organ leaping all over with a virtuoso part against violins and oboes and the alto soloist. There is no better way to convey the rich concept of the "confused joy" of the believer who witnesses miracles.

In this cantata, which took place during the Sunday where the story is read of Jesus healing the deaf and mute, Bach sets his poet's words:

Spirit and soul become confused, when they gaze on Thee, my God. For the miracles they know, And which the people tell with joy, have made them deaf and mute.

Geist und Seele... from BWV 35, as performed by the Netherlands Bach Society