This week’s episode is the final one we are releasing this year and Jonathan, Jeremy and Richard discuss what has happened over this strangest of times and how costume has changed this year.  We answer some of the questions we have been sent in and look at what’s to come in 2021.  

We hope you have enjoyed the podcasts this year - we certainly have been enjoying them and learning more about the interviewees and this great industry of ours and we look forward to introducing our more episodes next year.

Phil (Goldy) Goldsworthy’s CV reads like a list of the epic films made by UK crew of the last 20 years. Beginning your film work on Fifth Element is a pretty good start for any one and as you will hear, Phil has been involved in most of the large crowd productions (although not apparently Gladiator) since then.

What is not so well known is that prior to his involvement with Fifth Element he had co won Young Engineer of Great Britain – and we have the footage to prove it from back in the day when mullets were a hairstyle of choice.

A thoroughly conscientious and diligent wardrobe man,  Phil has been at the very sharp end of a huge number of films and his passion for the industry shines through this interview.

Matt Price is a British Costume Designer who has been working in the industry for 20 years. His chat today with Jeremy examines the journey he has takento where he is today.

Matt always had a passion for photography which led to studying Theatre Designat Saint Martin’s and upon graduationhe started his career as a costumier in the contemporary department at Angels under the leadership of Richard Davies.

Seven years  later he left Angels to become a freelance costume designer as he found that the relationships he had made while organising music nights in his spare time helped him to break into the music video industry. From there Matt kept striving to move further into the industry and established himself as a designer for both TV and Film productions. Over the 10 years he has now been designing, he has worked across most mediums, and has become known for the realism he creates in his characters. 

Matt believes in the strength of narrative that comes from creating a character’s costumes, and has used that knowledge to further the projects he works on and to grow as a designer.

His productions credits include Fighting With My Family, The Nest, The Selfish Giant, Brexit: The Uncivil War and the soon to be released Supernova.