The mega-talented Canadian multi-hyphenate Grace Glowicki gives an incredible performance in Mary Dauterman’s debut feature “Booger.” On this episode, she reveals why she was interested in the project before even opening the script, and how she could just tell Dauterman was going to be the kind of director that would give her the support she needs. She talks about her current focus on examining issues dealing with authority, her love of bodily fluids in film, her struggle with emotional scenes, how directing herself as an actor actually helped her acting career, differences between the Canadian and American indie film scene, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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Odessa Young is only 26, but she already has a truly impressive body of work behind her. “Assassination Nation,” “A Million Little Pieces,” “Shirley,” “Mothering Sunday,” “The Stand,” “The Staircase,” “Manodrome,” in each of these projects, she seems to have an effortless command over her character, each unique, never forced, always true. Now she stars as Vita, the lead character based on Zia Anger in “My First Film.” On this episode, she talks about the need to “cultivate an obsession” as character preparation, recent musings on “how much an actor should act to the camera,” why she never worries about being misinterpreted, the importance of “kindredness with creators,” and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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To be a standout on a show featuring Jason Segel and Harrison Ford is quite a feat, but that’s exactly what Luke Tennie did in his breakthrough role as Sean in the hit Apple TV+ series “Shrinking.” On this episode, the seemingly effortlessly-talented young actor takes us back to his early days and details how football played a pivotal part in helping him with the disciplines required for acting. He explains his belief that there can be no real “play” without massive preparation; talks about coming to a place of understanding that auditioning is simply a “demonstration of my capabilities;” tells a hilarious story about his first job, working with Rob Reiner, which ends up being a lesson in letting go, plus much more. The second season of “Shrinking” is dropping this fall and Tennie also has a small part in the eagerly anticipated film “Nickel Boys” which is scheduled to be released on October 25th.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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He was in “The OA,” “The Marvelous Mrs. Maisel,” and played Roy Cohn in “Fellow Travelers,” but the stage is where Will Brill has found the most satisfaction and success recently, in “A Case For The Existence of God,” “Uncle Vanya,” and, just this year, as Reg in “Stereophonic” on Broadway, for which he received a Tony Award. On this episode he talks about building Reg by starting with his voice, why following playwright David Adjmi to a bar was a pivotal move, the importance of directorial affirmation, how his pre-show ritual has changed, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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He was a model and MTV VJ, and then Simon Rex transitioned to acting, becoming widely recognized for his comedic roles in the "Scary Movie" franchise, where his sharp timing and parody skills made him a fan favorite. But more substantial parts were on the horizon. On this episode, he talks about the job that changed everything, Sean Baker’s *Red Rocket,” which won him wide acclaim, an Independent Spirt Award, and a fresh chapter in his career. He talks about the interesting new place he finds himself now at the intersection of “not caring and caring SO MUCH.” He explains what he had to do to feel confident playing a chef in Zoë Kravitz’s directorial debut “Blink Twice,” learning that “to simply par the course” is enough, and sometimes “you don’t have to slap the fish.” Plus much more!

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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Marianne Rendón’s performance in “Summer Solstice,” Noah Schamus’ “modern twist on the buddy comedy from a queer and trans perspective,” is special in such a rare way that makes shinning a light on it actually detrimental to its effect on the new viewer. Its revelations are small and imbedded in the nuances of the character. It’s how they seem rooted and not created, “lived” and not “played,” that make them extraordinary. On this episode, Rendón takes us back to her training, and how being fed great experimental theater before the classics resulted in a kind of “reverse engineering” of her foundation. She details the effort it took to let go of a quality she used to think was her only real strength. She talks about the importance of “cluing into the rhythm of the writer,” dipping back into asking sensory questions through “method” (in its true meaning) approaches, working with “the texture” of life, “living on camera,” how “space informs everything,” and much more.

“Summer Solstice” is available to stream on August 16th.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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Still in his early career, Dylan Arnold has already built a diverse catalog of roles, including a breakout one in season three of Netflix’s “You,” reprising a fan-favorite for the “Halloween” franchise in “Halloween Kills,” and last year, of course, playing Frank Oppenheimer, holding much more than his own, opposite Oscar winner Cillian Murphy. Now he goes a good bit darker in Alma Har’el’s Apple TV+ series “The Lady In The Lake.” On this episode, he talks about the differences between these two incredible actor’s directors, Har’el and Christopher Nolan, and what works best for him. He explains the importance of holding back from making choices too early in preparation, why you should approach with caution anything discovered in rehearsal, learning that “things that scare me can yield exciting results,” and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

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David Garelik was in Trey Edward Shults’ “Waves,” Peter Berg’s “Mile 22,” and recently finished a run of an Off-Broadway 2-hander at the WP Theater, co-produced with Colt Coeur. Now you can see him as the bad guy/enucleator, opposite Liana Liberato, on this season of “Criminal Minds: Evolution” on Paramount+. On this epic episode, he recounts his journey from moving to New York with zero acting experience and “being a bad auditioner”, to making naivety work for him and “changing the game” by refusing to play it. It’s a story of perseverance, endurance, and growth, fueled by focus on the work, Conor McGregor quotes, and an unwavering belief in himself as an actor, told with bold rawness and refreshing honesty, sure to inspire.

Currently, Garelik teaches Sensory Based Acting Process and Dramatic Improv at adultfilm.nyc

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.

Follow Back To One on Instagram