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Hailing from the North Coast of Scotland, bassist/composer Ali Watson journeyed to London to pursue his studies in music, returning to his homeland in 2022 to establish himself in Glasgow’s vibrant jazz scene.

Driven by a desire to craft music that served as an escape and antidote to the relentlessness and overstimulation of modern life, his debut album ‘Terrarium’ is set to release on November 26th.

Watson describes his music as ‘complex yet melodic’; drawing on Contemporary Jazz, Scottish Folk, Impressionist Classical music and his heroes in Aaron Parks, Kit Downes and Larry Grenadier to make his own distinctive imprint on modern Scottish Jazz.

Beginning most of his compositions on the upright piano in his mother’s home, Watson finds the safety and seclusion he experiences there enables him to enter an uninhibited and spontaneous state of mind, unaffected by the rest of the world.

Led by lyrical folk melodies, colourful harmony, intimate instrumental textures and gently propellant grooves, each of Watson’s nine deeply personal compositions are interpreted and performed by his quartet with maturity, personality and feeling.

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Tigran Hamasyan is considered one of the most remarkable and distinctive jazz-meets-rock pianists/composers of his generation. A piano virtuoso with groove power, Hamasyan seamlessly fuses potent jazz improvisation and progressive rock with the rich folkloric music of his native Armenia.

In addition to awards and critical acclaim, Hamasyan has built a dedicated following worldwide, as well as praise from Herbie Hancock, Brad Mehldau and the late Chick Corea. “With startling combinations of jazz, minimalist, electronic, folk and songwriterly elements…Hamasyan and his collaborators travel musical expanses marked with heavy grooves, ethereal voices, pristine piano playing and ancient melodies. You’ll hear nothing else like this” (NPR)

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Tom is based in Manchester, UK. He studied Saxophone and composition at the Royal Northern College of Music and the University of Manchester. His classical training from Rob Buckland (saxophone), Camden Reeves and Gary Carpenter (composition) continues to inform all of his original work, which blends his distinctive voice as an improviser, with a characteristically genre bending compositional flare that absorbs the language of contemporary classical, popular and jazz styles.

He studied Jazz with Steve Berry and Tim Garland under a scholarship kindly granted by The Kinder Family Trust and with sponsorship from The Royal Society of Musicians.

Tom now works internationally as a performer and composer of Jazz, Classical and Commercial Music. Tom has performed at venues which have included The Royal Albert Hall, Royal Exchange Theatre, Colston Hall, Glastonbury Festival, King’s Place London, Band on the Wall, The Royal Philharmonic Hall and the world famous 100 Club as well as for various TV/Radio platforms. His professional life involves work in a variety of disciplines such as session touring and studio work, theatre pit work, multi-instrumental positions and original jazz projects. He accepts commissions from Classical performers for new works, as well as composing for commercial briefs including Film/TV and arranging.

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Joan Hutton is a performer, composer and educator residing in Minneapolis. Joan’s diverse interests have taken her from jazz, free improv and funk to classical, chamber music and pit orchestras. She has released two jazz albums featuring her original music, with co-leader Sue Orfield, on Shifting Paradigm Records: “Take That Back” (2022) and “Splash” (2024.) She is a member of the Ancia Saxophone Quartet, which has recordings out on the Naxos and Albany labels. Joan teaches a large studio of private students around the Twin Cities and is the saxophone and clarinet instructor at Augsburg University.

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Darius and Cathy join the show to share their lifetime of work and achievements. With a new book and film Playing The Changes as well as a rerelease of The Jazzanians iconic album We Have Waited Too Long theres so much to catch up on!

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In a world which celebrates the virtuosity of the individual, HLK’s vision has been to develop their ensemble virtuosity, compelled by a unified vision. The music comprises precise notated sections, moments of conversational interaction and room for individual improvisation. It is a delicate but powerful balance. This unique, interdependent rhythmic language has required unparalleled commitment, but yielded astonishing results. The Trio’s music is celebrated for being emotionally and cerebrally challenging yet accessible, captivating audiences young and old across the UK and mainland Europe.

HLK have completed their second recorded volume: ‘Anthropometricks’. Their unique musical relationship with Dame Evelyn Glennie has evolved and the results captured in five of the eight compositions on the album. Two additional artists have also been invited into the fray. British Cellist Natalie Clein’s rich tone and melodic interpretation add a wealth of texture. Varijashree Venugopal contributes a spell-binding vocal performance, including an incredible improvisation on the title track. Today Rich Kass, Rich Harrold and Ant Law join Rob Cope to chat about the new album.

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