When singer Janis Siegel was invited to help produce a Women's History Month event at the United Nations, everything seemed aligned—until she was told, just days before, that she would not be allowed to speak. She had been flagged for her social media posts.

Here she reflects on that moment and what it reveals about a broader cultural shift. Drawing on conversations about jazz, democracy, memory, and fear—and voices ranging from Louis Armstrong to Milan Kundera—this piece explores how authoritarianism doesn't arrive all at once, but quietly, through hesitation and self-censorship.

At a time when voices are still rising in protest, the question remains: what happens when speaking starts to feel like a risk?

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When I arrived in Palm Springs last month, a few days before the concert-lecture I was to play with my father, Ben Sidran, I found him surrounded by months of research notes, trying to wrestle his ideas into something coherent.

The performance was part of the Palm Springs International Jazz Festival during the city's annual Modernism Week, and it grew out of an earlier program we presented at Taliesin, Frank Lloyd Wright's home and studio in Spring Green, Wisconsin. What began as a playful idea about the relationship between architecture and music gradually expanded into a deeper exploration of the natural structures that shape both.

Along the way we found ourselves diving into the harmonic series, overtones, Fibonacci sequence, and the physics of vibration, asking how these natural phenomena influence the way we hear rhythm, harmony, and beauty.

Drawing on conversations with musicians like Gil Goldstein, Howard Levy, and Jacob Collier, the episode is part personal story, part philosophical inquiry, and part behind-the-scenes look at how creative work actually gets made.

And how, in the end, even the most abstract ideas often begin the same way: with a gig.

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www.wbgo.org/podcast/the-third-story
www.leosidran.substack.com/

Phoebe Katis — a UK-born, New York–based songwriter can pinpoint the moment when her life and career were quietly reoriented. It started with a single direct message.

Katis traces her journey from being a young singer-songwriter in England, measuring herself against inherited ideas of success, to becoming part of a global musical community through a series of small, intentional actions — including the DM that led to her first collaboration with Cory Wong, years of touring, a move to the U.S., and a creative and personal life she never could have planned.

At the center of the conversation is the idea of the inflection point — the moments that don't announce themselves while they're happening, but later reveal themselves as before-and-after lines. Katis speaks candidly about ambition, people-pleasing, pop music as a delivery system for emotional truth, and the reality of sustaining a creative life without asking your art to carry everything.

Her latest album, A Coming Of Age was released in late 2025. Here she reflects on success and arrival, the value of side hustles, pop music as a delivery system for truth, how to build a creative life without asking your art to carry everything.and what it means to keep "coming of age" well into adulthood.

www.third-story.com
www.leosidran.substack.com
www.wbgo.org/podcast/the-third-story