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Since its publication in 1996, George Saunders’ debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world.

The Unnamed is a dazzling novel about a marriage, family, and the unseen forces of nature and desire that seem to threaten them both. He was going to lose the house and everything in it. The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family-again he would lose his family. He stood inside the house and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn't recall the moment that promise had given way to the everyday.

Charlie Barnes is a mid-century man devoted to his newspaper and his landline. But Charlie is about to get dragged into our troubled age by his storyteller son, who has a different idea of him than he has of himself. Then there are his other children, his ex-wives, present wife, business clients, friends and acquaintances, all of whom have their competing opinions of Charlie.

Große Literatur, gelesen von Hörbuchpreisträger Matthias Brandt. Eigentlich will Tim Farnsworth nur funktionieren. Im Beruf. In seiner Ehe. Als Vater. Warum auch nicht, hat er doch alles, was es für ein erfülltes Leben braucht: Erfolg, Wohlstand, familiäres Glück. Doch dann ist von einem Tag auf den anderen nichts mehr, wie es war. Denn er sieht sich getrieben, das zu zerstören, was er liebt. Tim Farnsworth ist ein attraktiver Mann im besten Alter. Seine Frau Jane liebt ihn, trotz mancher Krisen, auch nach all den Jahren noch.

In Safety Tips for Living Alone, Jim Shepard weaves the stories of four families whose lives are upended when the men go to work on a dangerous and isolated surveillance platform off the coast of Long Island. After working his way up to captain, career serviceman Gordon Phelan is offered the command of Texas Tower 4--a wobbly "box over the ocean".

No one knows us quite the same way as the men and women who sit beside us in department meetings and crowd the office refrigerator with their labeled yogurts. Every office is a family of sorts, and the Chicago ad agency Joshua Ferris brilliantly depicts in his debut novel is family at its strangest and best. The characters in Then We Came to an End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks.

These 11 stories by Joshua Ferris, many of which were first published in The New Yorker, are at once thrilling, strange, and comic. The modern tribulations of marriage, ambition, and the fear of missing out as the temptations flow like wine and the minutes of life tick down are explored with the characteristic wit and insight that have made Ferris one of our most critically acclaimed novelists.

Paul O'Rourke is a Manhattan dentist with a thriving practice leading a quiet, routine-driven life. But behind the smiles and the nice apartment, he's a man made of contradictions, and his biggest fear is that he may never truly come to understand anybody, including himself. Then someone begins to impersonate Paul online, and he watches in horror as a website, a Facebook page, and a Twitter account are created in his name.

Someone is telling the story of the life of Charlie Barnes, and it doesn't appear to be going well. Too often divorced, discontent with life's compromises, and in a house he hates, this lifelong schemer and eternal romantic would like out of his present circumstances and into the American dream. But when the twin calamities of the Great Recession and a cancer scare come along to compound his troubles, his dreams dwindle further, and an infinite past full of forking paths quickly tapers to a black dot.