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After a life of hiding and laying low so as not to end up trapped in the Underworld, that's exactly where Reagan finds herself. It could be worse, though. She could've had a hostile father as her jailor instead of a man eager to teach her magic. She might've been trapped with someone other than the steadfast Druid. She could've gone her whole life without riding a dragon! When push comes to shove, maybe the Underworld isn't so bad. Or maybe Lucifer is doing what he does best—deceiving her to get what he wants.

Keeping the peace in a West Texas town like Buffalo Peak should be easy for a legendary frontiersman like Marshal Elwood "Firestick" McQueen. He’s got his longtime buddies "Beartooth" Skinner and "Moosejaw" Hendricks as his deputies—not to mention the famous rifle that earned him his nickname. But when Firestick learns that their ornery old friend “Rip” Ripley just rode into town, all bets are off. It’s darn near impossible to keep the peace when Rip’s specialty is disturbing it. Firestick finds a decade-old wanted poster for Rip—the reward is one dollar.

As sleepy as Buffalo Peak's been, legendary marshal, Elwood "Firestick" McQueen, and his deputies "Beartooth" Skinner and "Moosejaw" Hendricks never expected a couple of drifters to wake it up—by kidnapping two lovely ladies in town. Hardly the sharpest quills on a cactus, these dim drifters call it courtin'. Firestick doesn't see it that way. Now the woman snatchers are heading for West Texas with their reluctant brides-to-be—and unwittingly plunging trackers Firestick and Moosejaw headlong into a rescue.

Veteran journalist Joseph Alsop thrived in his role as the right-hand man for Washington’s political elite, influencing both policy and public opinion with his inflammatory columns. But as the political certainties of the post-war era began to chip away in the late 1960s, so did Alsop’s authority, both on the page and in his own life. An L.A. Theatre Works full-cast production.

In this remarkable anthology of historical recordings are many of the great artists of the past. Early cylinder recordings of Sir Henry Irving preserve the voice and character of the greatest actor of the Victorian period as well as Ellen Terry, his stage partner for many years. In this program, the changing styles of Shakespeare performance, a fascinating study, are documented with such varied actors as Tree, Gielgud, Thorndike, Olivier, Booth, and Barrymore.

This play has been adapted into plain English and is performed as a theatrical full-cast production. At just over 20 minutes long, it is an abridged and adapted version of one of the relatively underperformed works in Shakespeare's canon. The plan opens with a threat from the French. Negotiations, conflict, and palace intrigue follow, as King John works his way through many issues of war and diplomacy in classic Shakespearean fashion.

King John of England is pitted against the united powers of France, Brittany, Austria, and the Papacy. Will England be destroyed by his fatal indecision? As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him - including his powerful mother, Queen Elinor, and Faulconbridge, the cynical and witty bastard son of the dead King Richard I.

A king's mad jealousy tears his family apart in this rich, tragicomic play, one of Shakespeare's last. When King Leontes suspects his wife, Hermione, has been unfaithful, he sends her to prison, where she gives birth to a daughter. Assuming the baby is not his, Leontes orders that she be left to die on a desert shore. He spends the next 16 years grieving over his error, until the fateful day his long-lost daughter Perdita returns.

The Yorkists have been temporarily victorious and the Duke of York has assumed the throne, but the Lancastrians, led by Queen Margaret, counter-attack. As the fortunes of war shift, both the innocent and the guilty are swept up in the maelstrom. And increasingly dominant amid the chaos is the sinister figure of the crook-backed Richard, Duke of Gloucester.

Proteus loves Julia in Verona, Valentine loves Silvia in Milan. But when Proteus meets Silvia, he falls for her too, and the heartbroken Julia sets out in pursuit. This delightful and sometimes disquieting early comedy of love lost and found offers lyrical poetry, disguise, clowning, outlaws, and a most unreliable dog.

King Leontes of Sicilia is seized by sudden and terrible jealousy of his wife Hermione, whom he accuses of adultery. He believes the child Hermione is bearing was fathered by his friend Polixenes, and when the baby girl is born he orders her to be taken to some wild place and left to die. Though Hermione's child escapes death, Leontes' cruelty has terrible consequences. Loss paves the way for reunion, and life and hope are born out of desolation and despair.

The sensitive and poetic Richard II is undoubtedly the rightful king of England, but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.

At the heart of this tragic history is one of Shakespeare's most noble characters, the statesman Brutus, who is caught in a devastating conflict between private affection and public duty.

Julius Caesar has become the most powerful man in the Rome. Does his power now threaten the very existence of the Republic itself? A conspiracy is hatched, one that will have fatal consequences not only for Caesar and the conspirators but for the future history of the ancient world.

Pericles, Prince of Tyre, undergoes a tyrant's fury, storm, and shipwreck. He wins love and suffers loss, but what is lost may also be found. With the ancient poet Gower acting as narrator, we follow the adventures of Pericles from young manhood to maturity. This strange and powerful tale of loss and recovery is the first in the group of romance comedies created by Shakespeare at the end of his dramatic career.

Renowned Shakespearean actors John Gielgud and Ralph Richardson lead a full-cast performance of this beloved Shakespeare play. Dealing with issues of mercy, justice, and truth, and their relationship to pride and humility, this is Shakespeare at his most complex and rewarding.

There’s a storm brewing in Oklahoma Territory, and this time, it’s deadly serious. Local cattle ranches are being targeted by Texas rustlers—and the only man who can keep it from turning into a bloodbath is U.S. Deputy Marshal Will Tanner. The newly married lawman hates to leave his beautiful bride Sophie, but duty calls—for better or worse. In Tanner’s experience, it’s usually worse. An unexpected confrontation with outlaws is just the bloody beginning. Then an escaped convict catches wind of the fact that Tanner killed his brother. Now Will’s really in the crosshairs.

Two of the Johnstones’ most legendary heroes—the rugged mountain man known as Preacher and the Scottish clan rancher Jamie Ian MacCallister, here together for the first time—are forced to choose sides in a blood-soaked battle for the heart and soul of a nation divided. This is not the American dream they were looking for. This is a nightmare. A brutal, blood-drenched frontier war that two heroic men must fight and win—or one struggling nation will never come together. For liberty and justice for all.