Títulos em Sociologia

Italian shoes, a house in the hills, a gift for stretching the truth, and a petulant assistant to pick the scallions out of his Szechuan noodles - Hollywood producer Davis Mizlansky has it all. But he's about to lose it to the IRS unless he can pull off one more deal. A stellar cast performs this hilarious send-up of modern-day Hollywood.

Jonathan Waxman is a hugely successful artist. He's been profiled in Vanity Fair and receives exorbitant prices for his works, sight unseen. But a visit with his original muse and lover causes him to reevaluate the success that now controls him.

In a Fifth Avenue apartment high above Central Park, a weathy art dealer and his wife are trying to interest a moneyed friend in a $2 million investment when an unexpected young guest arrives - and changes their lives forever. Performed by a full cast starring Alan Alda, Swoosie Kurtz, and Chuma Hunter-Gault.

Three men, Kevin, Dermot and Joe, stand and tell their stories on a bare stage. They never meet. Or do they? From this simplest of dramatic devices emerges a rounded tale of Irish life across the generations, accurate and poignant and therefore unforgettable: The poetry of ordinary life.

Big Work examines our modern day relationship to our jobs and the ripples this causes throughout our lives. Based on interviews with people from all across the US, the play follows 17 real people who share stories about their dreams, about feeling invisible, about unexpectedly starting over, and about searching for employment and themselves. What begins as a conversation about the work we do is woven into a larger story about identity, the definition of success, and what it means to both make a living and create a life.

In Cry Me a River, acclaimed journalist Margaret Simons takes a trip through the Basin, all the way from Queensland to South Australia. She shows that its plight is environmental but also economic, and enmeshed in ideology and identity. Her essay is both a portrait of the Murray–Darling Basin and an explanation of its woes. It looks at rural Australia and the failure of politics over decades to meet the needs of communities forced to bear the heaviest burden of change.

In the past half-century, women have revolutionised the way they work and live. But men’s lives have changed remarkably little. Why? Is it because men don’t want to change? Or is it because, every day in various ways, they are told they shouldn’t? In Men at Work, Annabel Crabb deploys political observation, workplace research and her characteristic humour and intelligence to argue that gender equity cannot be achieved until men are as free to leave the workplace (when their lives demand it) as women are to enter it.