Títulos em Ciências Sociais

Social Media Star Tahsim Durgun alias tahdur erzählt Anekdoten aus der Küche eines Migrantenkindes. Noch bevor Tahsim Durgun Fahrradfahren konnte, musste er für seine Mutter die Stromrechnung entziffern, begleitete sie als Dolmetscher zu Arztbesuchen und verlas Aldi-Kataloge am Küchentisch. Seine spätere Karriere als Deutschlehrer war da bereits vorgezeichnet. Wie praktisch, dass er sich seitdem an der Uni zwischen dem BWL-Justus und der Iced-Coffee-Claudia gut getarnt vor den Abschiebefantasien der AfD verstecken kann.

Part-autobiography, part frontline reportage and part cultural commentary, Julie Bindel examines what defines lesbian culture, love, friendship and happiness today. She distinguishes the particular challenges facing lesbians from the very different experiences of gay men, and asks: why do lesbians so often seem to face particular hostility? Comparing past attitudes to today, she argues that lesbians continue to suffer from bigotry and discrimination because sexism and enforced gendered roles are still left unchallenged.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Cassandra Snow's groundbreaking Queering the Tarot helped change the shape of tarot discourse for scores of new listeners to reclaim this ancient practice in their own way. Tarot in Other Words opens doors for these brilliant tarotists, offering unique insights and concepts for tarot readers of all levels. Queerness will be a thematic thread running throughout the project, with individual essays tackling a variety of topics that expand on that theme in new and compelling ways.

Monsters are central to how we think about the human condition. Join award-winning historian of science Dr. Surekha Davies as she reveals how people have defined the human in relation to everything from apes to zombies, and how they invented race, gender, and nations along the way. With rich, evocative storytelling that braids together ancient gods and generative AI, Frankenstein's monster and E.T., Humans: A Monstrous History shows how monster-making is about control: it defines who gets to count as normal.

Under the guise of writing about a single subject, Greg Tate’s essays in Flyboy in the Buttermilk branch out from his usual and explore social, pop cultural, political, and economic subjects. Taking on a wide diversity of topics—from the rise of hip-hop; the art of JeanMichel Basquiat; the music of Miles Davis, James Brown, Jimi Hendrix, Bad Brains, and many others; to the crisis of the Black intellectual and the irony of the GOP recruiting Black Americans— Tate writes in a brave and distinctive voice that is angry, joyous, anxious, and funny.

Social scientist and crime writer James A. Buccellato explores Detroit's struggle with gang violence, public corruption, and the politics of vice during the tumultuous first half of the twentieth century.

This series explores the power of pickleball to bridge divides and foster understanding.

In 1989, shortly after her second marriage, Palmer and her new husband quit their jobs without notice. They pulled her two young daughters out of school and buckled them into the rear seat of a used car purchased with cash. The trunk was packed with clothing and toys, pillows and blankets, four place settings, one pot, one pan, and a sack that contained every penny they had. Living with the fear of Palmer’s dangerous ex-husband had become untenable: This was DIY witness protection.

En esta ocasión, la periodista madrileña Diana Oliver, nos presenta un título que tiene como objeto principal la maternidad. A través de los capítulos, la autora intenta explorar y responder a preguntas como: ¿Dónde nace el deseo de ser madre? ¿Somos realmente libres para decidir cuándo, cómo o con quién tenemos hijos? ¿Qué necesitamos para vivir una experiencia de la maternidad más grata? ¿De qué dependen nuestros malvivires maternales? ¿Qué exigencias nos imponen? ¿Cuáles nos imponemos? ¿Somos las madres que queremos ser o las que podemos ser? ¿Quién cuida a las madres? ¿Cómo cuidamos?

"Mi fantasía es una metralleta. Cuando voy por la calle y un desconocido me grita algo: metralleta. Cuando el político de turno hace el comentario machista de turno: metralleta. Cuando el obispo dice en los periódicos que cómo queremos que no nos violen, si pedimos el aborto libre y gratuito: metralleta. Cuando en la escuela se valora hasta el infinito que el padre de los críos vaya a la reunión, pero se da por supuesto que las madres irán: metralleta. Cuando me echan del trabajo porque estoy embarazada: metralleta. Cuando me dicen que no me exalte, que no es para tanto: metralleta.

La rebelle devenue icône. Avec 14 Grammy Awards à son actif, Taylor Swift est passée en une décennie de princesse de la country à reine de la pop américaine. De ses débuts en tant que jeune prodige de la country, à son ascension fulgurante au sommet des charts mondiaux, chacun des succès de Taylor Swift révèle des histoires fascinantes. En plus de sa voix, de sa présence scénique, de ses mélodies, Taylor Swift doit aussi sa popularité à ses qualités uniques de parolière. Puisant son inspiration dans les déboires de sa vie personnelle et sa culture littéraire, elle est une autrice à part dans le paysage musical.

When she was twenty-five, Ursula Pike boarded a plane to Bolivia and began her term of service in the Peace Corps. A member of the Karuk Tribe, Pike sought to make meaningful connections with Indigenous people halfway around the world. But she arrived in La Paz with trepidation as well as excitement, 'knowing I followed in the footsteps of Western colonizers and missionaries who had also claimed they were there to help.'

In early 1960’s Palo Alto, Jerry Garcia randomly opened a dictionary to a fable in which an appreciative soul repays the generosity of a traveler by delivering him a fortune, a “gift of the grateful dead.” After a traumatic car accident that injured him and killed a close friend, Garcia had recently resolved to build the life he wanted, which meant making music. He had practiced relentlessly and caromed across the northern California folk and bluegrass scene, gathered up some fellow musicians and formed a band. Now they had their name.

Born to a Secwepemc father and Jewish-Irish mother, Julian Brave Noisecat’s childhood was full of contradictions. Despite living in the urban Native community of Oakland, California, he was raised primarily by his white mother. He was a competitive powwow dancer, but asked his father to cut his hair short, fearing that his white classmates would call him a girl if he kept it long. When his father, tormented by an abusive and impoverished rez upbringing, eventually left the family, Noisecat was left to make sense of his Indigenous heritage and identity on his own.

An upcoming book to be published by Penguin Random House.

Growing up in Montana, Chris La Tray always identified as Indian. Despite the fact that his father fiercely denied any connection, he found Indigenous people alluring, often recalling his grandmother's consistent mention of their Chippewa heritage. When La Tray attended his grandfather's funeral as a young man, he finally found himself surrounded by relatives who obviously were Indigenous. "Who were they?" he wondered, and "Why was I never allowed to know them?"

When Ben Coates injures his leg and needs to rebuild his strength by walking, he finds himself presented with an exciting opportunity: to rediscover the city he has been working in for over a decade, at a slower pace. He devises ten walks, each demonstrating a different chapter of Amsterdam's history, from its humble beginnings in the early 1200s as a small fishing community through two Golden Ages, fueled by the growth of the Dutch colonial empire, two world wars, and countless reinventions.

Cedric J. Robinson is one of the doyens of Black Studies and a pioneer in study of the Black Radical Tradition. His works have been essential texts, deconstructing racial capitalism and inspiring insurgent movements from Ferguson, Missouri, to the West Bank. For the first time, Robinson's essays come together, spanning over four decades and reflective of his interests in the interconnections between culture and politics, radical social theory, and classic and modern political philosophy.

Drawing on twenty-five years of research, programming, and advocacy efforts, Mariana Chilton compellingly demonstrates that food insecurity is created and maintained by people in power. Taking the listener back to the original wounds in the United States caused by its history of colonization, genocide, and enslavement, she forces us to reckon with hard questions about why people in the US allow hunger to persist. The Painful Truth about Hunger in America reinvigorates our commitment to uprooting the causes of poverty and discrimination, and points to a more generative and humane world.