Títulos em Mulheres

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life.

In Not That Sweet, Stephanie candidly shares her story of growing up in a chaotic home, shaped by a police sergeant father seeking to “fix” her defiance and anger at home by sending her away. As she navigates her unconventional childhood, listeners are invited to explore a pressing question: Is she a ‘troubled teen,’ reacting to an unhealthy environment, or both?

Sit back and enjoy this collection of thought provoking words. As we walk together through these words let us remember or consider those who are or have gone through something similar. We all could learn from taking a single step in someone else’s shoes.

Sus lágrimas han sido pepitas de oro para la audiencia. Pero ella es mucho más que Sálvame, mucho más que la creadora del chuminero o la periodista que siempre llora frente a las cámaras. Lydia Lozano forma parte de la historia de nuestra televisión y de la prensa del corazón. Su currículum atesora años de exclusivas y de anécdotas. Tras décadas de experiencia, la periodista, lejos de los focos y sin interrupciones, nos cuenta su versión de la historia. Ha llegado la hora de escribir negro sobre blanco todas esas cosas que nunca pude decir en un plató.

If you told Aiden Arata in 1995 that the internet would one day crown her the “meme queen of depression” and mega corporations would fly her to conferences to speak about commodifying one's emotions for views, she would have asked you what a meme was. Now, in her highly anticipated debut, she brings us raw reportage from that liminal space between online and offline worlds, illuminating how we got here and where to go next.

Angelina Moehlmann invites listeners to journey with her on a raw and emotional path to motherhood through adoption. Faced with the challenges of infertility, unexpected setbacks, and the overwhelming uncertainty of the adoption process, Angelina never gave up on her dream of becoming a mother. In this heartwarming memoir, Angelina shares the struggles, tears, and ultimate triumph of her adoption story, capturing the moments that made her stronger along the way.

Honest, witty, and heart-warming, The Clairvoyant and the Chiropractor is a memoir written as a novel, designed to help anyone on a spiritual pathway in search of courage, comfort and the knowledge they are not alone.

Show Time is a true story which found its roots in the answer to the question, 'how did the author get into tattooing', which she fielded from almost every person that she met. The book travels the backroads of Europe in the 1980s and 90s as a young woman chronicles her relentless determination to find scraps of information, loopholes and chinks in the armor of the male-dominated secretive world of tattooing where females were not welcome or encouraged.

At twenty-six, Gaby felt like her life was just beginning. Newly married and pregnant with her first child, she was on top of the world. But that joy was shattered when a routine blood test led to a diagnosis of AML Leukemia—and the treatment she needed could harm her baby or save them both.

Bekannt aus Stern-TV! Interaktiv mit Video-Verlinkungen Aufgewachsen in Hanau als jüngstes von vier Kindern kam Caro schon früh mit Gewalt und Alkohol in Kontakt: der Stiefvater war Alkoholiker, Schläge an der Tagesordnung. Mit 16 raus von zuhause und rein ins Frankfurter Bahnhofsviertel, wo Drogen, Alkohol und Gewalt den Alltag regieren. Ein Kreislauf, bestimmt von Crack, Heroin, Alkohol und Gewalt. Ein Leben auf der Straße, schlafen unter Brücken und in Hauseingängen.

After years of treating patients, Dr. Michelle Choi had a moment of clarity that rocked her to her core: she wasn’t really helping anyone, and after all these years, she had lost sight of herself. The only way to reclaim some decency would be to demand a big change. After working her entire life to become a doctor, Michelle achieved her dream but realized it wasn’t what she expected. Instead of helping patients feel well, she answered corporate medicine’s unrealistic expectations and practiced assembly-line healthcare.

In her debut book of essays, Chantal Braganza considers the limits of understanding motherhood as identity or action alone, while reflecting on her upbringing as a daughter of Mexican and Indian immigrants and the first years of raising her two children. Inspired by the thinking of Dionne Brand, Maggie Nelson and Jacqueline Rose, she explores what shapes the things we reach for as we search for our family's place in the world. How do we tell our children who they are when we're still struggling to find that language to describe ourselves?

After her parents' divorce in 1974, Lisa Lucca's idyllic Midwestern childhood is shattered when she learns her father is gay. Sworn to secrecy, she begins carrying the emotions of her family like a cracked bucket, making a mess as she embarks on a life of rebellious choices. Decades later, faced with the aftermath of her father’s death, Lisa revisits the complicated relationship she had with him, delving deeper into the stories she’s held about love, sexuality, and the family she comes from with a shimmering clarity that arises from her grief.

Girl Friday – a job title used in 1970s workplaces for a junior administration assistant or receptionist. Common synonyms include junior office chick, s--t-kicker, donkey worker, or gofer (go for this, go for that). Kristine Philipp was 15 when she lied to get a junior office job as a Girl Friday in 1975 – she took the job because she thought she only had to go to work on Fridays. In the 40 years that followed, Kristine went on to experience the full gamut of working life – from joblessness, self-employment, mind-numbing office roles, toxic workplaces and out-of-control workloads.

With wit and sass, Sally tells the story of how she was so much more than just a wife of a station manager. She was a nurse, a mother, a travel agent, a host, an organiser, and whatever else the moment demanded of her. She was just as likely to be found assisting the Flying Doctors or the local Indigenous community as she was organising Kerry Packer’s New Year’s Eve parties. This is a story about adventure, resilience, the unexpected journeys we need to go on to find ourselves, and having the courage to do something for yourself.

¿Cómo contar la historia de uno mismo? Y, en ese ejercicio, ¿hasta qué punto se construye o se reconstruye la identidad? En este libro autobiográfico, Piedad Bonnett parte de sus vivencias para reflexionar sobre los factores que definen nuestra cotidianidad. Nos habla, con sensibilidad y lucidez, de aquello que determina la experiencia de las mujeres -la educación, el matrimonio, la maternidad, los tabúes asociados al cuerpo y la violencia de género- y también de la ansiedad, el miedo, la rebeldía, las ansias de libertad y las obsesiones que impulsan el proceso de la escritura.

Holding on is all fourteen-year-old Stephanie Clare Smith can do when she's left home alone in New Orleans during the summer of 1973. As she seeks to ease her solitude through her summer school algebra class, her wandering in the city, and her friendship with a streetcar operator, adults—particularly men—fail her again and again, with devastating consequences.

This book is an assembly of countless wild adventures experienced during my transition during being a young adult to adulthood while integrating to a new country with an American father and a French mother. It's about bravery, dreams, the power of optimism and healing your wounds: A series of melancholic drama, lovely encounters, wild trips, weird coincidences, loss, love and in between.

In this book, Melinda will reflect, for the first time in print, on some of the most significant transitions in her own life, including becoming a parent, the death of a dear friend, and her departure from the Gates Foundation. The stories she tells illuminate universal lessons about loosening the bonds of perfectionism, helping friends navigate times of crisis, embracing uncertainty, and more.

For her first forty years, Jo Haldeman’s life followed a conventional path. While her husband, Bob, built his career in advertising, Jo comfortably settled into her role as mother of four, housewife, and community volunteer. In 1968, Jo’s world changed dramatically. Richard Nixon was elected President of the United States, and Bob was offered the job of a lifetime—White House Chief of Staff.