Títulos em Arte e Literatura

Urchin on the Beat is the captivating second volume of Uwe Siemon-Netto's memoir series, detailing his tumultuous teenage years in post-war Germany. The story picks up in 1947, where young Uwe endures daily persecution in the Soviet-controlled zone, targeted by his Communist teacher for being a Christian. Desperate for freedom, he escapes to West Germany, leaving behind his beloved grandmother, who had protected him from Nazi indoctrination.

This audiobook contains the strange, raw, and epiphany-filled stories that led to Read’s dramatic nine-month conversion from atheism to Catholicism. Focusing not only on Read’s life but also on the lives of others who, knowingly or unknowingly, encountered the Virgin, this literary memoir is a testimony of how a Mother patiently brought one child home to her Son—and slowly revealed her own heart.

In a world saturated with success stories and overnight sensations, author Steven E. Wedel takes a refreshingly honest and humorous approach to navigating the tumultuous waters of the writing life. In "How to Fail as an Author," Wedel shares his personal journey from aspiring writer to seasoned author, highlighting the inevitable failures, setbacks, and unexpected detours along the way.

Chico Xavier viveu seus 92 anos no limite. Com um pé na Terra e outro no além, fechou os olhos e pôs no papel poemas, crônicas, mensagens. Em mais de 500 livros publicados, mortos ilustres e anônimos consolam os vivos, pregam a paz e propagam o equilíbrio e a solidariedade. Para seus admiradores fervorosos, foi um santo. Para os descrentes, no mínimo um personagem intrigante.

Marcel Proust came into his own as a novelist comparatively late in life, yet only Shakespeare, Balzac, Dickens, Tolstoy, and Dostoyevsky were his equals when it came to creating characters as memorably human. As biographer Benjamin Taylor suggests, Proust was a literary lightweight before writing his multivolume masterwork In Search of Lost Time, but following a series of momentous historical and personal events, he became—against all expectations—one of the greatest writers of his, and indeed any, era.

El descalzo es el escritor en su tinta. Pero la tinta de un escritor no es sólo la tinta de su tintero, de su teclado. Es, además, todo eso que lo envuelve como una red y lo apresa y/o contiene y está más allá y más acá de su biblioteca, de sus apuntes, de sus tortuosos borradores, de los laberintos de gestación, de sus hábitos y manías y mañas a la hora de afrontar el desafío de la página en blanco o de la página que rebasa.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life.

Sus lágrimas han sido pepitas de oro para la audiencia. Pero ella es mucho más que Sálvame, mucho más que la creadora del chuminero o la periodista que siempre llora frente a las cámaras. Lydia Lozano forma parte de la historia de nuestra televisión y de la prensa del corazón. Su currículum atesora años de exclusivas y de anécdotas. Tras décadas de experiencia, la periodista, lejos de los focos y sin interrupciones, nos cuenta su versión de la historia. Ha llegado la hora de escribir negro sobre blanco todas esas cosas que nunca pude decir en un plató.

Show Time is a true story which found its roots in the answer to the question, 'how did the author get into tattooing', which she fielded from almost every person that she met. The book travels the backroads of Europe in the 1980s and 90s as a young woman chronicles her relentless determination to find scraps of information, loopholes and chinks in the armor of the male-dominated secretive world of tattooing where females were not welcome or encouraged.

Âşık Veysel... Anadolu toprağından yeşermiş eşsiz bir gönül adamı. Acının toprağıyla yoğrulup hikmet kapısının eşiğine oturmuş söz ehli. Tabiatı, toprağı, karıncayı, dostu, aşkı, vatanı kendisine özgü söyleyiş tonuyla yeniden yoğurmuş halk ozanı. Sazıyla sözüyle Anadolu onda birleştirdi. Sevgi bir insanlık ideali oldu Âşık Veysel’in şahsında. Gözlerini kaybetti fakat neredeyse herkes onun gözü oldu. Sinan Yağmur, Âşık Veysel’i, ömrünü kuru kronolojiye değil unutulmaz kesitlerle yeniden canlandırıyor.

,,Cum să-ţi placă, domnule... ăștia?" Sunt recunoscător serviciului de corectură şi întregii edituri Humanitas fiindcă nu mi-a eliminat cuvântul "ăştia" din titlul povestirii. Aud că prin grădiniţe şi chiar în primele clase de şcoală se practică acest nou tip de prigoană. Copiii sunt învăţaţi că se spune "acesta" şi "aceasta", nici­de­cum "ăsta" şi "asta". Dan Spătaru a murit la timp. Altminteri, ar fi aflat de la castratorii limbii că a folosit un limbaj nepotrivit când i-a cântat ţărăncuţei "De data asta, măi fată, / Zi bogdaproste c-ai scăpat"...

Lew Wallace, a fascinating and multitalented historical figure, has consistently been overlooked and lost in academia, articles, and modern books. When he has been discussed, he has often been misrepresented and misunderstood. This is partly due to the sordid and profoundly controversial period in the United States during his lifetime. Yet, Lew wrote one of the most successful and influential novels of the 19th Century. The story he created, and the high-profile controversies he was intimately involved in, have lived on in numerous movies and television programs.

¿Cómo contar la historia de uno mismo? Y, en ese ejercicio, ¿hasta qué punto se construye o se reconstruye la identidad? En este libro autobiográfico, Piedad Bonnett parte de sus vivencias para reflexionar sobre los factores que definen nuestra cotidianidad. Nos habla, con sensibilidad y lucidez, de aquello que determina la experiencia de las mujeres -la educación, el matrimonio, la maternidad, los tabúes asociados al cuerpo y la violencia de género- y también de la ansiedad, el miedo, la rebeldía, las ansias de libertad y las obsesiones que impulsan el proceso de la escritura.

Picking up where he left off at the end of his widely praised debut memoir, One of These Things First, Gaines recounts his hilarious, sometimes poignant attempt to forge a writing career and a successful love life in the gay world of the 1970s. He has limited success until he falls in love with an older woman dying of cancer.

In this storybook memoir, the author unravels the mystery behind a legacy inherited from her mother, whose work was known for its ability to inspire emotional and spiritual renewal. But before the author could fully claim this inheritance, she must first journey back in time, beyond her own birth, to uncover the origins of the healing power embedded in the art.

While perhaps best remembered today as the beloved, iconic character Glinda the Good Witch in the 1939 film "The Wizard of Oz", Billie Burke enjoyed a long theatrical and film career in the early 20th century. Popular, red-haired comedienne Burke was the daughter of a woman possessing an indomitable spirit and a well-known circus clown from whom she took her name.

Finding The Christmas Spirit And Other Essays is a collection of five critical and satirical essays by the English writer Michael Lieber. Collection Includes: Finding the Christmas Spirit, The great British Sunday roast, Lieber on Shakespeare, The Heart of Britannia and The London Riots of 2011.

Soon after Henk Pröpper moves from Amsterdam to Paris, both the world and his heart almost come to a full stop. He undergoes major surgery and awakes in an empty city in lockdown. Paris is transformed into an abandoned stage. To quicken his recovery, Pröpper begins walking. He combs his immediate surroundings, he hunts for the past, discovering countless commemorative plaques and monuments that honour well- and lesser-known Parisians and keep their histories alive. Pröpper also reflects on his own life and the literature that has shaped him.

Based on her popular class at Yale, this masterful, intimate essay collection from one of our greatest living playwrights and teachers, Sarah Ruhl, is a testament to the singular impact of teachers across every stage of our lives. Anchored in stories both personal and universal, drawing on Sarah’s experiences with her parents and children, with schoolteachers, creative influences, and beyond, Lessons from My Teachers offers an uplifting perspective on our basic human need to teach and learn from each other as we navigate the surprising paths that shape our lives.

La historia tiene una memoria muy corta. Todo se nos queda antiguo demasiado rápido. O rescatamos hoy a las mujeres pioneras del periodismo español o las perdemos para siempre. Rosario de Acuña, librepensadora decimonónica y azote de todas las esclavitudes; Carmen de Burgos, la primera corresponsal de guerra y feroz luchadora por la conquista del derecho al divorcio y al sufragio femenino; Sofía Casanova, poeta, cronista de la Primera Guerra Mundial, y franquista tardía.