Títulos em Literatura e Ficção

A seriously entertaining collection of feelgood stories guaranteed to put the smile back on your face written especially by 10 best-selling novelists. From a hilarious race against time to a moment of unexpected eavesdropping, from righting wrongs in rural India to finding joy in unlikely places, these stories are all rich in wit and humour, guaranteed to lift your spirits and warm your heart.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Trauma nurse Aly escapes her hard-working days by thirsting after masked men online. To her, nothing could top the fantasy of her favorite tattooed and masked man hunting her down. But she never could have guessed that one drunken text would turn those dreams into reality . . .Josh has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans, until one follower catches his eye: Aly.

David Foster Wallace made an art of taking readers into places no other writer even gets near. In his exuberantly acclaimed collection, Brief Interviews with Hideous Men, he combines hilarity and an escalating disquiet in stories that astonish, entertain, and expand our ideas of the pleasures that fiction can afford.

A quinta-feira agora é o melhor dia da semana. Com os crimes mais recentes solucionados, o Clube do Crime das Quintas-Feiras encontra-se em uma maré de tediosa normalidade. Mas não por muito tempo. Quando Elizabeth recebe a carta de um velho conhecido, sabe que está diante de um belo mistério. O agente do serviço secreto sessentão, com quem a ex-espiã tem uma longa história, acaba de cometer um erro terrível e precisa da ajuda dela.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

Newly minted doctor Jane McGill is in hell. Not literally, of course. But between her drug addict patients, sleepless nights on call, and battling wits with the sadistic yet charming Sexy Surgeon, Jane can’t imagine an afterlife much worse than her first month of medical internship at County Hospital. And then there’s the devil herself: Jane’s senior resident Dr. Alyssa Morgan. When Alyssa becomes absolutely hell-bent on making her new interns pay tenfold for the deadly sin of incompetence, Jane starts to worry that she may not make it through the year with her soul or her sanity still intact.

First there was the insomnia.Then there were the support groups that helped him sleep.Then Marla Singer turned up, muscled in on ascending bowel cancer and ruined everything.Then he met Tyler Durden. Then came Fight Club. Fight Club is the psychological story of a man's descent into an underground world of violence. Mild mannered product recall specialist by day, tortured insomniac by night, our narrator meets Tyler Durden - part-time projectionist, banquet waiter, soap-maker and anarchic genius. Together they create Fight Club.

Duny (lê-se Dani) é uma celebridade de alcance mundial, alçada ao estrelato por seu imenso talento, inteligência, classe e beleza incomparáveis. Ou, pelo menos, era isso o que ela esperava da vida—que, no caso de Duny, se resume basicamente a um loop infinito de lacres, barracos e baixarias cometidos em busca da fama. Meu livro. Eu que escrevi é o maior deles.

Bartleby, o escrivão é uma daquelas obras não há uma resposta e sim questionamentos sobre quem seria esse personagem tão peculiar. O personagem título é um jovem amanuense judicial que, cansado do trabalho burocrático, decide adotar o “não” como lema e o “nada” como estilo de vida. Ao fazer da voz do patrão, um advogado, o narrador, Herman Melville dá campo e distância a um olhar original sobre a história desse funcionário excêntrico e de comportamento talvez depressivo, que aos poucos, progressivamente se recusa a cumprir suas obrigações.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

Looking at real estate isn’t usually a life-or-death situation, but an apartment open house becomes just that when a failed bank robber bursts in and takes a group of strangers hostage. The captives include a recently retired couple who relentlessly hunt down fixer-uppers to avoid the painful truth that they can’t fix their own marriage. There’s a wealthy bank director who has been too busy to care about anyone else and a young couple who are about to have their first child but can’t seem to agree on anything.

Björn has been given an ultimatum: repair his work-life balance, or his wife Katharina will leave him - and take their daughter. He reluctantly starts a mindfulness class and to his surprise, it's a revelation. He becomes calmer, more focused, and he's starting to understand what's really important in life. So when his client and brutal crime boss Dragan Sergowicz tries to interfere with his precious family time, Björn remembers his new-found goal to find serenity - and kills him.

One Thursday lunchtime the Earth gets unexpectedly demolished to make way for a new hyperspace bypass. For Arthur Dent, who has only just had his house demolished that morning, this seems already to be more than he can cope with.

Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia, "A little, true book, both beneficial and enjoyable, about how things should be in the new island Utopia") is a work of fiction and socio-political satire by Thomas More (1478–1535), written in Latin and published in 1516. The book is a frame narrative primarily depicting a fictional island society and its religious, social, and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

O mundo ao redor de Millicent Carmichael, também conhecida como Missy, de 79 anos, está diferente. Embora se apresse em dizer que considerava seu papel de dona de casa e mãe pouco satisfatório, a verdade é que Missy levou uma vida agitada cuidando de dois filhos e de um marido respeitado no mundo acadêmico. Agora que ele não está mais ao seu lado, que ela brigou com a filha e o filho se mudou para a Austrália, levando consigo seu amado neto, Missy passa os dias bebendo xerez, evitando as pessoas e vagando pela casa enorme e mal decorada esperando... o que exatamente?

He doesn't believe in happy endings. She's lost her faith that they exist. But could they find one together? January is a hopeless romantic who likes narrating her life as if she's the heroine in a blockbuster movie. Augustus is a serious literary type who thinks true love is a fairy-tale. January and Augustus are not going to get on.

It’s March of 2019, and twenty-eight-year-old Jules Gold—anxious, artistically frustrated, and internet-obsessed—has been living alone in the apartment she once shared with the man she thought she’d marry when her younger sister Poppy comes to crash. Indefinitely. Poppy, a year and a half out from a suicide attempt only Jules knows about, searches for work and meaning in Brooklyn while Jules spends her days hate-scrolling the feeds of Mormon mommy bloggers and waiting for life to happen.

Florence Grimes is a thirty-one-year-old party girl who always takes the easy way out. Single, broke and unfulfilled after the humiliating end to her girl band career, she has only one reason to get out of bed each day: her ten-year-old son Dylan. But then Alfie Risby, her son’s bully and the heir to a vast frozen food empire, mysteriously vanishes during a class trip, and Dylan becomes the prime suspect. Florence, for once, is faced with a task she can’t quit: She’s got to find Alfie and clear her son’s name, or risk losing Dylan forever.