Títulos em Literatura Antiga, Clássica e Medieval

The Meditations is a series of personal writings by Marcus Aurelius, Roman Emperor from 161 to 180 AD, which records his private notes to himself and his ideas on Stoic philosophy. A major theme of Meditations is the importance of analyzing one's judgment of self and others, and the development of a cosmic perspective.

A tender love story, a serpentine villainess, a glittering setting in London society, and a showering of Wildean witticism are only a few of the reasons why this play has enjoyed hugely successful revivals in London, in New York, and on the silver screen. This 1895 drama is eerily prescient, as it examines the plight of a promising politician, desperate to hide a secret in his past. With empathy and wit, Oscar Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Digger Smith is an Australian soldier who has fought at Gallipoli. An old mate of Ginger Mick's (The Moods of Ginger Mick), he returns from the war to visit the family of a fellow solder, Jim Flood. Narrated by Bill (the protagonist of The Songs of a Sentimental Bloke and a neighbour of the Floods), the story is woven together with sobering reflections and emotive dynamics expressed within a community of neighbours - friends and families of Australia's soldiers.

To fully experience the ecstatic poetry of the Middle and Near East, you must hear it as originally intended: stirred ablaze by inspired music and rhythms before a live audience. In I Want Burning, Coleman Barks fuses his passionate scholarship with a deep feeling for the poetry of Rumi, Hafiz (a 14th-century Sufi mystic, called "one of the jewels in the necklace of Persian poetry"), and Lalla (an exquisite Kashmiri female poet of the 14th century).

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.

In The Canterbury Tales Chaucer created one of the great touchstones of English literature, a masterly collection of chivalric romances, moral allegories and low farce. A story-telling competition between a group of pilgrims from all walks of life is the occasion for a series of tales that range from the Knight's account of courtly love and the ebullient Wife of Bath's Arthurian legend, to the ribald anecdotes of the Miller and the Cook.

"The Theogony" (“Birth of the Gods”) is a poem by Hesiod which describes the origin, position and relationships of the gods of the Greek pantheon. Hesiod created a synthesis of the diverse Greek traditions concerning the gods, in the form of a hymn invoking Zeus and the Muses. The Theogony is the first known Greek mythical cosmogony. However, it should not be considered as the authoritative source of Greek mythology, but rather as a portrait of a dynamic tradition that was recorded around 700 BCE.

The Allegory of the Cave appears in Plato’s Republic and compares the effect of education and the lack of it on human nature. It is written as a dialogue between Plato's brother and Socrates, who tells of people that have been chained to the wall of a cave their whole lives. They see shadows projected on the wall from objects passing in front of a fire behind them. Socrates explains that the philosopher is like a prisoner who has escaped the cave and realizes that the shadows on the wall are not the true reality at all.

Of the two major ancient Greek epic poems attributed to Homer, The Odyssey serves to some extent as a sequel to The Iliad. The poem describes the journey home of Odysseus, the king of Ithaca, after the fall of Troy. In the Greek sources, the Trojan War lasted 10 years, and Odysseus spent 10 more years on the return journey due to the hostility of Poseidon, the god of earth and sea. Odysseus' fantastical adventures include a period of captivity on Calypso’s island, a visit to the lethargic lotus eaters, an encounter with a one-eyed Cyclops, and more.

Se è vero, come dice Borges, che la Divina Commedia è il dono più grande che la letteratura possa offrire a ciascun lettore, è altrettanto vero che l'ascolto di una interpretazione ad alta voce di questo capolavoro può trasformarsi in una esperienza unica, un'occasione preziosa per scoprire emozioni e sentimenti racchiusi in un capolavoro che è ormai al di fuori di qualsiasi epoca.

The first book in the essays of Seneca deals with good and evil. The dialogue is opened by Lucilius complaining with his friend Seneca that adversities and misfortunes can happen to good men too. How can this fit with the goodness connected with the design of providence? Seneca answers according to the Stoic point of view.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

The Songs of a Sentimental Bloke is a classic Australian work of poetry composed by renowned poet, C.J. Dennis (1876-1938). This verse-novel chronicles Bill's coming-of-age through romance, love, and fatherhood. From rambunctious street-strolling youth to settled, responsible father, Bill's story unfolds with keen Aussie larrikinism and humour. This work is narrated as a duet by Denis Daly (Bill) and Sarah Bacaller (Doreen).

Jenny Lewis relocates Gilgamesh to its earlier, oral roots in a Sumerian society where men and women were more equal, the reigning deity of Gilgamesh’s city, Uruk, was female (Inanna), only women were allowed to brew beer and keep taverns and women had their own language - emesal. With this shift of emphasis, Lewis captures the powerful allure of the world’s oldest poem and gives it a fresh dynamic while creating a fast-paced narrative for a new generation of listeners.

Doreen is a verse-novel by renowned Australian poet, C.J. Dennis (1876-1938). As one of the sequels to the 1915 verse-novel, The Songs of a Sentimental Bloke, it continues to follow the family capers of Bill and Doreen along with their young son. Originally published in 1917, Doreen is a classic work of Australian poetry.

"Les Métamorphoses sont composées au début de l'ère chrétienne par le poète latin Ovide, juste avant sa relégation sur les rives de la mer Noire. Ce recueil est constitué d'une multitude de courts récits inspirés des mythologies, des épopées et des tragédies grecques et romaines. Un livre-monde, tour à tour édifiant, galant et burlesque dont la voix inspirée de Michel Vuillermoz, sociétaire de la Comédie-Française, révèle l'esprit et les saveurs." Claude Colombini Frémeaux

In this third installment, Eisenstadter brings an ancient Greek myth to modern-day life, as we meet Bellerophon, the heroic mortal who captures and rides the beloved horse, Pegasus, on a mission to slay the monster, Chimera! With his success in slaying the Chimera, though, Bellerophon comports more pride and a sense of expected entitlement, and he is taught a lesson by the gods - a lesson that changes the rest of his life.