Títulos em Entretenimento e Artes Cênicas

Every time you deliver a speech, give a presentation, or simply tell a good story, you are taking centre stage. Here, one of the world’s leading voice coaches introduces the simple exercises that great actors use to hold people’s attention – and reveals how anyone speaking in public can use them. Drawing on 25 years working at London’s National Theatre, Jeannette Nelson explains how to warm up your voice and body before a big speech, how focusing on your breathing can improve your clarity and pace, and much more.

I’ve actually written books before. Seven, if I’m blowing my own trumpet. But never about me, Leigh Francis. Not many people know the real me. They know Keith Lemon, Avid Merrion, The Bear, but this book is all about who I am, out of character, totally honest, just being me. There’s going to be some sad bits, but hopefully there’ll be more happy bits that’ll put a smile on your face a few times. It’s everything I can remember up to the present day.

Daughter of Major Derek Hargreaves (spy?) and June Hargreaves (spy's wife?) sister of Sara (born to be Head Girl) and Ben (the usurper), Jenny's comedy career took off via drama school, cider, sausage rolls, sleeping with men who looked like they lived under a carpet, punk poetry, anorexia, bedsit misery, waitressing and not really having a clue about anything. This was a world before microphones, mobile phones, before everyone gave up smoking or started taking coke. Jenny Eclair was on the comedy circuit before there really was a comedy circuit.

開かない (17分)役者のAさんが舞台初日を迎えた。しかし、マンションの部屋を出ようとしたがドアが開かない。原因は不明。管理人を呼ぼうと携帯電話を取り出したが電波もつながらない。

Dive into the world of illustration and freelancing with The Illustrator’s Guide, the complete creative companion to developing an exceptional and fulfilling illustration career. Whether you are fresh out of college, changing careers or in your early years as an illustrator, The Illustrator’s Guide offers a unique insight into the industry for beginners and aspiring illustrators. The Illustrator’s Guide walks you through the highs and lows you can expect as an Illustrator, with thoughtful insights and advice to ensure you are working towards sustainable and achievable goals as a creative.

Are you a new in public speaking or looking to up your game as a public speaker? Are you struggling to get your message out, or not sure how to combat the nerves of speaking publicly? “How to Speak in Public” is a great guide to help you make a move from a new speaker to being someone who people admire and respect as an effective communicator. Mastering the skills of communication can be a complex and daunting task, but with this, those complexities are broken down into 7 easy and actionable steps.

Jewell uncovers how battles to control college radio were about more than music—they were an influential, if unexpected, front in the nation's culture wars. These battles created unintended consequences and overlooked contributions to popular culture that students, DJs, and listeners never anticipated. More than an ode to beloved stations, this book will resonate with both music fans and observers of the politics of culture.

A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for.

Damn good coffee, cherry pie, and the “big bang of auteur television”―why Twin Peaks deserves to be a pop culture classic In 1990, avant garde filmmaker David Lynch (Eraserhead, The Elephant Man, Dune, Blue Velvet) and acclaimed television writer Mark Frost (Hill Street Blues) teamed up to create a television show that would redefine what the medium could achieve in a one-hour drama.

In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes—deeply feminist, sensitively written—that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

Investigative journalist Sam Irvin's tell-all behind the making of FRANKENSTEIN: THE TRUE STORY (Universal / NBC-TV, 2-part miniseries, 1973) has many facets. It is an eye-opening exposé on the movie industry of the early 1970s with an emphasis on Universal Pictures and the horror genre. But the chronicle also reveals a hidden agenda – fueled by the astonishing courage of a revolutionary group of LGBTQ+ artists spearheaded by producer Hunt Stromberg Jr. and his screenwriters Christopher Isherwood (THE BERLIN STORIES – the basis for CABARET) and his lover, artist Don Bachardy.

Baseball has always been a symbol as much as a sport. With a blend of individual confrontation and team play, a luxurious pace, and an immaculate urban parkland setting, it offers a sunny rendering of the American Dream, both the hard work that underpins it and the rewards it promises. Film, America's other national pastime, which magnifies and mythologizes all it touches, has long been the ideal medium to canonize this aspirational idea.

From the author of dozens of #1 New York Times bestsellers and the creator of many unforgettable movies comes a vivid, intelligent, and nostalgic journey through three decades of horror as experienced through the eyes of the most popular writer in the genre. In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Considered by many to be unadaptable due to its length and complexity, Frank Herbert’s science fiction epic Dune has made it to the screen about every two decades.

The only person ever to win Oscar, Emmy, and Tony awards in the same year, Bob Fosse revolutionized nearly every facet of American entertainment. His signature style would influence generations of performing artists. Yet in spite of Fosse’s innumerable—including Cabaret, Pippin, All That Jazz, and Chicago, one of the longest-running Broadway musicals ever—his offstage life was shadowed by deep wounds and insatiable appetites.

"From Page to Screen" is an indispensable companion for authors embarking on the exhilarating journey of transforming their literary masterpieces into captivating cinematic experiences. Navigating the complexities of this process, the book serves as a comprehensive guide, beginning with the crucial step of understanding rights and guiding authors through the maze of contracts and exclusivity agreements. Crafting a compelling pitch becomes the next focus, providing insights into resonating with producers and studios while emphasizing the uniqueness of the narrative.

This book is an invaluable and inspirational material for the film, television and theater professional. It helps directors, actors, writers, designers, producers and executives tap into their imagination and instincts, in turn helping them create the films they’ve always dreamed of creating.

日常の中に無限にある「楽しみ」の中で、ラジオにしかできないことってなんだろう? TBSラジオ「JUNK」統括プロデューサーのラジオに捧げた25年が詰まった初の書き下ろしエッセイ。

In studying the acting process, what I have found is that acting styles change, just like cinema. What were considered compelling, powerful acting choices in the 1950s and 60s, might be considered “over the top” film acting today. Since the art of film is connected to culture, it shifts and changes with societal tastes. Now, let’s focus on your desire to be an actor in an industry that’s always changing. So, you want to be an actor. That’s great! You want to be on television or in film – awesome!