Títulos em Mulheres

Settler ranching in southern Alberta conjures the image of a lone cowboy riding through the foothills or a stoic ranch hand roping errant cattle. But women have always played an integral part in the cattle industry, often working without recognition or support to meet the challenge of the frontier. Ranching Women in Southern Alberta examines the rhythms, routines, and realities of women’s lives on family ranches.

This is a neglected history. Not a sweeping, definitive, exhaustive history of the world but something quieter, more intimate and particular. A single journey, picked out in 101 objects, through the fascinating, too-often-overlooked, manifold histories of women.

De la supériorité des femmes dans l'exercice du pouvoir. En raison de la loi salique, les femmes ont été écartées du trône sous l'Ancien-régime avant que la privation du suffrage universel ne les marginalise de la Révolution à la Libération. Mais la France n'est pas le monde et des dirigeantes d'exception n'ont cessé d'enrichir le riche livre d'heures de notre histoire de l'Antiquité à nos jours.

The true-life story of women's experiences in the 'Wild West' is more gripping, more heart-rending, and more stirring than all the movies, novels, folk-legends and ballads that popular imagination has been able to create. Whether they were the hard-drinking hard-living poker players and prostitutes of the new boom towns, 'ordinary' wives and mothers walking two thousand miles across the prairies pulling their handcarts behind them, all have one trait in common: that of extreme resilience and courage in the face of the unknown.

In 1909, a young Australian actress made headlines around the world when she took to the sky over London in an airship emblazoned with the slogan 'Votes for Women' and dropped leaflets over the city. Muriel Matters was dubbed 'that daring Australian girl', and the American media declared it to be the world's first aerial protest. Just months earlier, Muriel had become the first woman to make a speech in the British House of Commons, after chaining herself to a brass grille to protest against the segregation of women in the Parliament.

Before Barbie, the Gibson Girl epitomized female fashion and beauty of her era. She was the image every woman aspired to in Progressive America . She not only influenced fashion but changed all of American society. But, who exactly was this elusive Gibson girl?

What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement.

In the wake of World War II, four agents were critical in helping build a new organization that we now know as the CIA. Adelaide Hawkins, Mary Hutchison, Eloise Page, and Elizabeth Sudmeier, called the “wise gals” by their male colleagues because of their sharp sense of humor and even quicker intelligence, were not the stereotypical femme fatale of spy novels.

Robin Hood, Dick Turpin, Ronnie Biggs, the Krays.... All have become folk heroes, glamorised and romanticised, even when they killed. But where are their female equivalents? Where are the street robbers, gang leaders, diamond thieves, gold smugglers and bank robbers? Queens of the Underworld reveals the incredible story of female crooks from the 17th century to the present.

The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed”. Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience.

Le protagoniste di questo libro sono trentaquattro donne, intraprendenti, controcorrente, spesso perseguitate, a volte incomprese ma forti e generose, sempre pronte a lottare per raggiungere traguardi che sembravano inarrivabili, se non addirittura impensabili: da Ilaria Alpi, la giornalista uccisa mentre indagava su scomode verità, a Kathrine Switzer, la prima donna a correre la maratona di Boston; da Ipazia, che nel IV secolo, contro i divieti ecclesiastici, osò scrutare il cielo per rivelare il movimento dei pianeti, a Olympe de Gouges.

La conquista de la igualdad es un proceso en marcha. En pleno siglo XXI, esa igualdad se acepta con normalidad en los países democráticos, pero aún quedan obstáculos que salvar, como la violencia de género y la creciente ola reaccionaria que pone en duda los avances y ambiciones del feminismo.

Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now....

During the hardships of obtaining emancipation, two couples shared one home in Illinois. Residing with them was a young Black girl named Polly Crocket. But after five years, Polly, along with the two couples, were abducted, placed into a canoe, and taken down South where they became slaves. Polly was then bought by a prior who, after a year, faced setbacks that required him to sell all he owned, including Polly.

This talk puts to rest another of the remarkable myths of the American Revolution: that it was an all-male affair. An 8-year home front war and American women didn't notice it? In fact, the politicization of women in the 1760s and 1770s is one of the most striking consequences of the rebellion against British rule. Women made the boycotts of British imports work. They picketed merchants who dared to sell British cloth and tea. They produced homespun or Liberty cloth as they called it - willingly engaging in the single most boring task known to colonial America.

Pre-war debutantes were members of the most protected, not to say isolated, stratum of 20th-century society: the young (17-20) unmarried daughters of the British upper classes. For most of them, the war changed all that for ever. It meant independence and the shock of the new, and daily exposure to customs and attitudes that must have seemed completely alien to them. For many, the almost military regime of an upper class childhood meant they were well suited for the no-nonsense approach needed in wartime.

Almost no evidence of successful, long-term female leaders exists from the ancient world. Only the female king of Egypt, Hatshepsut, was able to take on formal power for any considerable length of time, and even she had to share power with a male ruler. Given this social reality, how then did Hatshepsut negotiate her leadership role? This lecture will work through the ample evidence for Hatshepsut's reign in an attempt to find the woman behind the statues, monuments, stelae, and obelisks.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.

At thirty-two years old, everything in Nona Willis Aronowitz’s life, and in America, was in disarray. Her marriage was falling apart. Her nuclear family was slipping away. Her heart and libido were both in overdrive. Embroiled in an era of fear, reckoning, and reimagining, her assumptions of what “sexual liberation” meant were suddenly up for debate.

The lives of the three daughters of Lord Curzon: glamorous, rich, independent and wilful. Irene (born 1896), Cynthia (b. 1898) and Alexandria (b.1904) were the three daughters of Lord Curzon, Viceroy of India 1898-1905 and probably the grandest and most self-confident imperial servant Britain ever possessed. After the death of his fabulously rich American wife in 1906, Curzon's determination to control every aspect of his daughters' lives, including the money that was rightfully theirs, led them one by one into revolt against their father.