Títulos em Ficção Literária

Corsica, 1993. As a sun-drenched Mediterranean summer heads into full swing, beautiful and brash seventeen-year-old Severine Guimard is counting down the days until she graduates, smoking cigarettes and seducing boys in her class to pass the time. The pampered French-American daughter of a politician, Severine knows she’s destined to leave this provincial island and find fame in Hollywood. That is, until one night, Severine is snatched off her bike by a militant trio fighting for Corsican independence and held for a large ransom.

Set over the course of a fateful week, Vivienne deftly weaves surreal prose with a Greek chorus of internet comments and text messages, to ask the questions: what is the cost of vision, what is the price of art? What connects creation and procreation, a life and an afterlife?

James Henry Ferguson doesn't belong here. After a highly publicized fall from grace, James attempts to flee from the chaos in his life. He ends up in a community he had never heard of before, one that has been neglected and ignored by everyone in rural Ham, Mississippi. A place of abject poverty, the neighborhood is commonly referred to as "Around the Way." Within a place forgotten by the rest of the world, politics can be a dangerous game.

The Brookes are gathering in their eighteenth-century ancestral home—twenty bedrooms of carved Sussex sandstone—to bury their patriarch, Philip. Father, grandfather, husband, landowner, one-time hippy, long-time philanderer, Philip was the blinding sun around which the family has orbited their entire lives.

Not long after starting a new job, Neil meets Chrissie. Romance soon blossoms and together they move to a lavish flat in Edinburgh. Everything seems to be falling into place perfectly. But an innocuous, throwaway comment unintentionally causes Neil's career to collapse, and, at the same time, a cruel betrayal shatters the life he thought he knew. His only option is to escape to the secluded, remote beauty of a breathtaking Hebridean island. Here, he finds a different way of life, and new friendships develop. But he can't escape the past forever...

En la tierra de los «niños radiactivos», las frutas monstruosas de la Zona, los cielos rojos y los hombres alcohólicos, enfermos o desorientados, las mujeres resisten haciendo de la cotidianidad un refugio. Desde la Buenos Aires a la que emigró con su familia, Natalia Litvinova rompe el silencio de su madre para reconstruir en Luciérnaga toda una estirpe acallada.

C'era uno sport che veniva praticato nei campi di concentramento, il pugilato. Piaceva al Führer, piaceva alle guardie naziste che scommettevano sugli incontri, piaceva ai kapò che obbligavano i prigionieri a combattere di notte su ring improvvisati. Sono tornato per te racconta la storia di chi è sprofondato in quell'inferno e ne è uscito aggrappandosi a un ricordo. "In quella stanca e sventurata stagione che aveva già vendemmiato, nella quale le foglie a una a una cadevano dai tralci, Cono ripensò al bacio con Serenella quando erano accovacciati sotto le viti.

Questo è un romanzo fatto di lettere, ma non è un romanzo epistolare come gli altri. Si alternano due voci: da una parte c'è lui, Roberto Vecchioni, che racconta a un fantomatico nonno alcuni degli episodi più significativi della sua vita. Li riporta in presa diretta, proprio mentre gli accadono, a dieci, quindici, trenta, ottant'anni. Infanzia, amicizie, studi, canzoni, dolori, amori. Sconfitte e vittorie. Il nonno, dal canto suo, non gli risponde mai: forse non ce n'è bisogno, forse conosce Roberto fin troppo bene.

Ellis Island, 1909: da uno dei tanti transatlantici in arrivo sbarcano una giovane donna e il suo bambino. Provengono dall'Italia, dall'Aspromonte più arcaico e violento. I loro nomi sono Cetta e Natale: ma il bimbo viene subito chiamato, dagli addetti dell'Immigrazione americana, "Christmas". Natale-Christmas: nella trasformazione di questo nome è racchiuso tutto il sogno della giovane, indomita Cetta, che affronta con coraggio le difficoltà della vita nel ghetto italiano del Lower East Side di New York con un solo desiderio.

¿México? Podría ser. Pero también podría ser su revés. Así como el tiempo podría ser éste o cualquiera y los personajesquienes son, además de quienes fueron y serán. En estas páginas, llenas de asombro y belleza, pérdidas y hallazgos, la realidad es un eterno deshacerse y rehacerse. Vestigia, cuyo pasado parece impenetrable, necesita recordar para entender su dolor; Hincapié desea cambiar su relación con los otros, pues no tolera vivir con el temor a que dejen de estar

The world is ending. It has been ending for some time. When did the ending begin? Perhaps when Evie’s mother died, or when her father died soon after. Perhaps when her sister, Elena, was forcibly institutionalized in a psychiatric hippie commune in Colorado. Certainly at some point over the last year, as New York City spun down the tubes, as bedbugs and vultures descended, as apartments crumbled to the ground and no one had the time or money to fight it, or even, really, to notice.

Obsession, betrayal, and redemption collide in the Tatum Art Museum and the Victorian home of our protagonist in San Francisco, California. William Frye, the museum's Registrar and a Gulf War Veteran with mood disorders, discovers something that turns his world upside down. As he becomes increasingly obsessed, those around him must also face their own struggles and secrets as they navigate the turbulent aftermath of a missing oil painting that is one step from beyond.

Notes on Infinity by Austin Taylor is a forthcoming title from Celadon Books.

Camille has always preferred animals to people. The wild has nearly disappeared, but as a zookeeper at the last zoo in the world, on Alcatraz Island, she spends her days caring for playful chimpanzees, gentle tree frogs, and a restless jaguar. Outside, resistance groups and brutal cartels fight to shape the world’s future, but Camille is safe within her routines. That is, until a new zookeeper, Sailor, arrives from Paris. From their first meeting, Camille is drawn to Sailor, who seems to see something in Camille that no one has before.

Linda makes $20 an hour as a content moderator, flagging comments that violate a tech conglomerate's terms and conditions. Each night, she returns to the windowless room in a garage that she rents from a family who pretend she isn't there. But once a month, she escapes to San Francisco International Airport for clandestine meetings on the cheapest flight out that night. It's not pilots but planes that draw her there, with their intelligent windscreens, comely slats and playful turbulence - a trip on a Boeing 737 makes her feel a way that no man ever could.

Leila loves so much that she considers abandoning her religion and beliefs to service her desire. Rafia gives so much to her husband and family that she loses all sight of the woman she once was, and who she wants to be. Tabani turns 30 and is told she would be too much for any romantic relationship, but in her friendships she is able to be every inch of herself. Womanhood cannot be contained or summarised neatly, and each of these three women are fighting to carve out exactly what it means to them.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey. Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism.

Nnu Ego, filha de um grande líder africano, é enviada como esposa para um homem na capital da Nigéria. Determinada a realizar o sonho de ser mãe e, assim, tornar-se uma "mulher completa", submete-se a condições de vida precárias e enfrenta praticamente sozinha a tarefa de educar e sustentar os filhos. Entre a lavoura e a cidade, entre as tradições dos igbos e a influência dos colonizadores, ela luta pela integridade da família e pela manutenção dos valores de seu povo.

Johanne Johansen muss kurz nach ihrem 65. Geburtstag erfahren, dass das traditionsreiche Familienunternehmen – die Elbreederei Kurt Johansen & Söhne – kurz vor der Pleite steht. Johanne, die nach dem frühen Tod der Eltern bei den Großeltern aufwuchs und sich bis zum Schluss um sie gekümmert hat, ist entsetzt und ratlos. Das Lebenswerk ihrer Eltern steht auf dem Spiel und sie weiß, dass sie es ohne Hilfe nicht schaffen kann.

"Papá acaba de matar a mamá". Tras la conmoción por la inaudita noticia que le dio su hermana, el primogénito alerta a la policía y toma el primer tren. Atenazado por el remordimiento por haberse ido a la capital a estudiar danza y haber dejado a la pequeña Léa con sus inestables padres, una vez en casa se topa con la dura realidad: policías, el cuerpo de su madre, su padre fugitivo y su hermana traumatizada. Tras el shock, el hijo retrocede en el tiempo para intentar indagar cómo terminaron en esta pesadilla. Las señales estaban ahí, pero nadie quiso verlas.