Títulos em Ficção Literária

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Per i suoi clienti e vicini su 125th Street, Ray Carney è un commerciante serio: sgobba da bravo padre di famiglia nel suo negozio dove vende mobili a prezzi contenuti. Sua moglie Elizabeth aspetta il secondo figlio e, sebbene i suoceri non mostrino di apprezzare granché il fatto che la figlia e i nipoti vivano in un piccolo appartamento vicino ai binari della sopraelevata, Ray sembra soddisfatto così. Ma dietro questa apparente normalità si aprono delle crepe: sono in pochi a sapere che suo padre era un membro piuttosto temuto della criminalità locale.

Ein gemütliches Dorf auf dem Land. Ein Winter mit viel Schnee. Eine Gemeinschaft, die zusammenhält: Barry Laverty ist Landarzt im beschaulichen Ballybucklebo in Nordirland. Hier ticken die Uhren etwas anders. Voller Vorfreude sieht Barry nun seinem ersten Weihnachtsfest in der bunten Dorfgemeinschaft entgegen. Schnee und Eis haben die Landschaft bereits in einen weißen Traum verwandelt, doch dann greift eine Grippewelle um sich. Auch Barrys exzentrischen Chef, Dr. O'Reilly, hat es erwischt.

TODO EL MUNDO QUIERE VIVIR EN UN LIBRO DE MANUEL VILAS. Más de 250.000 lectores. NADIE ANTES QUE MANUEL VILAS HA EXPLORADO LA VULNERABILIDAD DE UN ESCRITOR COMO LO HACE ÉL AQUÍ. Su nueva novela, de clara inspiración autobiográfica, narra la historia vital de un escritor que se levanta todas las mañanas, desayuna y se va a trabajar a su oficina particular para crear el que espera que sea el mejor libro del mundo.

Historia del año y medio de la vida de un adolescente en diversos campos de concentración nazis (experiencia que el autor vivió en propia carne), "Sin destino" no es, sin embargo, ningún texto autobiográfico.

Hay objetos que a fuerza de costumbre y de uso terminan por convertirse en seres, a veces más vivos que nosotros, como el paraguas, la pluma, el portafolios. Este libro reúne crónicas sobre estos enseres que pertenecen al ejercicio de la ciudad, a la cotidiana odisea que llevamos a cabo en ella.

A sus 16 y 14 años, los hermanos Cuervo hablan cuatro idiomas, diseñan jardines al modo inglés, poseen dotes en aeromodelismo y solo se acuestan con prostitutas. Son el enigma que fascina a todo un colegio, especialmente a Nelson Reina, que será al mismo tiempo su único amigo, su biógrafo; su imitador.

"Aparece Florentina", así empieza esta novela de Eduardo Muslip que se concentra en el recuerdo vívido de una abuela. Florentina aparece en un cuarto, pero está en una sala de estar. Su sola presencia le impone al narrador esta novela. Retrato e hilvanado relato, Florentina es una muestra de la destreza con la que Muslip se entrena en el ejercicio de la narrativa.

Bartleby is one of the final works of fiction published by Herman Melville before he slipped into despair over the continuing critical dismissal of his work after Moby Dick. Set in the mid-19th century on New York City's Wall Street, Bartleby is often thought of as Melville's most prescient story: what if a young man caught up in the rat race of commerce decides they have had enough, and chooses to live a different kind of life?

Agnes Grey was written not only as a beautifully lyrical novel, but an exposé of the frequently isolated, stagnant, and emotionally starved conditions under which many governesses worked in the mid-nineteenth century. A deeply personal novel written from the author’s own experience, Agnes Grey has a power and poignancy which mark it out as a landmark work of literature dealing with the social and moral evolution of English society during the last century.

This is Newland Archer’s world as he prepares to marry the beautiful but conventional May Welland. But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.

Viv, who’s in the House of Lords, had the idea for the festival on the twentieth anniversary of the day her first husband left her. Six months later, crowds descend on the grounds of a dreamlike chateau in the South of France, avidly awaiting the experience of a lifetime, Viv’s inaugural Festival for the Broken-Hearted. Everyone is in fancy dress. No one knows who anyone is. They wander the beautiful woods with just one night to change everything. And to crown it all, a very special guest is expected.