Títulos em Vida na Cidade

كان كلَّما دخل منزلًا هجره أهله تسلَّل إليه الشعور ذاته، مزيجٌ من الرَّهبة والحزن تختلط بروائح مختلفة من العفونة والحليب الفاسد والطعام الذي تُركَ في المطبخ لأسابيع، لم يكن يملك أمام هذا الشعور سوى التجاهل فقد كانت تلك وظيفته التي يعتاش بها؛ إصلاح ما فسد من المنازل بعد أن هجرها أهلها على عجل حتّى يتسنّى للبنك المصرفي بيعها في أقرب وقت، لم يجرؤ يومًا على أخذ شيءٍ من المقتنيات كما أصدقاؤه لكنّه مارس هوايته بالتقاط الصور الفوتوغرافية للأشياء المهملة لا يعرف لماذا وكأنّه أخذ على عاتقه أن يوثّقَ آخر رمقٍ من حياةٍ كانت هنا أو ربّما كي.

يسير المغني الإيطالي "طوني باغودا" في نابولي هائمًا على وجهه فهو يحبّ هذه الشوارع ويكرهها، يحبُّ الأزقة ويكرهها ،إنّه يكره الجميع ويكره نفسه، لا يستمتع بشيء سوى بنشوة الكوكايين بصحبة زميله في الفرقة. لكنّه لا يلبث إلّا أن يتذمّر من إدمانه وظهور التجاعيد في وجهه. لا يُبهجه شيء فى هذها العالم ولا حتّى حضور "فرانك سيناترا" للحفل الكبير الذي أحياه في نيويورك! لم يترك في نفسه أثراً للسّعادة؛ لكنَّ شخصًا غريبًا برداءٍ غريب يقرع جرسه ذات يوم ويغيِّرُ مجرى حياته

Tasha Price is the lead cocktail waitress at Club Daze in Atlanta, GA. One shift she finds herself in a deadly predicament; in the delicate space between life and death her late mother visits her with pressing information. In efforts to decode her mom's words, Tasha visits a slew of questionable professionals; money-hungry gurus, misguided hypnotists, psychics, and more.

"Cine sunteți dumneavoastră și ce căutați la mine în casă?", întreabă o voce misterioasă. "Exact aceeași întrebare voiam să vă pun și eu", i se răspunde cu furie. Dintr-o întâmplare inexplicabilă, Madeleine și Gaspard au închiriat același apartament în Paris. Madeleine lucrase în brigada criminalistică din Manchester, apoi la New York. Locuiese și la Paris o vreme, iar aici se întorcea de fiecare dată când simțea nevoia să își oblojească rănile. Gaspard, un scriitor în căutarea inspirației, obișnuia să petreacă anual o lună în capitala Franței pentru a scrie o nouă piesă de teatru.

"Un día, asomado a una ventana de la casa de sus padres, junto a su profesor de hebreo, allí en la vieja Praga, fue indicando con el dedo, cuidadoso, despacio, los lugares de la ciudad que, como puntos cardinales —Norte, Sur, Este, Oeste—, delimitaban su mundo diminuto. Ahí, en la calle Celetná —señaló—, el Instituto; detrás, sobre la línea opaca de tejados, cúpulas y buhardillas, la Universidad, donde se licenció en Derecho, y a la izquierda, un poco más arriba, la oficina..."

Detective Lola is heading back over the river from a rare night out when she spots a crowd of people looking over the parapet. Someone’s gone in. A young man called Cammy witnessed everything. He swears it’s the work of the Clyde Pusher, but is terrified of the police. The Clyde Pusher is the stuff of urban legend. A hooded figure who throws men into the river to drown. Eight victims in five years. But according to the police, the Pusher doesn’t exist. There are no reliable witnesses, nothing to link the victims.

Maggie, Harley and Róise are friends on the brink: of triumph, catastrophe, or maybe just finally growing up. Their crumbling Belfast houseshare has been witness to their roaring twenties, filled with questionable one-night stands and ruthless hangovers. But now fault-lines are beginning to show. The three girls are still grieving the tragic death of their friend, Lydia, whose room remains untouched. Their last big fight hangs heavy over their heads, unspoken since the accident. And now they are all beginning to unravel.

Wenn das Licht des Tages stirbt und sich das Totenhemd der Nacht auf Pflastersteine und Asphaltstraßen herabsenkt, geht ein Raunen durch alte Ziegelmauern. Es ist die Zeit des Zwielichts, in welcher die Gebäude im Mondlicht zu träumen beginnen... Die schiefen Palazzi von Venedig flüstern einander längst vergessene Geheimnisse zu. In den verfallenen Häuserblocks von Berlin ertönt ein Wispern. Beide Städte erzählen dem Leser unheimliche Geschichten. Grotesk, bizarr, durchwoben von Schmerz und Angst.

No one should have a grudge against a meditation-loving yoga teacher, but my bank-robbing father’s associates seem to believe that I know where he hid his missing fortune... and they’ll do anything to get their hands on it. Gruff giant Kade Campbell is determined to protect me, but I don’t want him in the firing line. The rugged former special forces soldier may be a badass—and able to give me butterflies like nobody’s business—but he isn’t immune to bullets.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded amid accusations of sexual misconduct.

Francis, Mr. Frankie, decide regresar al lugar donde vivió las primeras cosas, su barrio. Se marchó de allí persiguiendo su particular sueño de rock'n'roll, que le llevó a acariciar con la punta de sus dedos una fama tóxica y efímera. Ahora Francis vuelve para dejar atrás la miseria y la drogadicción. Pero su viejo barrio son ruinas por donde aún deambulan su padre, su medio hermana, su primera novia y algún que otro amigo. Francis quiere empezar de nuevo y hacer las cosas bien.

Über 600.000 verkaufte Exemplare in Südkorea: Der Kultroman endlich auf Deutsch! Der Überraschungserfolg aus Südkorea! Eine ergreifende Geschichte darüber, wie Liebe, Freundschaft und der Mut, sich anderen zu öffnen, ein Leben für immer verändern können. Der Junge Yunjae ist ein Außenseiter. Eine angeborene Erkrankung macht es ihm schwer, Gefühle wie Angst, Freude oder Wut zu empfinden. Als er von einem Tag auf den anderen auf sich allein gestellt ist, wächst er über sich hinaus, schließt überraschend Freundschaft und weckt Kräfte in sich, die er nie für möglich gehalten hätte ...

Zoe, Al, Rachel, Rob, Yas and Indie. Six friends who were inseparable at university, who have all had their secret or not so secret passions for each other, their own hopes and fears. Set over one year and told from multiple perspectives, BIRTHS, DEATHS AND MARRIAGES is an era-spanning, globe-trotting novel about love, friendship, and how to stay at least relatively sane in an ever crazier world. It’s about a group of friends growing older, a pair of sometime lovers finding their way back to each other, about kindness and joy. It’s about births, deaths, marriages, and everything in between.

David a la batería, Fran a la guitarra, Javi al bajo, tocan en bares de mala muerte mientras están en tratos con una multinacional para que financie su próximo disco. Sobreviven a base de curros esforzados, jugarse la piel en los atascos, o de la distanciada generosidad paterna. Con ellos están Beatriz, Natalia, Eva, Laura, Santi o el Polaco, en un desfile de jóvenes airados que no lo son tanto, deformados a fuerza de desaires y revelaciones, de pillar y de quemarse.

"Ho trentacinque anni, un buon lavoro, un bello stipendio, un appartamento al quarantesimo piano e vivo nella città più desiderata del mondo. Eppure sento che dentro questo quadro di luci e movimento non riesco più a trovare la mia dimensione. In realtà non so neanche bene quale sia stato il momento esatto in cui ho smesso di provare fiducia in New York, e in me stesso. Ma questa città è così: quando inizi a credere che tutto scorra senza motivo, lei ti sorprende e ti spiazza ancora una volta." Il protagonista di questa storia ha perso quell'indefinitezza ed entusiasmo adolescenziale.

Sharif is a good person. He knows that he is good because he’s aware of the privilege that he holds as a white man. He knows he is good because he chose to be a social worker at a nonprofit in Brooklyn, scraping by in New York City. And he knows he is good because his wife, Adjoua, a progressive Black novelist, has always said so.

Hugo Hunter was the most celebrated gay novelist of the 20th century. He published two masterpieces, securing his place alongside the dazzling literary greats of the 1950s, 60s and 70s, and rubbing shoulders with everyone from Truman Capote to James Baldwin. But after decades of fame and excess, just as New York City enters the 1980s and awakes to the coming horror of AIDS, Hugo finds himself running out of money. Out of nowhere, he receives an extraordinary lifeline: an offer from his longtime publisher. The money will solve all his problems – except for one thing. Hugo Hunter is an imposter.

In their Saitama office, Ashikawa is the kind of woman Nitani knows he will likely marry: sweet, obliging, and determined to wean him off his addiction to instant noodles. But he finds himself increasingly unable to respect her – or the sugary treats she shares around the workplace, winning their colleagues’ affection with baking rather than hard work. Oshio is bolder and uninhibited – she is Nitani's drinking buddy. In the oppressive office atmosphere, the pair grows closer, both outsiders struggling with the rigid status quo.

Claudio es cubano, vive en Nueva York y trabaja en una editorial. Cecilia es mexicana, vive en París y es estudiante. En el pasado de él hay recuerdos de La Habana y el dolor por la pérdida de su primera novia, y en su presente, la complicada relación con Ruth. En el pasado de ella hay una adolescencia difícil, y en su presente, la relación con Tom, un chico de salud delicada con quien comparte su afición por los cementerios. Será durante un viaje de Claudio a París cuando sus destinos se entrecrucen.

Tessa Lewis is set to embark on a Big-Time Career and marry Toronto's fastest-rising lawyer, who loves her to pieces. But when a visit to a flower market from her childhood sparks memories of the mother she lost too soon, Tessa puts her bright future on hold to work there, determined to come to terms with her past.