Títulos em Vida na Cidade

Traumatized by his reeducation at the hands of his former best friend, and struggling to assimilate into French culture, the Sympathizer finds Paris both seductive and disturbing. As he falls in with a group of left-wing intellectuals he meets at dinner parties given by his French Vietnamese “aunt”, he finds stimulation for his mind but also customers for his narcotic merchandise. But the new life he is making has perils, whether the self-torture of addiction, the authoritarianism of a state locked in a colonial mindset, or the paradox of how to reunite his two closest friends.

Saul doesn’t get why he’s misunderstood. At his high-tech day job, he hides in the bathroom writing a novel about his dead grandfather and wonders why his boss wants to fire him. He tells his almost ex-wife about a blind date and wonders why she slams the door in his face. He aches with worry for his seven-year-old son, who seems happier living with his mom and her new man. When the blind date becomes a complicated relationship, and Saul’s blunders at work threaten the survival of the company, Saul has to wake up and confront his fears.

El atropello de Chico B, un acontecimiento demasiado habitual en el entorno hostil donde transcurre la novela, es el detonante de un cambio en los dos protagonistas de esta historia: el narrador y el barrio. Esta dolorosa muerte avivará un recuerdo que el narrador creía tener bajo control y sepultado en lo más hondo de su memoria, y acelerará a la vez la transformación del barrio.

London, Burning is a novel about the end of the 1970s and the end of an era. It concerns a nation divided against itself, a government trembling on the verge of collapse, a city fearful of what is to come and a people bitterly suspicious of one another. In other words, it is also a novel about now. Vicky Tress is a young policewoman on the rise who becomes involved in a corruption imbroglio with CID. Hannah Strode is an ambitious young reporter with a speciality for skewering the rich and powerful.

Immune to the consequences of immorality, five privileged young men in Bogotá bond over a shared code: worship drugs and drink, exploit women, and scorn the underclass. As males, they declare the right to freedom of pleasure. As friends, only disloyalty to each other is forbidden. When a little girl from the slums disappears, the limits of a perverse and sacred bond will be tested in ways none of them could have imagined.

This is a story of a London you won’t find in any guidebooks. This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities - and the girls trying to make it their own way. This is a story of reputations made and lost, of violence and vengeance - and never counting the cost. This is a story of concrete towers and blank-eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.

Thirtysomething Page was content with her life in New York City - until it went to the dogs. Unceremoniously dumped by her boyfriend of four years and fired from her art gallery job in the same week, she flees to Washington, DC, and moves in with her big brother. She hopes the new setting and familial comfort will help her finally find her bearings. What Page finds instead is an unlikely refuge: a park for the neighborhood’s poshest pooches, and a quirky pack of companionable dog-run regulars who become fast friends.

Trois destins parallèles s'entrecroisent, trois vies dont le seul point commun est le manque d'amour : Marie, une jeune Californienne d'une beauté rare, Caroline, une Parisienne trentenaire, enfin Marcus Marcus, le salaud, le mégalo, le parano. Construit par séquences, dans une écriture et sur un rythme qui varient selon les personnages, cette "comédie humaine" dresse de manière drôle, critique et profondément attachante, un portrait captivant de nos contemporains.

"L'anno scorso, a novembre, un libro mi ha salvato la vita." Le coincidenze non esistono. Ne è sicura Aurélie Bredin, giovane e attraente chef che gestisce da qualche anno il eistorante di famiglia, Le Temps des cerises, a due passi da boulevard Saint-Germain. Un pomeriggio, più triste che mai, Aurélie si rifugia in una libreria, dove si imbatte in un romanzo intitolato Il sorriso delle donne. Incuriosita, inizia a leggerlo e scopre un passaggio in cui viene citato proprio il suo ristorante.

Edith Wharton, scrittrice americana, incoraggiata da Henry James nella sua copiosa produzione letteraria, affronta specialmente il problema del rapporto tra il singolo ed il suo gruppo sociale di appartenenza, ed in particolare il problema della "rottura delle convenzioni sociali". Cresciuta in un ambiente altamente elitario e rigidamente conservatore, come quello della cosiddetta "aristocrazia del denaro" dell'altissima società di New York (detta anche "l'aristocrazia dei Quattrocento"), la Wharton cercò di rielaborare i temi legati alla forte chiusura sociale di tale ambiente in molte delle sue opere più importanti.

What will be will be. Belinda Marshall’s idyllic teenage life in Brittany, France, fell apart when her parents dramatically separated and her mother took her back to England. Fast forward 35 years when Belinda’s world is once again turned upside down. It’s the week before Christmas and her employer 'surprises’ Belinda by asking for her help to rejuvenate their latest investment, a run-down campsite in Brittany.

It was a whirlwind romance. And when Drew, caught up in the moment, suggests that he and Poppy don’t tell each other anything about their past lives, that they live only for the here and now, for the future they are building together, Poppy jumps at the chance for a fresh start. But it doesn’t take long for Poppy to see that this is a two-way deal. Drew is hiding something from her. And Poppy suddenly has no idea who the man she has married really is, what he is hiding from her or what he might be capable of.

Organised. Neat. Lonely. Kathy Simmonds is alone at Christmas this year, after her beloved husband John passed away a few months ago. She keeps her home spick and span, struggling with her grief for a family she has lost or lost touch with. But a chance phone call from Battersea Dogs and Cats Home opens the door to something new. She meets Scruff, a messy Jack Russell with a heart of gold who has been left for dead on the streets of London.

Ciudad de Dios es, a su vez, producto de un estudio de la antropóloga Alba Zaluar sobre la favela Ciudad de Dios, de donde el autor de esta obra fue su habitante. Asimismo, Lins fue integrante del equipo de investigación de Zaluar. De ahí que estas páginas sean una fiel mirada sociológica sobre el fenómeno que aquejó a la sociedad carioca en la década de los noventa, cuando explotó una caótica guerra por la droga.

TV reporter Kate Bradley arrives in Manhattan ready to take on a challenging new position as a national news correspondent. When a massive power outage plunges New York City into darkness, the disaster she expected to cover takes an unexpected turn. Someone is leaving thousands of mysterious gifts throughout the city, and the only clue to the giver's identity is the occasional note from "A Stranger."

Long-suffering child genius Bertie Pollock has much to contend with in the latest instalment of life at 44 Scotland Street, not least the birth of his brother Ulysses. Bertie had hoped that caring for a new baby would command all of his mother's attention, but he quickly sees that his dream of being left to his own devices is not destined to come true.

To the casual observer, the great enlightened city of Edinburgh, home of no-nonsense sermons and cream teas, might appear immune to the rollercoaster of strong emotions. But at 44 Scotland Street, as Matthew and Elspeth embark on the risky enterprise of married love, the raffish portrait painter Angus Lordie has a premonition of disaster. Soon enough Irene Pollock is shocked to learn that her small son Bertie harbours a highly unsuitable ambition; and Angus finds himself facing a large Glaswegian gangster.

In this robust, elegantly plotted, and ultimately life-affirming novel, Zoe Whittall presents a dazzling portrait of the Millennial Generation - the 25-year-olds who grew up on anti-anxiety meds, text-messaging each other truncated emotional reactions, unsure of what's public and what's private. Holding Still explores an unusual love triangle involving Billy, a former teen idol, now an anxiety-ridden agoraphobic; Josh, a shy transgendered paramedic who travels the city patching up damaged bodies; and Amy, a fashionable filmmaker coping with her first broken heart.

Joe Keen and Ana Urbanek have been a couple for a long time, with all the requisite lulls and temptations, yet they remain unmarried and without children or a mortgage, as their Midwestern values (and parents) seem to require. Now on the cusp of 40, they are both working jobs that they're not even sure they believe in anymore, but with significantly varying returns. Ana is successful; Joe is floundering; both are in limbo, caught somewhere between mainstream and alternative culture, sincerity and irony, achievement and arrested development.

Life is going well for Marie. She and her husband, Laurent, live a comfortable life in a large apartment in the 11th arrondissement in Paris. Laurent has a good job at a big law firm, and Marie enjoys her work at a bank, where she feels appreciated by her clients and colleagues. Comfortable, secure and ready for family life, the couple begin to try for a baby. But not long afterwards Marie experiences a shocking encounter which threatens to derail their plans completely, and her world slowly starts to fall apart.