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Sir Arthur Conan Doyle's detective genius, Sherlock Holmes, first came to NBC radio in 1930, starring Richard Gordon. By 1939, Basil Rathbone took over as Holmes, with Nigel Bruce as Dr. Watson. The duo were simultaneously starring in a very popular series of Sherlock Holmes' movies for the Fox and Universal studios.

Here are 12 episodes of the horror and mystery series written and produced by radio announcers beginning in 1946. There were several series under the Hall of Fantasy banner, all produced by Richard Thorne. The first originated from radio station KALL in Salt Lake City. Richard Thorne and Carl Greyson were announcers for the station and coproduced the bare-bones horror series beginning in 1946. Written or adapted by Robert Olson and directed by Thorne, the stories were mostly murder mysteries with traditional endings.

Here are 12 episodes from the greatest detective shows ever broadcast during the golden age of radio, with the legendary stars that made them great. You'll hear Basil Rathbone as Sherlock Holmes and Nigel Bruce as Doctor Watson, Sydney Greenstreet as Nero Wolfe, Howard Duff as Sam Spade, Chester Morris as Boston Blackie, Dick Powell as Richard Diamond, and Jack Webb as Dragnet's Sergeant Joe Friday, plus more gumshoes like Philip Marlowe, Bulldog Drummond, Michael Shayne, and Johnny Dollar.

Raymond Chandler's celebrated hard-boiled private eye, Philip Marlowe, made his radio debut in 1945 on the Lux Radio Theatre with Murder, My Sweet, starring Dick Powell. Two years later NBC brought the character to the air in his own weekly series starring Van Heflin, The New Adventures of Philip Marlowe. A summer replacement for The Bob Hope Show, the series was short lived, ending on September 9, 1947.

The Aldrich Family was a popular situation comedy that was heard on radio and seen in films, on television, and in comic books. Teenager Henry Aldrich, the creation of playwright Clifford Goldsmith, was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry's misadventures with girls, his family, and his friends.

Fort Laramie was an adult-oriented Western radio series that aired Sunday afternoons on the CBS radio network in 1956. Produced and directed by Gunsmoke's Norman Macdonnell, this realistic Western drama depicted life at Fort Laramie, an important stop on the Oregon, California, and Mormon Trails as well as a staging point for various military excursions during the 19th century.

Frontier Gentleman was a radio western series aimed at adults that aired on CBS radio for one season in 1958. It starred radio veteran John Dehner as J. B. Kendall, a reporter for the London Times. The series followed the adventures of the freelance journalist as he roamed the western United States in search of stories for his newspaper. Kendall often crossed paths with well-known historical figures, such as Jesse James, Calamity Jane, and Wild Bill Hickok.

The Whistler was one of radio's top mystery programs, airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Michael Shayne, "the reckless, redheaded Irishman", was a popular hard-boiled detective created by crime novelist Brett Halliday. In the novels, Michael Shayne settled in Miami just after WWII, making crime pay by fighting it with a license and an attitude. Like Mike Hammer and Philip Marlowe, Shayne was a loner. The backstory on Mike is that he was happily married, but it hit him hard when his wife was tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of the city.

Created by Frances and Richard Lockridge, Mr. & Mrs. North were fictional amateur detectives appearing in novels, motion pictures, radio, and television. The Norths were not professional detectives but simply a well-to-do New York couple who stumbled across a murder or two every week and felt compelled to solve the crimes. A 1942 MGM movie starred William Post, Jr. and George Burns' wife, Gracie Allen.

"Wherever there is mystery, adventure, intrigue, in all the strange and dangerous places in the world, there you will find the man called X!" Debonair British actor Herbert Marshall stars as FBI secret agent Ken Thurston, "the man who crosses the ocean as readily as you and I cross town; he is the man who fights today's war in his unique fashion, so that tomorrow's peace will make the world a neighborhood for all of us." Leon Belasco plays Mr. X's comedic sidekick, Pagan Zeldchmidt, who always turns up in remote parts of the world.

This collection contains 12 of the greatest radio shows ever broadcast during the golden age of radio. You'll hear Freeman Gosden and Charles Correll in Amos 'n' Andy; Bob Bailey in Yours Truly, Johnny Dollar; Jim and Marian Jordan in Fibber McGee and Molly; William Bendix as Chester A. Riley in The Life of Riley; Eve Arden as Connie Brooks in Our Miss Brooks; William Conrad as Marshal Matt Dillon in Gunsmoke; and many more.

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Duffy's Tavern, first heard in 1940, was co-created and written by Ed Gardner, who played Archie, the manager of Duffy's Tavern, which was a flea-infested dive in New York City. Archie's abuse of the English language quickly became a favorite feature of the show. Regulars on the show included Duffy's man-hungry daughter Miss Duffy; Clifton Finnegan, the classic village idiot, played by Charlie Cantor; Eddie the waiter, played by Eddie Green; and Clancy the cop, played by Alan Reed. Duffy himself was never heard on the show.

Like its predecessor, Dragnet, Tales of the Texas Rangers adapted actual police cases for its broadcasts. Leading each week's investigation was Texas Ranger Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

The Lux Radio Theatre was one of the longest running - and most extravagant - shows from radio's golden age. The show featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host for the lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s.

Here are 12 of the greatest American comedy shows ever broadcast during the golden age of radio. You'll hear Ozzie and Harriet Nelson in The Adventures of Ozzie and Harriet.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and in films starring Oscar winner Eve Arden. Her skill with the wicked one-liner and acid aside had begun to lead to typecasting, so, to find a new image, Arden signed on for the lead in radio's Our Miss Brooks. The series centered on Connie Brooks, a smart, sharp-witted, lovable English teacher at fictional Madison High School.

Freeman Gosden and Charles Correll made their radio debut on January 12, 1926, as the comedic blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country tuned in to their adventures.

Set in Los Angeles and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.