Resultado narrado por "Jessica Regan" em Todas as categorias

The Women on Platform Two is a haunting, powerful story of feminine resistance and resilience that reminds us all of where we started—and how far we still have to go.

Grace really needs someone to help cover the rent for her London flat, but Christopher Dorrance? Everyone in the little Irish village of Emerald Bay knows about the feud between their families, though no one knows how it started. But, both being in a tight spot, they try and make it work, swearing to tell no one back home. Until a mutual friend and her son in the bay are left homeless after a storm. Grace and Christopher must head back to Ireland to help together.

It’s 1994 in County Donegal, Ireland, and everyone is talking about Colette Crowley – the writer, the bohemian, the woman who left her husband and sons to pursue a relationship with a married man in Dublin. But now Colette is back, and nobody knows why. Returning to the community to try and reclaim her old life, Colette quickly learns that they are unwilling to give it back to her.

Welcome to Ballyrowan. This sleepy corner of rural Ireland may seem tranquil, but scratch the surface and you'll find a hotbed of gossip and intrigue - endless material for mouthing - and a town full of people only too happy to oblige in spreading the bad news. Narrated by several generations of villagers, Mouthing traces the fortunes of one small community from the mid-20th century to the early 21st, in a series of highly confessional and darkly hilarious monologues.

Anya is enjoying a relaxing bath when she hears a noise coming from the ceiling. Through the open bathroom door, she sees the attic hatch swing down, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realizes why the footage is eerily familiar: it was filmed inside her own house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

When a skull is found in Lough Coyne, facial reconstruction expert Dr Carla Steele is drawn into a 14-year-old case – but not all cases are cold, as Carla discovers when she and local Garda DS Jack Maguire find the brutally murdered body of a local woman close to the water's edge. Together with Carla's partner, criminal psychologist Grace Franicosi, Carla and Jack uncover a tragic story with very dangerous and current implications. Since the disappearance of her best friend, Carla has dedicated her career to bringing the dead home, but this time it's the living who are counting on her.

Nell and her partner Adrienne are about to have a baby. For Adrienne, it’s the start of a new life. For Nell, it’s the reason the two of them are sitting in a therapist’s office. Because she can’t go into this without dealing with the truth: that she has been a mother before, and now she can hardly bring herself to speak to her own mother, let alone return home to Ireland. Nell is running out of places to hide from her past. But to Ireland and the past is where she must go, and that is where The Amendments takes us.

Erin Donohue would describe herself as happy. Well, maybe not exactly happy...but not unhappy either. For the most part she loves her job as Head Chef at The Ivy Inn, working alongside bestfriend, Jo and making a home with boyfriend Aaron. Things are going just fine. Or so she thinks.... After a tough shift, Erin returns home to be greeted by silence. There is no trace of Aaron or his belongings. In that split second her whole life and world are turned upside down. It seems Aaron has exited the building and her life.

Set in 1994, The Coast Road tells the story of two women—Izzy Keaveney, a housewife, and Colette Crowley, a poet. Colette has left her husband and sons for a married man in Dublin. When she returns to her home in County Donegal to try to pick up the pieces of her old life, her husband, Shaun, a successful businessman, denies her access to her children.

When 24-year-old Ava Kelly and her adventurous twin Grace return home to The Shamrock Inn, their Ma’s favourite baubles bring back so many memories of Christmases past. They have always done everything together, even leaving their little Irish village for the excitement of London. But with the locket her handsome ex Shane gave her hanging just above her heart, Ava has just one wish this festive season....

Jo Campbell is perfectly content in a perfectly structured life. Nothing ever changes in Jo’s life and she likes it that way. Or at least, she tells herself she does. Most of the time, she manages to push down the tiny voice that tells her to chase her dream and maybe, just maybe, open her battered and bruised heart up to love. But to chase her dreams she needs to take chances that are way out of her comfort zone and learn to not put other people’s happiness above her own. Most of all she has to learn to trust her heart, which may just be the biggest challenge of all.

After years of slogging her guts out for nothing at a PR company, Libby Quinn finds herself redundant and about to plough every last penny of her savings into refurbishing a ramshackle shop and making her dream of owning her own bookshop become a reality. She hopes opening Once Upon a Book on Ivy Lane will be the perfect tribute to her beloved grandfather who instilled a love of reading and books in her from an early age.

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants"—ordinary people, his readers, easy tabloid fodder. His star seems set to rise when he stumbles across a sensational scoop: a dead child on a London estate, grieving parents beloved across the neighborhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and “bad apples”: the Greens. At their heart sits Carmel: beautiful, otherworldly, broken, and once destined for a future beyond her circumstances.

Anya is enjoying a relaxing bath when she hears a noise in the roof. Through the open bathroom door, she sees the attic hatch swing open, and a masked figure drops to the floor. Thirty seconds later, Anya is dead. Across town, Anya's old school friend, Julia, sees an online video of a masked figure climbing out of an attic. She suddenly realises why the footage is eerily familiar: it was filmed inside her house in a luxury gated community, designed to keep intruders out. Why would a stranger target Julia? Unless of course, it's not a stranger at all.

Thirty-two-year-old Imogen Kelly is meant to be living her best life in Dublin but the bright lights of the city aren’t making her truly happy. So she leaps at the chance to take on an interior design job at the big country manor at the edge of Emerald Bay. It also gives Imogen an excuse to return to the place where she spent an unforgettable summer with her first love, Lachlan Leslie, the heir to Benmore House.

Marissa Irvine arrives at 14 Tudor Grove, expecting to pick up her young son Milo from his first playdate with a boy at his new school. But the woman who answers the door isn't a mother she recognises. She isn't the nanny. She doesn't have Milo. And so begins every parent's worst nightmare. As news of the disappearance filters through the quiet Dublin suburb and an unexpected suspect is named, whispers start to spread about the women most closely connected to the shocking event. Because only one of them may have taken Milo - but they could all be blamed.

Stranded on a dark road in the middle of the night, a young woman accepts a lift from a passing stranger. It's the nightmare scenario that every girl is warned about, and she knows the dangers all too well - but what other choice does she have? As they drive, she alternates between fear and relief - one moment thinking he is just a good man doing a good thing, the next convinced he's a monster. But when he delivers her safely to her destination, she realizes her fears were unfounded. And her heart sinks. Because a monster is what she's looking for.

Sarah Anderson has never been more excited about anything in her life. She’s going to her best friend’s wedding. And not just any wedding. An Irish wedding. Goodbye New York, hello rolling green hills and men with beautiful accents and twinkling eyes. But Sarah should have known that not all guests are fairy-tale princes....

It's 1990 in London and Tom Hargreaves has it all: a burgeoning career as a reporter, fierce ambition and a brisk disregard for the "peasants" - ordinary people, his readers, easy tabloid fodder. His star looks set to rise when he stumbles across a scoop: a dead child on a London estate, grieving parents loved across the neighbourhood, and the finger of suspicion pointing at one reclusive family of Irish immigrants and "bad apples": the Greens.

The game of hide and seek is over, everyone has gone home, but little Lily Murphy hasn't been found. Her parents search the woods and tell themselves that the worst hasn't happened—but deep down they know this peaceful Dublin suburb will never be the same again. Joanna moves into a new house. It seems perfect in every way, until she learns that this was once Lily Murphy's home. From that moment onwards, a sense of dread seems to follow her from room to room.