Resultado narrado por "Antonia Beamish" em Todas as categorias

Erin Turner and Cristophe Donakis set the bed sheets alight during their scorching affair. But Erin's hopes of a diamond ring turned to ash when he unceremoniously kicked her out of his bed and onto the cold London streets. Years later, Erin's world is rocked again when she meets her newest business client. She knows it's him the moment his designer aftershave hits her senses....

Cristophe is going to make Erin pay back what he believes she stole - in whatever way he demands.... But little does he know that Erin's about to drop two very important bombshells!

Zoe always knew this day would come. After all, no one can live for ever. She may not be ready, but Zoe knows the importance of goodbye. Harriet doesn't know where she fits anymore. It's not in Cornwall with the new family her mum is building, and it's certainly not in the job she hates. Ange was doing fine. Well, she was coping. Like she has been for the past fourteen years because her daughter needed her. Then, the last person any of them expects to see suddenly turns up, and soon it seems the only way to move forward is to revisit the past.

When first published in 2001, it divided female critics and readers. One famous columnist wrote a piece demanding that Cusk's children were taken into care, that was she was unfit to look after them. Oprah Winfrey invited her on the show to defend herself and the book as protests grew about its honest, gritty account of the misery of those early months. It is a seminal, stand-out book on the complications of being an ambivalent mum in an age of white-washed, Annabel Karmel'd new families.

In the dark and dangerous Warhammer world, the desperate and the depraved live hand in glove. In this anthology of stories, reacquaint yourself with some of its more morally ambiguous denizens, including ‘Filthy’ Harald Kleindeinst and the scryer Rosanna Ophuls, Baron Johann von Mecklenberg, playwright and self-confessed genius Detlef Sierck and, of course, the vampire Genevieve.

Humanism is an expansive tradition of thought that places shared humanity, cultural vibrancy, and moral responsibility at the center of our lives. For centuries, this worldview has inspired people to make their choices by principles of freethinking, intellectual inquiry, fellow feeling, and optimism. In this sweeping new history, Sarah Bakewell, herself a lifelong humanist, illuminates the very personal, individual, and, well, human matter of humanism and takes listeners on a grand intellectual adventure.

Every evening Rose Ransom looks in the mirror and marvels that she's even alive. A mere woman, her role in the Leader's death has been miraculously overlooked. She still works at the Culture Ministry, where her work now focuses on the outlawed subject of Poetry, a form of writing that transmits subversive meanings, emotions and signals that cannot be controlled. Therefore all Poetry is banned and Rose is appointed a Poet Hunter.

Before H.P. Lovecraft, Shirley Jackson, Stephen King and Anne Rice, Henry James wrote hair-raising stories that made horror a popular, sometimes controversial, widely-read literary form, and set the bar for all who followed. Stephen King considers James’ The Turn of The Screw one of the best horror novels ever penned.

Present day. As a love affair comes to an end, and with it her dreams for her future, artist Selena needs a retreat. The picture-postcard Sloe Cottage in the Somerset village of Ashcombe promises to be the perfect place to forget her problems, and Selena settles into her new home as spring arrives. 1682: Grace Cotter longs for nothing more than a husband and family of her own. Separated by three hundred years, two women are drawn together by a home bathed in blood and magic.

Nell Galilee, her husband and 12-year-old step-daughter, Maude, rent a holiday cottage by the sea, needing time and space away from home after Maude became involved in some troubling events. Nell grew up in this small wind-blown town and has mixed feelings about returning, and it isn't long before she is recognised by a neighbour, seemingly desperate to befriend her. The cottage, too, has been empty for some time, and from the start, Nell feels uncomfortable there. Something isn't quite right about this place.

To control the past, they edited history. To control the future, they edited literature. London, 1953, Coronation year - but not the Coronation of Elizabeth II. Thirteen years have passed since a Grand Alliance between Great Britain and Germany was formalised. George VI and his family have been murdered and Edward VIII rules as king. Yet, in practice, all power is vested in Alfred Rosenberg, Britain's Protector. The role and status of women is Rosenberg's particular interest.

Orlando King is a trilogy about a beautiful young man, raised in a remote and eccentric wilderness, arriving in 1930s London and setting the world of politics ablaze. In a time of bread riots and hunger marches, with the spectre of fascism casting an ever lengthening shadow over Europe, Orlando glidingly cuts a swathe through the thickets of business, the corridors of politics, the pleasure gardens of the Cliveden set, acquiring wealth, adulation, a beautiful wife and a seat in parliament.

In the Nazi-occupied Warsaw of 1943, Irma Seidenman, a young Jewish widow, possesses two attributes that can spell the difference between life and death: she has blue eyes and blond hair. With these, and a set of false papers, she has slipped out of the ghetto, passing as the wife of a Polish officer, until one day an informer spots her on the street and drags her off to the Gestapo.

It’s love at first sight when Penelope Kite sees Le Chant d’Eau - The Song of Water - the stone farmhouse tucked high in the hills above the Luberon valley. For years, Penelope put her unfaithful ex-husband and her ungrateful stepchildren first. Now, she’s going to start living for herself. Though her dream house needs major renovations, Penelope impulsively buys the property and moves to St. Merlot. But Penelope’s daydreams of an adventurous life in Provence didn’t include finding a corpse floating face down in her swimming pool.

Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning...where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.

1971. David was thirteen when he went missing two years ago. It's now up to Laurel Bowman and Frank Diamond, partners in the newly formed Anglian Detective Agency, to find him. But how do you solve a cold case with no leads? Could it have anything to do with the brutal deaths of three local residents? As their first big case unravels, they uncover a circle of temptations, destruction and deceit. But the closer they get to solving the case, the more exposed they are to danger. And now both Laurel and Frank's lives are at risk.

When one of the notorious Johnson brothers is murdered and a bag of money goes missing, a deadly game of cat and mouse is set in motion. Detective Allie Shenton and her team are called in to catch the killer, but the suspects are double-crossing each other and Allie has little time to untangle the web of lies. As she delves deeper into the case, things take a personal turn when Allie realises she is being stalked by the very same person who attacked her sister seventeen years ago and left her for dead.

The Limekiln Estate has witnessed many a dark crime over the years. When DI Allie Shenton is called out to a suspicious death, she isn't surprised to see it's a local she knows only too well. While the slaying of Billy Whitmore is on everyone's lips, a woman is stabbed in her home. A day later and a third victim turns up. Three known associates brutally murdered—the bodies are piling up quicker than the forensic evidence is coming back. Yet Allie senses there's something more disturbing going on. She's sure Fiona Abbott, Billy's partner, is involved too.

Aftermath chronicles this perilous journey as the author redefines herself as a single woman and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement and the absence of a clear authority. The pressure to reconstruct a 'normal' life for her daughters competes with the sense that nothing feels normal at all.