Resultado narrado por "Janina Edwards" em Todas as categorias

Scant years after the Civil War, a mysterious family confronts the legacy that has pursued them across centuries, out of slavery, and finally to the idyllic peace of the town of Rosetree. The shattering consequences of this confrontation echo backwards and forwards in time, even to the present day.

It's the summer of 1959, and the well-trimmed lawns of Sunnylakes, California, wilt under the sun. At some point during the long, long afternoon, Joyce Haney, wife, mother, vanishes from her home, leaving behind two terrified toddlers and a bloodstain on the kitchen floor. A beguiling, deeply atmospheric debut novel from the cracked heart of the American Dream, The Long, Long Afternoon is at once a gripping mystery and an intoxicating vision of the ways in which women everywhere are diminished, silenced and ultimately under-estimated.

It's been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there's something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers.

Twenty-eight-year-old Kendra Clayton never quite broke out of her hometown of Willow, Ohio. She works part-time as a GED instructor and beefs up her income by hostessing at her uncle's restaurant, soaking up the local gossip. It's a quiet life, but Kendra hasn't given up hope that one day Mr. Right will walk through the door. In the meantime, her sleepy hollow is about to get a rude awakening, and Kendra is about to get some excitement - though it's not quite what she had in mind.

Danielle Evans is widely acclaimed for her blisteringly smart voice and X-ray insights into complex human relationships. With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters’ lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief - all while exploring how history haunts us, personally and collectively.

In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of slavery.

Sindiwe Magona's novel Mother to Mother explores the South African legacy of apartheid through the lens of a woman who remembers a life marked by oppression and injustice. Magona decided to write this novel when she discovered that Fulbright Scholar Amy Biehl, who had been killed while working to organize the nation's first ever democratic elections in 1993, died just a few yards away from her own permanent residence in Guguletu, Capetown. She then learned that one of the boys held responsible for the killing was in fact her neighbor's son.

Maggie Lena Walker was ambitious and unafraid. Her childhood in 19th-century Virginia helping her mother with her laundry service opened her eyes to the overwhelming discrepancy between the Black residents and her mother’s affluent white clients. She vowed to not only secure the same kind of home and finery for herself, but she would also help others in her community achieve the same.

Ranita Atwater is “getting short.” She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. Three years sober, she is determined to stay clean and regain custody of her two children. Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently.

When Boady Sanden first receives the case of Elijah Matthews, he’s certain there’s not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah’s file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady’s own home.

The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. But while the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. But Will You Love Me Tomorrow?: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.

Goldstene uses a biographical approach to focus on key figures along a spectrum of political belief as they struggled to reconcile the inherent contradictions of equal opportunity. The Struggle for America's Promise includes such figures as Booker T. Washington, Samuel Gompers, Edward Bellamy, and Emma Goldman, who were more willing to step beyond the boundaries of the discourse about opportunity and question economic competition itself.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world. For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth?

Children who have been adopted and/or shuttled through the foster-care system experience trauma at a much higher rate than other kids, which can make it difficult for them to trust, relax, regulate their emotions, and connect with their new families. As a parent, learning how to heal attachment trauma, attune to your child's needs, identify triggers, and create felt safety is essential to providing the loving, supportive, and stable home they need to thrive. Written for parents of adopted and foster kids of all ages, this book offers resources for handling common concerns.

Edited by Shelly Oria—author and editor of Indelible in the Hippocampus—this explosive, intersectional collection of essays, fiction, poems, plays, and more, explores the universality of human reproductive experiences, as well as their distinct individuality.

The award-winning master of psychological suspense is in top form in this collection of diverse and diabolically clever stories. In the never-before-published “Just One More,” a married couple—longing for that old romantic spark—creates a playful diversion that comes with unexpected consequences.

Hector, Terrence, and Dee have always wondered about their school lunch lady. What does she do when she isn't dishing out the daily special? Where does she live? Does she have a lot of cats at home? Little do they know, Lunch Lady doesn't just serve sloppy joes—she serves justice! Whatever danger lies ahead, it's no match for Lunch Lady in these two exciting adventures packed into one audiobook!

Kids have always been on the front lines of the fights for justice. From marches protesting child labor to the student strike that helped build the case for Brown v. Board of Education to modern-day March for Our Lives and the Climate Strike, Kids on the March tells the empowering story of children and teens throughout the twentieth and early twenty-first century rallying to fight for liberty, justice, and equality.

Many believe the child welfare system protects children from abuse. But as Torn Apart uncovers, this system is designed to punish Black families. Drawing on decades of research, legal scholar and sociologist Dorothy Roberts reveals that the child welfare system is better understood as a “family policing system” that collaborates with law enforcement and prisons to oppress Black communities. Child protection investigations ensnare a majority of Black children, putting their families under intense state surveillance and regulation.

Susan Burton's world changed in an instant when her five-year-old son was killed by a van driving down their street. Consumed by grief and without access to professional help, Susan self-medicated, becoming addicted first to cocaine then to crack. As a resident of South Los Angeles, a Black community under siege in the War on Drugs, it was but a matter of time before Susan was arrested. She cycled in and out of prison for over 15 years; never was she offered therapy or treatment for addiction.