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The Shadow over Innsmouth is a horror novella by American author H.P. Lovecraft, written in November-December 1931. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization, and references several shared elements of the mythos, including place names, mythical creatures, and invocations.

Nyarlathotep: descendent of ancient Egyptian pharaohs and bringer of bad dreams. When the story’s namesake begins his travels to showcase his once dormant supernatural powers, he runs into a particularly tough crowd. When Nyarlathotep becomes angry, he sends the crowd in different directions - which brings a seeming horror about the city. By the end of it, the maddened crowd is the least of the world’s worries. Doom, it would seem, was here to stay with Nyarlathotep.

The Nameless City, now defunct in part of the Arabian Peninsula, tells the tale of a civilization run by reptilian creatures long before the dawn of humanity. It describes how they lived, worked, and ran until the ocean receded. Desertlike conditions bring about the downfall of the civilization, and this is documented by the author of the Necronomicon. Despite this downfall, their hieroglyphs remain, and it is rumored that deep beneath the surface, some reptilian creatures remain, too.

Cthulhu lovers take note, this early story of the sea god Dagon is considered to be part of the Cthulhu mythos. In Dagon, the protagonist is lost at sea for days, wading through dead fish and other foulness, until he comes to an island with a monolith on a rocky hillside. After reading the pictographs, his eyes land on the terrible image of a monster rising from the sea. When he wakes up in a San Francisco hospital he thinks the ordeal is over - that is, until the sea god comes to haunt his waking and sleeping life.

A lot happens in this very short story by H.P. Lovecraft, but it begins as the title might lend itself to imagine - with a terrible old man. As three thieves find out about this old man’s treasures, they decide to visit with the man with the intent to steal his riches. Their plan goes horribly wrong when one of the three hears screaming from the getaway car. When he enters the house, he finds the hideous, yellow-eyed man staring evilly at him, waiting to usher in his doom.

Much like Celephaïs, the unnamed narrator recalls his dreams of drifting on a dreamy ship toward the west and exploring the mystical and ethereal land of the west. The narrator recalls that he always ended at an ivy wall with a gate in it. After years of unrelenting depression in the real world, the narrator decides that he will try and go through the gate of his dreams, wherein he swallows “the drug”. After opening the door, he realizes quickly (and to his delight) that his expectations of what lay beyond were completely wrong.

Though The Street tries to remain in the realm of horror and the supernatural, what it really amounts to is one of the earliest written documents of Lovecraft’s political stance and stance on other races. In this story, the street is the protagonist. Lovecraft documents its growth from quaint and colonial New England town to downtrodden and dirty as immigrants move in after the first world war. When a “vast group of terrorists” living in the neighborhood plot to overthrow the federal government on July 4th, the street decides to take matters into its own (metaphorical) hands.

Randolph Carter begins the story telling the harrowing tale to those who found him stumbling through the swamp. Carter and his friend, the occultist Harley Warren, went to investigate the location of a supposed portal to the underworld - near Big Cypress Swamp in Florida. Upon discovery of a tomb with stairs going deep into the earth, Warren decides to descend them. Only after waiting for what seems an eternity does Carter call down into the tomb, only to be returned with a voice that does not belong to Warren telling him that his friend was dead.

Kuranes, an English Nobleman ill-content with his real life, once dreamed of the city of Celephaïs. Many years later, at the height of his discontent, he manages to slip away permanently into his dreams. After a guided recollection of his childhood, he comes upon Celephaïs. While his psyche happily remains guard over the city, his body is found back in the real world, washed ashore on the banks of his family’s land.

Basil Elton is a lighthouse keeper prone to fantasies - especially one recurring fantasy of a man in white robes on a white ship that only appears on a full moon. During this fantasy, Elton goes with the man on his ship, following an azure bird. Despite the man’s warnings that no man has ever returned from one of these realms, Elton asks that he take him to legendary land of hope. Their journey takes them to the end of the world, and instead of toppling over the side and dying, Elton wakes up on the rocks of his lighthouse next to the first shipwreck in his time as lightkeeper.

When the narrator accompanies a withered old Yankee back to his house, he is intrigued by the many old curiosities he finds around it - including precolonial furniture. One of these curiosities, an engraving, brings the old man on a terrifying reminisce about eating things that he was not allowed to have, and the narrator realizes that he could next on the plate. As blood drips from the ceiling onto the book, the narrator narrowly escapes when a bolt of lightning strikes the house, finally ending his streak of immortality.

Cat haters beware. This piece by H.P. Lovecraft is largely memoirish, whereby the narrator is compelled to tell the listener about Ulthar after petting his own cat. When a travelling caravan passes through, a young orphan named Menes finds his beloved black kitten has gone missing and fears the worst - that his kitten had suffered a torturous end at the hands of the town cat killers. Annoyed by the lack of action on the part of the townspeople, Menes invokes a prayer that results in the cats of the town rising and slaying the cat-killing couple.

The tomb is the story of Jervas, a little boy whose whole life begins to revolve around the tomb of the Hyde family. A childhood spent sneaking out to sleep beside the tomb eventually turns into a young adulthood of sleeping in a tomb with his name on it. After a stormy night and after heading for the tomb, he turns back and sees the Hyde mansion, which had been burnt down in previous years, aglow with splendor. Once Jervas went inside, the spectral mansion sets ablaze, and his vision is broken by his father. Jervas comes to find out he had never been inside the tomb at all.

Unlike many of Lovecraft’s stories, this story takes place in Greece, and more importantly, on a mountain that was supposedly watched over by Pan. Kalos and Musides, two friends, live here, and when Kalos falls ill and dies, Musides decides to use his sculpting powers to use. He erects a great monument to Kalos over his tomb, but an oak tree decides to overtake it, shaping into what looks like a deformed and monstrous human figure. Musides’ fears about the tree sapping the vital force from his friend’s grave are finally struck down by lightning - and with it the whole monument.

This collection comprises H. P. Lovecraft's main and undisputed Dream Cycle stories, including "Polaris", "The White Ship", "The Dream-Quest of Unknown Kadath", and "The Outsider".

In this story by H.P. Lovecraft, the line between man and beast is blurred. The Beast in the Cave follows the story of a man who gets separated from his group of tourists. They’ve all come to see the mammoth cave, but the man fears that it might be the last wonder he sees as he continues to wander further from his group. Eventually, his torch runs out of fuel and he is left with no other choice but to fend off approaching inhuman footsteps with the toss of a rock.

This collection features seven classic Lovecraft tales that can be listened to in between 15 and 30 minutes: "From Beyond", "The Outsider", "The Hound", "He", "Cool Air", "The Strange High House in the Mist", and "The Disinterment".

FNH Audio presents an unabridged reading of Lovecraft’s classic horrific tale. Delapore recovered his ancient ancestral home and had it rebuilt; he had planned to retire there and spend his dotage in comfort. When he arrived at the estate he found the locals offish and reluctant to speak to him. There was a well understood abhorrence of the Delapore family and had been for centuries. That first night the real trouble began. An inexplicable scurrying and padding of tiny feet within the solid stone brickwork....

Friends since childhood, Dan and Edward had a closeness that allowed them to share the deepest of secrets. Yet when Edward's marriage led him into a study of the dark arts it drove a wedge of horror between these best of friends. In this classic stand alone tale of horror, occultism, and madness, H. P. Lovecraft adds to his mythos with a tale that builds on the story of the Escape from Innsmouth. Interestingly it also crosses over with the Robert E. Howard's story called The Black Stone, making this story an essential for fans of Lovecraft and his Cthulhu mythos.

When Robert Blake took his lodgings on the Upper East Side he thought that the view across the city would inspire his writing. But the mysterious church steeple across the valley kept drawing his attention. Something was different about it, something mysteriously alluring. Finally he can resist no longer and makes his way to the church. The locals shun the church, which has been locked for decades. So Blake breaks in and finds the unimaginable: horror, and madness, and the Haunter of the Dark.