Resultado de "Lynn Messina" em Todas as categorias

Entre Jane Austen et "Les Chroniques de Bridgerton", une enquête haute en couleurs au temps de la Régence anglaise menée tambour battant par une héroïne malicieuse et attachante. Rien ne gâche mieux une fête qu'un meurtre sanglant dans la bibliothèque... Beatrice Hyde-Clare détonne au sein de la noblesse anglaise : orpheline sans mari, elle dépend de la générosité de son oncle et de sa tante. Elle s'efforce donc de rester docile, respectueuse et à sa place.

As the London Daily Gazette’s popular gossip columnist, she is extremely adept at sneaking into houses, assuming disguises and overseeing a vast network of spies to ensure she stays abreast of the beau monde’s comings and goings. If it sometimes seems as though she was hiding behind the settee during a particularly fierce quarrel between a husband and his wife, it’s most likely because she was hiding behind the settee during their fierce quarrel.

Twenty-six-year-old Beatrice Hyde-Clare is far too shy to investigate the suspicious death of a fellow guest in the Lake District. A spinster who lives on the sufferance of her relatives, she would certainly not presume to search the rooms of her host's son and his friend looking for evidence. Reared in the twin virtues of deference and docility, she would absolutely never think to question the imperious Duke of Kesgrave about anything, let alone how he chose to represent the incident to the local constable. And yet that's exactly what she does.

No, no, no! It doesn't matter how many times the Duchess of Trent (The Harlow Hoyden) requests her help with a delicate matter regarding a patent for her sister's invention, Tuppence Templeton will not lend a hand. She has a habit, yes, of coming up with ingenious plans to solve other people's problems, and it is true that she's clever and daring enough to pull off the proposed scheme. But there's no way she's going to confront the arrogant and dismissive Earl of Gage again.

Miss Emma Harlow hasn't earned the reputation as a hoyden for nothing, so when the duke of Trent discovers her in his conservatory stealing one of his orchids, he isn't surprised - charmed, delighted and puzzled, yes, but not surprised. It is Emma who is amazed. But her vexation doesn't last long. For Emma is a practical young lady with a mission: to end her dear sister Lavinia's engagement to the villainous (and dreadfully dull!) Sir Waldo Windbourne, and she thinks that the famous libertine is just the man for the job.

Earning the nickname Lady Agony was no minor achievement for Lady Agatha Bolingbroke. It required a great deal of effort to make herself so disagreeable, but she did it for a good cause: The fewer invitations she received, the more time she had to paint. Her mother, refusing to accept an unpopular daughter - or, worse, a talented one - insists on dragging her to every event of the season. To thwart her parents and to vent her frustration, Agatha creates a wicked alter ego: a caricaturist whose mocking illustrations take ruthless aim at the ridiculousness of the ton.