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Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organisation and structure of our brains, how they have influenced every culture's folklore and art and why the potential for hallucination is present in us all, a vital part of the human condition.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognise faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world - and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.

As with his previous best seller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre - patients for whom disorientation and alienation but also adaptation are inescapable facts of life.

In this extraordinary audiobook, Dr. Oliver Sacks recounts the stories of patients struggling to adapt to often bizarre worlds of neurological disorder. Here are people who can no longer recognise everyday objects or those they love; who are stricken with violent tics or shout involuntary obscenities, and yet are gifted with uncanny artistic or mathematical talents. If inconceivably strange, these brilliant tales illuminate what it means to be human.

Oliver Sacks died in August 2015 at his home in Greenwich Village, surrounded by his close friends and family. He was 82. He spent his final days doing what he loved: playing the piano, swimming, enjoying smoked salmon - and writing. As Dr Sacks looked back over his long, adventurous life his final thoughts were of gratitude. In a series of remarkable, beautifully written and uplifting meditations, in Gratitude Dr Sacks reflects on and gives thanks for a life well lived and expresses his thoughts on growing old, facing terminal cancer and reaching the end.

Imaginative and insightful, Seeing Voices offers a way into a world that is, for many people, alien and unfamiliar - for to be profoundly deaf is not just to live in a world of silence but also to live in a world where the visual is paramount. In this remarkable book, Oliver Sacks explores the consequences of this, including the different ways in which the deaf and the hearing impaired learn to categorise their respective worlds - and how they convey and communicate those experiences to others.

A deeply moving testimony and celebration of how to embrace life. No writer has succeeded in capturing the medical and human drama of illness as honestly and as eloquently as Oliver Sacks. During the last few months of his life, he wrote a set of essays in which he movingly explored his feelings about completing a life and coming to terms with his own death.

Oliver Sacks' compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people. He explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right....

In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect - a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well.

When Oliver Sacks, a physician by profession, injured his leg while climbing a mountain, he found himself in an unusual position - that of patient. The injury itself was severe but straightforward to fix; the psychological effects, however, were far less easy to predict, explain, or resolve: Sacks experienced paralysis and an inability to perceive his leg as his own, instead seeing it as some kind of alien and inanimate object over which he had no control. A Leg to Stand On is both an account of Sacks’ ordeal and subsequent recovery and an exploration of the ways in which mind and body are inextricably linked.

Hailed as a medical classic, and the subject of a major feature film as well as radio and stage plays and various TV documentaries, Awakenings by Oliver Sacks is the extraordinary account of a group of 20 patients. Rendered catatonic by the sleeping-sickness epidemic that swept the world just after the First World War, all 20 had spent 40 years in hospital - motionless and speechless; aware of the world around them but exhibiting no interest in it - until Dr Sacks administered the then-new drug L-DOPA, which caused them, temporarily, to awake from their decades-long slumber.

Hallucinations don’t belong wholly to the insane. Much more commonly, they are linked to sensory deprivation, intoxication, illness, or injury. Here Dr. Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organization and structure of our brains, how they have influenced every culture’s folklore and art, and why the potential for hallucination is present in us all.

Long before Oliver Sacks became a distinguished neurologist and best-selling writer, he was a small English boy fascinated by metals - also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the he chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

From its opening minutes on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy. As he recounts his experiences as a young neurologist in the early 1960s, first in California, where he struggled with drug addiction, and then in New York, where he discovered a long-forgotten illness in the back wards of a chronic hospital, we see how his engagement with patients comes to define his life.

"El hombre que confundió a su mujer con un sombrero" se convirtió inmediatamente en un clásico y consagró a Oliver Sacks como "uno de los grandes escritores clínicos del siglo" (The New York Times). En este audiolibro, Oliver Sacks narra veinte historiales médicos de pacientes perdidos en el mundo extraño y aparentemente irremediable de las enfermedades neurológicas. Se trata de casos de individuos, aquejados por inauditas aberraciones de la percepción que han perdido la memoria, y con ella, la mayor parte de su pasado.

Un giorno, a New York, Oliver Sacks partecipa all'incontro organizzato da un batterista con una trentina di persone affette dalla sindrome di Tourette. Poi il batterista inizia a suonare, e tutti in cerchio lo seguono con i loro tamburi: come per incanto i tic scompaiono, e il gruppo si fonde in una perfetta sincronia ritmica. Presentando questo e molti altri casi con la consueta capacità di immedesimazione, Sacks esplora la "straordinaria forza neurale" della musica e i suoi nessi con le funzioni e disfunzioni del cervello.

In several of the compassionate case histories collected here, Sacks considers for the first time the enigmas of depression, psychosis, and schizophrenia, and in others he returns to conditions that have long fascinated him: Tourette’s syndrome, ageing, dementia and hallucinations. In counterpoint to these elegant investigations of what makes us human, this volume also includes pieces that celebrate Sacks’s love of the natural world – and his last meditations on life in the 21st century. Everything in Its Place gives us an intimate portrait of a master writer and thinker at work.

To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

Considerado uno de los grandes escritores clínicos del siglo, Oliver Sacks nos presenta en su último libro siete casos neurológicos que constituyen una profunda reflexión sobre la esencia de la identidad y los mecanismos del conocimiento. Un pintor que tras un accidente de coche deja de ver el color; un cirujano cuyos continuos tics y compulsiones sólo remiten cuando opera o pilota su aeroplano; un hombre que tras toda una vida de ceguera recupera la vista sólo para darse cuenta de que no sabe ver.