Resultado narrado por "Nicholas Boulton" em Todas as categorias

In Clea, the concluding part of the Alexandria Quartet, Darley returns to Alexandria now caught by war-fever. The conflagration has its effect on his circle - on Nessim and Justine, Balthazar and Clea, Mountolive and Pombal - and a clarity of purpose emerges as the story moves toward its cadence.

In Balthazar, the second volume in Durrell’s Alexandria Quartet, the story and the characters come more clearly into focus. Darley, the reflective Englishman, receives from Balthazar, the pathologist, a mass of notes that attempt to explain what really happened between the tempestuous Justine, her husband, Nessim, Clea the artist, and Pursewarden the writer; new figures emerge and play key roles.

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

In Mountolive, the third volume in Durrell’s Alexandria Quartet, the events surrounding the interwoven community of Nessim, Justine, Narouz, Pursewarden and the other major characters are given a very different perspective. The intrigues and complex relationships are seen through the political prism of a world plunging toward war. David Mountolive, once emotionally involved with Nessim’s set, now returns to Egypt as the British ambassador....

Provocateur and spy for His Majesty, Captain John Carlisle returns to Fort Niagara with the secrets he stole in the arms of the beautiful Oneida innkeeper, Dellis McKesson. Determined to complete his mission and clear his name, he’ll see justice done—and damn the consequences. Now, he finds himself drawn into political intrigue, as the British prepare to launch a three-pronged attack that will bring the rebels and the Mohawk River Valley to its knees. A dangerous revelation finds Dellis as whispers of intrigue insinuate her beloved is not all that he seems.

Appearing in 1852, Basil was Wilkie Collins’s second published novel. The eponymous narrator is emotionally torn between two women: Margaret Sherwin and his sister Clara. His marriage to Margaret, a draper’s sexually precocious daughter, is to remain secret and unconsummated for the first year, as agreed with her father.

A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.

Diana’s Boys revealed the powerful bond between the teenaged princes and how it strengthened even more in the wake of their mother’s tragic death. Now, 20 years later, Queen Elizabeth II is in her mid-90s, Prince Charles is in his 70s, and all eyes are turned increasingly toward William and Harry again. Andersen picks up where he left off, covering everything that has happened to the brothers as they have grown up, gotten married to two remarkable women, and had children.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support.

In the Name of the Family - as Blood and Beauty did before - holds up a mirror to a turbulent moment of history, sweeping aside the myths to bring alive the real Borgia family: complicated, brutal, passionate and glorious. Here is a thrilling exploration of the House of Borgia's doomed years, in the company of a young diplomat named Niccolo Machiavelli.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?

Completed six years after Dostoyevsky's own term as a convict, The House of the Dead is a semi-autobiographical account of life in a Siberian prison camp, and the physical and mental effects it has on those who are sentenced to inhabit it. Alexandr Petrovitch Goryanchikov, a gentleman of the noble class, has been condemned to 10 years of hard labor for murdering his wife.

All he ever wanted was to go home. Leaving his life as a noble hostage behind him, Gryff has fled from one danger to another, never safe, always longing for a forbidden return to his conquered Welsh homeland. Held captive by villainous men, his unlikely savior is the most beautiful woman he’s ever seen - and the most deadly. Her silence is unnerving, her generosity unexpected, and her pointed warning that she will not be an object of lust is perfectly clear.

After the jealous tyrant Don Rodrigo foils their wedding, young Lombardian peasants Lucia and Lorenzo must separate and flee for their safety. Their difficult path to matrimony takes place against the turbulent backdrop of the Thirty Years War, where lawlessness and exploitation are at their height. Lucia takes refuge in a convent, where she is later abducted and taken on a nightmarish journey to a sinister castle, while Lorenzo goes to Milan, where he witnesses famine, riots, and plague - all evoked through meticulous description and with stunning immediacy.

Naples '44 is an unflinching autobiographical account of a year in Naples after the armistice and Allied landings in Sorrento in 1943. Working as a British counterintelligence officer under the Allied occupation, Lewis documents the rich pageant of life in the city and its surrounding areas. There is suffering and squalor: Criminal gangs are on the rise, along with typhus and black market commerce, and the female population is forced into part-time prostitution. But there is farce and humor, too, witnessed in the Roman uncle paid handsomely simply to appear at funerals.

Lord Gideon Birch, wounded former naval Captain and freshly minted Viscount, has a colorful history as a renowned lover of women. But a decade at war has transformed this sensual rake, and what he wants now is only to live a life on his own terms. And so, he comes to the quietest village in England, searching for serenity and instead, encounters an astonishingly enthralling pair of green eyes that unsettle his carefully constructed world.

As a Frenchwoman of highly questionable upbringing, Marie-Anne de Vauteuil was shunned by genteel society. But then, an invitation to London on a mission of mercy from the very family who cast her aside lands her back in society - and into the arms of a man who is nothing but trouble. Wealthy American businessman Mason is a) accidentally engaged, b) desperate to get out of it, and c) neither wealthy nor a businessman. When he meets Marie-Anne, she makes him rethink his life as a fraud, and hoping for something he never believed possible: A proper life with a not-so-proper wife.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Underneath the patina of civilized society lies the Sadean demimonde: a bundle of lustful appetites fueled by momentary impulse and a desire for unfettered indulgence. And the target of this savagery: Justine de Bertole, a pious and virginal heroine. Grotesque, inhumane, and compelling, Sade’s novel overturns Rousseau’s views of the social contract, and the common trope that punishment only visits sinners, to deliver a passionate treatise on good and evil, virtue and sin.

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.