Resultado narrado por "Robin Miles" em Todas as categorias

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all.

Mireille Duval Jameson is living a fairy tale. The youngest daughter of one of Haiti’s richest sons, she has an adoring husband, a precocious infant son, by all appearances a perfect life. The fairy tale ends one day when Mireille is kidnapped in broad daylight by a gang of heavily armed men, in front of her father’s Port au Prince estate. Held captive by a man who calls himself The Commander, Mireille waits for her father to pay her ransom. As it becomes clear her father intends to resist the kidnappers, Mireille must endure the torments of a man who resents everything she represents.

Fifteen-year-old Marisol is the daughter of a soucouyant. Every new moon, she sheds her skin like the many women before her, shifting into a fireball witch who must fly into the night and slowly sip from the lives of others to sustain her own. But Brooklyn is no place for fireball witches with all its bright lights, shut windows, and bolt-locked doors.… While Marisol hoped they would leave their old traditions behind when they emigrated from the islands, she knows this will never happen while she remains ensnared by the one person who keeps her chained to her magical past—her mother.

Nettie Boileau joins the Black Panthers’ Free Health Clinics in Oakland in 1968 and is soon swept up in an all-consuming love affair with Melvin Mosley, a defense captain of the Black Panther Party. When Nettie and Melvin head to Chicago to help launch the Illinois chapter of the Panthers, they find themselves targets of J. Edgar Hoover’s famous covert campaigns against civil rights leaders. As she learns more about the inner workings of the Panthers, Nettie discovers that fighting for social justice may not always mean equal justice for women.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

The Memory Palace is a collection of tiny, crystalline historical tales that come across like luminous short fiction, and, like Nate DiMeo’s acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered. For fifteen years, Nate DiMeo has turned to the past to make sense of the way we live today, finding beauty and meaning in history’s dustier corners, holding things up to the light and weaving facts, keen insight, wit, and poignant observation into unforgettable tales.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before-published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, uniting a diverse range of science fiction writers both famous and newly minted, including Max Brooks, Edward Bryant, Cecil Castellucci, James S. A. Corey, Howard Fast, Patricia Hodgell, Dan Simmons, Robert Sheckley, Adrian Tchaikovsky, Mildred Downey Broxon, and Cory Doctorow, among others.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

In this mesmerizing fantasy rooted in Urhobo and West African folklore, sixteen-year-old Naborhi longs for a life away from her small, traditional clan in Kokori. But as her rite of passage approaches and she is betrothed to an arrogant young man, Naborhi feels her dreams slipping away from her. Then Naborhi becomes bonded to a mysterious animal and begins having harrowing visions of a kidnapped boy. She soon meets Atai, the son of an Oracle from a rival queendom, and learns that she is being guided by the gods.

For years, Rafi Delarua saw his family suffer under his father's unethical use of psionic power. Now the government has Rafi under close watch but, hating their crude attempts to analyse his brain, he escapes to the planet Punartam, where his abilities are the norm, not the exception. Punartam is also the centre for his favourite sport, wallrunning - and thanks to his best friend, he has found a way to train with the elite. But Rafi soon realises he's playing quite a different game, for the galaxy is changing; unrest is spreading and the Zhinuvian cartels are plotting.

The stories in this anthology range from quietly strange to ambitiously speculative. Humans transform into cosmic energy or sentient algae. A man wakes up in a new body in a world with continents cut out, months absent from the calendar year, and souls misplaced. Students at a high school regularly vanish without a trace. A woman descends into the depths of the ocean and encounters all-knowing creatures who may have the answers to her deepest questions.

It is said that the Canal will be the greatest feat of engineering in history. But first, it must be built. Ada Bunting, a bold sixteen-year-old from Barbados, arrives alone in Panama as a stowaway alongside thousands of other West Indians seeking work in the grand building project of the Canal. Francisco, a local fisherman, resents the foreign nations clamouring for a slice of his country, but nothing is more upsetting for him than his son Omar’s decision to work as a digger.

Paama is a marvelous cook who’s had the bad fortune to marry Ansige. He was the least eligible bachelor in his village: self-centered, foolish, and food-obsessed. Paama has had enough of this miserable life with her gluttonous husband, and so leaves him to return to her old life with her family. But Paama does not know that this is the beginning of a remarkable adventure. Because the Undying Ones are watching her. These spirits observe the follies of mortal life . . . and sometimes meddle and make mischief.

In Never Saw Me Coming, Tanya Smith shares her deeply personal and remarkable story of how she went from a precocious young girl to a money-grabbing, computer-savvy wiz. It starts out as a keen interest in technology and innocently acquiring phone numbers to Michael Jackson, as well as other celebrities, and moves to her successfully stealing and depositing $5,000 into her grandmother’s banking account. By the time she is 18, the risk taker has confiscated millions in cash.

It started innocently enough, with calls to celebrities' houses alongside her teenage twin sister. Soon, Tanya Smith realised she could convince utility companies to amend the balances of her friends and neighbours, clearing elderly relatives' overdue electricity bills with a single phone call. Eventually, as she tested the limits and realized she could get past any gatekeeper, this superpower, as she came to think of it, morphed into something else: she wanted access to the actual money herself.

On a rainy day in May 1964, history professor Cecily Bridge-Davis begins to search for the sixty-five acres of land she inherited from her father’s family. The quest leads her to uncover a dark secret: In every generation, one offspring from each Bridge family unit vanishes—and is mysteriously whisked back in time. With only a family Bible and a map marked with the locations of mysterious containers to aid her, Cecily heads to the library, hoping to discover the truth of how this curse began, and how it might be ended.

It’s the summer of 1987 in Swift River, and Diamond Newberry is learning how to drive. Ever since her Pop disappeared seven years ago, she and her mother hitchhike everywhere they go. But that’s not the only reason Diamond stands out: she’s teased relentlessly about her weight, and since Pop’s been gone, she is the only Black person in all of Swift River. This summer, Ma is determined to declare Pop legally dead so that they can collect his life insurance money, get their house back from the bank, and finally move on.

Why don’t our schools work? Eve L. Ewing tackles this question from a new angle: What if they’re actually doing what they were built to do? She argues that instead of being the great equalizer, America’s classrooms were designed to do the opposite: to maintain the nation’s inequalities. It’s a task at which they excel.

Welcome to Sunset Academy, the most coveted elementary school in Miami Beach, where there are three categories of families: rich, wealthy, and ultra-wealthy. Perfectly tanned and smiling Charlotte Giordani is Sunset Academy’s alpha mom. With a sleek blowout and relentless charm, Charlotte’s brashness serves her well. She’s up for election as the PTA president and is riding high, having just secured a massive donation from billionaire Don Walker and his socialite wife Patricia.

A proud and reserved alien society finds its homeland destroyed in an unprovoked act of aggression, and the survivors have no choice but to reach out to the indigenous humanoids of their adopted world, to whom they are distantly related. They wish to preserve their cherished way of life but come to discover that in order to preserve their culture, they may have to change it forever.