Resultado de "D H Lawrence" em Todas as categorias

"The Rocking Horse Winner" is one of Lawrence's more popular short stories with its mixture of the supernatural and its moral lesson of the corrupting nature of the love of money. But it has nothing new to say on the subject, and without the central core of Lawrence's passion for what he is writing, it seems somewhat trite.

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.

"You Touched Me" is a comic/tragic story of a forced marriage brought about by an accidental touch in the night, but the depth of the writing leaves the listener unsure if the couple are marrying for money or to release the passions realized by the touch.

The hero of this story returns to England to undertake a "respectable" marriage, but is drawn to see the passionate love of his life once more. Their mutual passion attracts and repels the couple in equal measure, but the young man pulls away in a literal fire of passion. He escapes from the witch of his desires to the respectability he craves, but we wonder if he can be truly happy without the sensual side of his life being satisfied.

A Modern Lover was written by D H Lawrence in 1909. A young man returns home to his first love to declare his feelings for her but the moment is lost when the girl will not give herself sexually. This theme was to be explored fully in Lawrence’s novel, Sons and Lovers.

"Monkey Nuts" was written by D.H. Lawrence in 1922. "Monkey Nuts" turns the traditional love story on its head. It is the woman (the new liberated woman Lawrence had little time for) who does the chasing and the boy who is reluctant. Lawrence seems to be saying it is the unspoken love between the two men in the story which is more satisfying than the possible love between the man and the woman, which the boy rejects. Although the older man goes through the motions of chasing the girl, even he seems to realize the sterility of one-sided love.

"The Thorn in the Flesh" was written by D.H. Lawrence in 1914. The story can be listened to in tandem with "The Prussian Officer", which was written in the same year and has a similar setting and theme. In this story, the young soldier fights against his own shortcomings as a soldier and as a man. He flees the scene of his crime into the arms of his lover, where he finds solace and comfort, but he cannot escape the inevitable military machine that Lawrence hated.

"Delilah and Mr Bircumshaw" was written by D.H. Lawrence in 1912. Lawrence is beginning to move away from his working-class roots in this story and exploring the relationship of a middle-class couple who have a slight argument, egged on by the wife's friend. Bircumshaw loses his dignity and self-respect for the comforts of married life. For all his insights into women, the misogynist in Lawrence can be detected.

"Mother and Daughter" can be understood as one of Lawrence's diatribes against women. Two women do their best to get along without men, but in the end, as Lawrence always proposed, a woman cannot be fulfilled without a dominant man, however unsuitable he may be.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"Sun" is a sensual story of a woman rediscovering her sexuality through the power of the sun. But for the unexpected arrival of her businessman husband, she was ready to give herself to a local peasant, but is finally pulled back to respectability by her husband. But she is free to remain apart from him in the sun.

"The Shades of Spring". In this story, the hero has moved on in the world and is married, yet cannot forget his old love. He retraces the steps to her farm, hoping for - what? He finds his old love attached to a physical young man who can give the girl what he could not - pure, physical love - and this she prefers to his more intellectual love.

"The Miner at Home" was written by D.H. Lawrence in 1912. Lawrence is at his best in this story, taken from the scenes of his childhood and based on characters he knew intimately. The scene can hardly be called a story in the traditional sense, being the altercation between a miner and his wife over an impending strike, but as a picture of a working miner’s family, rich in detail and the Nottinghamshire dialect, it has a fascination and vividness.

"Rex" is a riotous story of the turmoil caused in a household by the arrival of a puppy. The setting is similar to the one found in Sons and Lovers, but Lawrence thought this scene deserved the fuller treatment of a short story. The question of the destructive force of unconditional love is left open.

"Christs in the Tirol" is more of an essay on this peculiar art form than a short story. It is included in this series as forming part of Lawrence's record of his wanderings in Europe, and partly as a record of Lawrence's attitude to religion and death and foreshadowing his own eventual suffering and death.

"The Lovely Lady" is a fine observation of a life - the lovely lady of the title - that thrives by sucking the life out of others. The two victims escape by a somewhat melodramatic and comical means, but in the process destroy the lovely lady and form what will probably be a dull and passionless union.

"Things" takes a cutting look at two "idealistic" young Americans who travel around Europe in an attempt to give their spoiled lives some meaning, and in the end settle for suburban America, surrounded by their possessions, their "things".

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?