Resultado de "G.K. Chesterton" em Todas as categorias

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it. The award winning Colonial Theatre on the Air has dramatized G.K. Chesterton's Father Brown stories from The Innocence of Father Brown with a full cast, music score, and sound effects.

G. K. Chesterton's unconventional memoir of faith, Orthodoxy, is his most enduring nonfiction work. 

"Since he published Orthodoxy in 1908, G. K. Chesterton has inspired Christians and challenged skeptics with his unique wit and wisdom. He delivered biting analysis still relevant today."—Christianity Today 

Visit ChestertonBooks.com to see other books in our G. K. Chesterton series.

Chesterton's compilation of essays in Heretics discusses the difference in Orthodoxy and Heretics, rational vs. irrational, and denial vs. affirmation. He questions the reason for the existence of man and the universe and calls out many prominent figures in the artistic and literary fields for their unorthodox ideas; thus labeling them heretics. He will have you thinking of favorite authors like Rudyard Kipling, Oscar Wilde, and H.G. Wells in a new light, challenging their ideals and morals.

The book acts as a guide which explains how Christianity is the best choice for all human beings, not because it's outside of our world and an independent truth, but because it is the answer to our base needs and desires. Only when Christianity is seen as a way of life instead of a belief can the true power of the faith be realized.

The Man Who Was Thursday was written by G. K. Chesterton and follows newly recruited Scotland Yard detective Gabriel Syme as he infiltrates the dangerous underworld of the European anarchist council. Syme is a member of a special antianarchist division of the police and finds his way into the secret group through a poet he befriends, named Lucian Gregory.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it. The award-winning Colonial Theatre on the Air has dramatized G. K. Chesterton's Father Brown stories.

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors, and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it. The award-winning Colonial Theatre on the Air has dramatized G. K. Chesterton's Father Brown stories from The Wisdom of Father Brown with a full cast, music score, and sound effects.

The stories revolve around the same character, Horne Fisher, who uncovers mysteries that he can't bring to the public eye. In the first story, The Face in the Target, Fisher and two other men come across a dead man at a park. The dead man is a political figure, and Fisher realizes that uncovering the truth could lead to political trouble for the city. Although Fisher usually finds out who has killed the victim, the different circumstances regarding the murders in each of the eight stories usually prevent him from taking further action.

Chesterton's allegorical masterpiece is a surreal, psychologically thrilling novel that centres on seven anarchists in turn of the century London who call themselves by the names of days of the week. The story begins when poet Gabriel Syme is recruited as a detective to a secret anarchist division of Scotland Yard by a shrouded, nameless person. Syme infiltrates a secret meeting of anarchists who are intent on destroying the world and becomes known as 'Thursday', one of the seven members of the Central Anarchist Council.

A dazzling and uplifting biography of the great Saint Francis of Assisi who gained the world by giving up worldly goods to be be independent of all. Less is more at the highest level. Told in a remarkably astute, nuanced, optimistic, uplifting biography by G. K. Chesterton, known as the Prince of Paradox.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor. O'Connor had a shrewd insight to the darker side of man's nature and a mild appearance to go with it--and together those came together to become Chesterton's unassuming Father Brown. Chesterton loved the character, and the magazines he wrote for loved the stories.

Chesterton demonstrates his intense distrust of power and "progressives," railing against Prohibition, vegetarianism, theosophy, and other "dreary and oppressive" forces of modernity. In a spirited response to the government's attempt to curtail alcohol sales, Humphrey Pump (called Hump) a pub owner in the fishing village of Pebblewick takes to the road in a donkey cart. Accompanied by Captain Patrick Dalroy, a crimson-haired giant with a tendency to burst into song, Hump provisions the cart with a cask of good rum, a giant round of cheese, and the signpost from his pub, The Flying Inn.

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

G.K. Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public."

A Short History of England (1917) is Chesterton’s commentary on the philosophical, social, and religious history of England. The book focuses on those highlights that have shaped the nation, and is presented in the author’s customary wit. Having displayed strong Roman Catholic leanings at this time of his life, the author equates Anglicanism with atheism, but does commend the upliftment achieved by the Wesleyans. Chesterton views the story of England as the story of robber barons who became an aristocracy and who concealed their rise to power and hegemony through Parliament.

Mystery, murder, deception, obsession, and vendetta abound in Chesterton's third collection of eight adventures for the unassuming but insightful Father Brown; including a happily temporary demise for the little priest himself; a millionaire killed with an arrow from heaven; another disappeared from a sealed room; a maniac determined to possess a precious relic; and a decaying family and a mysterious portrait.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The shadow of Conan Doyle’s Sherlock Holmes would inevitably fall across much of the crime fiction that followed that most famous of detectives. However, in 1910, G.K Chesterton's unassuming, devout, and unprepossessing Father Brown made his first appearance and proved no less of a fascinating figure who would stands firmly on his own two ecclesiastical feet. Head Stories presents the first in a series of the complete Father Brown, read by Simon Hester with original music.