Resultado narrado por "Peter Serafinowicz" em Todas as categorias

The City Watch needs men! But what it's got includes Corporal Carrot (technically a dwarf), Lance-Constable Cuddy (really a dwarf), Lance-Constable Detritus (a troll), Lance-Constable Angua (a woman...most of the time) and Corporal Nobbs (disqualified from the human race for shoving). And they need all the help they can get, because someone in Ankh-Morpork has been getting dangerous ideas - about crowns and legendary swords and destiny.

For Commander Vimes, Head of Ankh-Morpork City Watch, life consists of troubling times, linked together by...well, more troubling times. Right now, it's the latter. There's a werewolf with pre-lunar tension in the city and a dwarf with attitude and a golem who's begun to think for itself, but that's just ordinary trouble. The real problem is more puzzling - people are being murdered, but there's no trace of anything alive having been at the crime scene.

Cameras roll, for the first time, on the Discworld when alchemists discover the excitement of the silver screen. But what is the dark secret of Holy Wood hill? As the clichés of Tinsel Town pour into the world, it's up to the Disc's first film stars to find out. Join Victor Tugelbend and Theda Withel as they battle the forces of evil and cinema advertising. They're about to discover that the magic of the silver screen might be powerful enough to put an end to, well, everything.

Tiffany Aching is ready to begin her apprenticeship in magic, but life isn't exactly what she thought it would be. She expects spells and magic - not chores and ill-tempered goats! Surely there must be more to witchcraft than this? And Tiffany will find that she needs her magic more than ever, to fight off the insidious, disembodied creature that is pursuing her. This time, neither Mistress Weatherwax (the greatest witch in the world) nor the fierce, six-inch-high Wee Free Men can protect her. In the end, it will take all of Tiffany's inner strength to save herself.

'Look after the dead,' said the priests, 'and the dead will look after you.' Wise words in all probability, but a tall order when, like Teppic, you have just become the pharaoh of a small and penniless country rather earlier than expected, and your treasury is unlikely to stretch to the building of a monumental pyramid to honour your dead father. He'd had the best education money could buy of course, but unfortunately the syllabus at the Assassin's Guild in Ankh-Morpork did not cover running a kingdom and basic financial acumen....

They say that diplomacy is a gentle art. That mastering it is a lifetime's work. But you do need a certain inclination in that direction. It's not something you can just pick up on the job. A few days ago Sam Vimes was a copper - an important copper, true - chief of police - but still, at his core, a policeman. But today he is an ambassador - to the mysterious, fat-rich country of Uberwald. Today, Sam Vimes is also a man on the run. At some point during his ambassadorship, things went very wrong. It's snowing. It's freezing.

William de Worde is the accidental editor of the Discworld's first newspaper. Now he must cope with the traditional perils of a journalist's life - people who want him dead, a recovering vampire with a suicidal fascination for flash photography, some more people who want him dead in a different way and, worst of all, the man who keeps begging him to publish pictures of his humorously shaped potatoes.

Insurrection is in the air in the city of Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city's ramshackle Night Watch is used to this. It's enough to drive a man to drink. Well, to drink more. But this time, something is different - the Have-Nots have found the key to a dormant, lethal weapon that even they don't fully understand and they're about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Maurice, a streetwise tomcat, has the perfect money-making scam. Everyone knows the stories about rats and pipers, and Maurice has a stupid-looking kid with a pipe, and his very own plague of rats—strangely educated rats. But in Bad Blintz, the little con suddenly goes down the drain. For someone there is playing a different tune and now the rats must learn a new word. EVIL. It's not a game any more. It's a rat-eat-rat world. And that might only be the start.

Danny thinks his dad is the most marvellous and exciting father any boy ever had - but Danny's dad has a very big secret. This secret leads them both into the strangest adventure of their lives, and a daring plot that makes Danny the champion of the world.

A full-cast BBC Radio 4 dramatisation of Terry Pratchett & Neil Gaiman’s celebrated apocalyptic comic novel, with bonus length episodes and outtakes. According to the Nice and Accurate Prophecies of Agnes Nutter, Witch, the world will end on a Saturday. Next Saturday in fact. Just after Any Answers on Radio 4….Events have been set in motion to bring about the End of Days. The armies of Good and Evil are gathering and making their way towards the sleepy English village of Lower Tadfield.

Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put the ailing postal service of Ankh-Morpork back on its feet. It's a tough decision. The post is a creaking old institution, overshadowed by new technology. But there are people who still believe in it and Moist must become one of them if he's going to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, an evil chairman...and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

Change is in the air for Moist von Lipwig, swindler, con-man and (naturally) head of the Royal Bank and Post Office. A steaming, clanging new invention - a steam locomotive named Iron Girder, to be precise - is drawing astonished crowds. Suddenly it's a matter of national importance that the trains run on time. Moist does not enjoy hard work. His input at the bank and post office consists mainly of words, which are not that heavy. Or greasy. And it certainly doesn't involve rickety bridges, runaway cheeses or a fat controller with knuckledusters.

The Royal Bank is facing a crisis, and it's time for a change of management. There are a few problems that may arise with the job.... The Chief Cashier is almost certainly a vampire - there's something nameless in the cellar and it turns out that the Royal Mint runs at a loss. Meanwhile, people actually want to know where the money's gone. It's a job for life. But, as former con-man Moist von Lipwig is learning, that life is not necessarily a long one. He's about to be exposed as a fraud, but if he's lucky the Assassins' Guild might get him first.

Being 16 is always difficult, even more so when there's a Death in the family. After all, it's hard to grow up normally when Grandfather rides a white horse and wields a scythe. Especially if he decides to take a well-earned moment to uncover the meaning of life and discover himself in the process, so that you have to take over the family business, and everyone mistakes you for the Tooth Fairy.

Women belong in the kitchen - everyone knows that. Not in jobs, pubs or indeed trousers, and certainly not on the front line. Nonetheless, Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Learning to fart and belch in public and walk like an ape takes more time. There's a war on. There's always a war on, and Polly and her fellow raw recruits are suddenly in the thick of it. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee.

Religion is a competitive business in the Discworld. Everyone has their own opinion and their own gods, of every shape and size - all fighting for faith, followers, and a place at the top.

Tiffany Aching leaps into a dance - and suddenly the spirit of winter is in love with her. He's showering her with snowflakes and offering her a crown of ice. Which is creepy, but also just a little bit...cool. Now she's dancing to his tune. She can't change the steps. But unless Tiffany can work out how to deal with the Wintersmith, there will never be another springtime.

Mixing parody, literary criticism, profiles, satire, light verse, anagrams, AND social observation, Haywire gathers together the finest examples of Craig Brown's writing across the past fifteen years. From Mary Berry’s Household Tips to Robert Macfarlane’s poetic prose, from profiles of such diverse figures as Sigmund Freud and Katie Price to parodies of Jacob Rees-Mogg and Mary Beard, and from appreciations of the Marx Brothers and Les Dawson to essays on Brian Epstein and the slippery art of biography, Haywire contains a bumper selection of work.