Resultado de "Guy de Maupassant" em Todas as categorias

Ein Hörbuch mit den schönsten Kurzgeschichten - perfekt für die Reise oder zuhause...

A lesson on the power of vanity, "The Necklace" tells the story of Madame Mathilde Loisel and her husband. Mathilde always imagined herself as a socialite with beautiful gowns and wonderful jewels. Her husband, however, is a lowly clerk and the two have little money. Desperate to attend an important party, she borrows a friend's diamond necklace to match the dress her husband bought for her. But when Mathilde loses the expensive jewels, she nearly destroys her life in an effort to pay back the debt.

"Ozherel'e" - novella francuzskogo pisatelja Gi de Mopassana. Vpervye opublikovana v 1884 godu vo francuzskoj gazete Le Gaulois. Hrestomatijnyj primer ispol'zovanija neozhidannoj koncovki, stavshij svoego roda jetalonom dlja posledujushhih rasskazov jetogo tipa. Matil'da Luazel' s detstva mechtaet o roskoshnoj zhizni v vysshem obshhestve. No v silu svoego nevysokogo proishozhdenija ona byla vynuzhdena prinjat' predlozhenie melkogo chinovnika ministerstva obrazovanija.

La Gordinflona es la historia de una prostituta francesa. Guy de Maupassant utiliza la imagen de esta mujer como representación del pueblo francés, sin títulos ni dinero, engañados por la clase dirigente, derrotados. Son ellos quienes sufren las verdaderas consecuencias de la guerra. Boule de Suif (o La Gordinflona) nos presenta también la hipocresía de las clases acomodadas de la época, más interesadas en su propio beneficio que en el de Francia.

A stagecoach containing a microcosm of French society seek to escape to Le Havre during the Prussian war. Stopping at an inn along the way, they soon realize they have blundered into Prussian occupied territory. The travelers are not allowed to leave until one woman, a prostitute known as Boule de Suif, (literally suet dumpling, or ball of fat), sleeps with the commanding officer. This turn of events is met with universal indignation by the travelers. But as the days stretch out, everyone’s true colors are revealed.

El personaje de esta historia vive en una apacible casa de campo, a orillas del río Sena, en una ciudad de Francia. Sus días son tranquilos y dedica su tiempo a descansar en el jardín, observar los barcos que surcan en el río y viajar a París para distraerse. Un día, y de manera inexplicable, empieza a padecer eventos y sensaciones extrañas durante las noches, los cuales lo empujarán hacia la locura y la desesperación. Este relato fantástico clásico representa una huida hacia un mundo misterioso y desconocido que el autor francés Guy de Maupassant escribió con excelencia.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

Darkness falls. The undead rise to feast on the succulent blood of the living. For years vampires have fascinated great writers of the occult such as De Maupassant, Count Stenbock, E. Nesbit, and E.F. Benson. This is The Story Circle's collection of some of their spine-chilling tales told by award-winning actors.

"Милый друг" — роман французского писателя Ги де Мопассана, написанный в 1885 году, рассказывает об авантюристе, который мечтает сделать блестящую карьеру. У него нет каких-либо талантов, разве что своей внешностью он может покорить сердце любой дамы, а совесть прощает ему любую подлость. И… этого хватает для того, чтобы стать сильным мира сего.

Er blieb ein paar Sekunden stehen, um seine Frau zu betrachten und ward ein wenig bleich. Sie war sehr schön, schlank und sah vornehm aus in ihrem länglichen, feinen Gesicht, ihrem goldigen Elfenbeinteint, den großen grauen Augen und dem schwarzem Haar. Ohne ihn anzublicken, stieg sie ein. Sie schien ihn nicht einmal bemerkt zu haben bei ihrem so ausgesprochen hochmütigen Wesen, dass ihm die fürchterliche Eifersucht, die ihm lange schon quälte, von neuem das Herz zerriss.

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Boule de Suif (1880) is a short story by the late-19th century French writer Guy de Maupassant. It is arguably his most famous short story, and is the title story for his collection on the Franco-Prussian War, entitled "Boule de Suif et Autres Contes de la Guerre" ("Boule de Suif and Other Stories of the War"). John Ford said that his film Stagecoach was in many ways a western rewrite of Boule de Suif.

The most popular and perhaps the greatest of Maupassant's full-length novels, A Woman's Life is the story of the unfortunate Jeanne, a Norman gentlewoman. Avarice and lechery, cruelty and greed, conspire against Jeanne wherever she goes. Maupassant exposes the evil around Jeanne with characteristic detachment and precision, yet his pessimism is, as always, qualified by passages of great lyric beauty, and by the touching sympathy and tenderness with which he portrays his heroine.

The fraternal love that Pierre Roland feels for his younger brother Jean has always been tinged with jealousy. But when a lawyer arrives at the house of their parents, to declare that an old family friend has bequeathed his entire fortune to Jean, this envy rapidly becomes an all-consuming force. Despising himself for the hate that he feels, Pierre roams the seaport of Le Havre alone, desperate to come to terms with his brother's success.

This chilling tale of one man’s descent into madness was published shortly before the author was institutionalized for insanity, and so The Horla has inevitably been seen as informed by Guy de Maupassant’s mental illness. While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction.

"La peur (et les hommes les plus hardis peuvent avoir peur), c’est quelque chose d’effroyable, une sensation atroce, comme une décomposition de l’âme, un spasme affreux de la pensée et du cœur, dont le souvenir seul donne des frissons d’angoisse.

Paru en 1887 avec d'autres récits, "Le Horla" est incontestablement le plus original et le plus effrayant de tous les contes fantastiques de Maupassant. Pour l'écrire, l'auteur s'est documenté auprès du docteur Charcot, célèbre spécialiste des névroses et des hystéries. Mais surtout, il s'est probablement inspiré des troubles nerveux qui commençaient alors à le détruire et qui allaient bientôt l'empoter.

Jeanne, ayant fini ses malles, s'approcha de la fenêtre, mais la pluie ne cessait pas. L'averse, toute la nuit, avait sonné contre les carreaux et les toits. Le ciel bas et chargé d'eau semblait crevé, se vidant sur la terre, la délayant en bouillie, la fondant comme du sucre. Des rafales passaient pleines d'une chaleur lourde. Le ronflement des ruisseaux débordés emplissait les rues désertes où les maisons, comme des éponges, buvaient l'humidité qui pénétrait au-dedans et faisait suer les murs de la cave au grenier.