Black Britain: Writing Back

In the years just after the American revolution, London was the unlikely refuge for thousands of Black Americans who fought for liberty on the side of the British. Buckram, Georgie and William have earned their freedom and escaped their American oppressors, but on the streets of London, poverty awaits with equal cruelty.

When Anita finally returns home to London after a long absence, everything has changed. Her father is dead, her mother is away and she and her sister, Beth, are alone together for the first time in years. They share a house. They share a family. They share a past. Tentatively, they reach out to one another for connection, but the house echoes with words unspoken.

It is the 1920s in the Trinidadian capital, and Haynes' world has been upended. His mother has passed away, and his carefully mapped-out future of gleaming opportunity has disappeared with her. Unable to afford his former life, he finds himself moving into Minty Alley - a bustling barrack yard teeming with energy and a spectacular cast of characters. In this sliver of West Indian working-class society, outrageous love affairs and passionate arguments are a daily fixture and Haynes begins to slip from curious observer to the heart of the action.

It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song. After several months of uninterrupted routine, she is joined by another young Black woman - Merle - who is full of silences and fear. Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed.

University Lecturer Gus knows that stealing the priceless Benin mask, the Dancing Face, from a museum at the heart of the British establishment will gain an avalanche of attention. Which is exactly what he wants. But such a risky theft will also inevitably capture the attention of characters with more money, more power and fewer morals. Naively entangling his loved ones in his increasingly dangerous pursuit of righteous reparation, is Gus prepared for what it will cost him?

A powerful, intimate memoir of Eritrean British journalist Hannah Azieb-Pool, who returns to Eritrea at the age of 30 to meet her family for the first time. In her 20s, Hannah Azieb-Pool is given a letter that unravels everything she knows about her life. She knew she was adopted from an orphanage in Eritrea and that as her adoptive family brought her to the UK, they believed she did not have any surviving relatives. When she discovers the truth in a letter from her brother - that her birth father is alive and her Eritrean family are desperate to meet her.

Amryl Johnson came to England from Trinidad when she was 11. As an adult in 1983, ready for a homecoming, she embarks on a journey through the Caribbean searching for home, searching for herself. Landing in Trinidad as carnival begins, she instantly surrenders to the collective, pulsating rhythm of the crowd, euphoric in her total freedom. This elation is shattered when she finds the house where she was born has been destroyed. She cannot escape - nor does she want to - from the inheritance of colonialism.

Travelling over from Jamaica as a teenager, Barbara's journey is remarkable. She finds her footing in TV and blossoms. But with the responsibility of being the first Black woman reporting on TV comes an enormous amount of pressure, and a flood of hateful letters and complaints from viewers that eventually costs her the job. In the aftermath of this fallout, she goes through a period of self-discovery that allows her to carve out a new space for herself first in the UK and then back home in Jamaica.

In Britons Through Negro Spectacles Merriman-Labor takes us on a joyous, intoxicating tour of London at the turn of the 20th century. Slyly subverting the colonial gaze usually placed on Africa, he introduces us to the citizens, culture and customs of Britain with a mischievous glint in his eye. This incredible work of social commentary feels a century ahead of its time and provides unique insights into the intersection between empire, race and community at this important moment in history.

Dillibe was the second Black boy to study at Eton - joining in 1965 - and the first to complete his education there. Written at just 21, this is a deeply personal, revelatory account of the racism he endured during his time as a student at the prestigious institution. He tells in vivid detail of his own background as the son of a Nigerian judge at the International Court of Justice at the Hague, of his arrival at the school, of the curriculum, of his reception by other boys (and masters) and of his punishments.

As the daughter of a white Welsh-speaking mother and black father from Guyana, Charlotte Williams's childhood world was one of mixed messages dominated by the feeling that 'somehow to be half-Welsh and half Afro-Caribbean was to be half of something but never quite anything whole at all.' Sugar and Slate tells the fascinating story of her journey of self-discovery, from the small north Wales town of her birth to Africa, the Caribbean and back to Wales.

Leonora Brito was a writer of exceptional stories. In Dat's Love, she soaks up the sights, sounds and colours of Cardiff to boldly explore race and history. With each electric story, Brito introduces a unique cast of characters, vibrantly elevating their everyday lives. From 59-year-old Dorothy taking up nude modelling to black aristocrat Dido Elizabeth Belle, from the assassination of JFK to what's going down at the Blue Bayou, Brito blends the surreal and the mundane to redress history and immerse the reader in a vibrantly painted world.