Resultado para "Oliver Sacks" em Todas as categorias

A partir de histórias de pacientes com os mais diversos problemas de visão, este livro explora, de maneira original, o antigo dilema entre mente e cérebro. Com uma prosa límpida, que mescla rigor médico com referências à literatura, às artes e à história do pensamento, o autor relata também a batalha que travou contra um câncer que se desenvolveu em um de seus olhos.

O cientista e neurologista Oliver Sacks é também um excelente narrador, dono do raro poder de compartilhar com o leitor leigo certos mundos que de outro modo permaneceriam desconhecidos ou restritos aos especialistas. Em O homem que confundiu sua mulher com um chapéu, estamos diante de pacientes que, imersos num mundo de sonhos e deficiências cerebrais, preservam sua imaginação e constroem uma identidade moral própria.

Oliver Sacks nunca se restringiu a escrever sobre neurologia ou medicina: ele se entusiasmava com os problemas, as ideias e as questões de todas as áreas do conhecimento. Esse domínio e paixão abrangentes são reconhecíveis em.

A aguardada – e bem-humorada – autobiografia de um dos mais importantes pensadores de nossos tempos. Com honestidade e humor, Sacks escreve sobre seus casos de amor, seu irmão esquizofrênico, a culpa de abandonar a família pelos Estados Unidos e os escritores e cientistas que o influenciaram. Sempre em movimento é a história de um pensador brilhante e nada convencional, que iluminou as muitas formas de o cérebro nos fazer humanos.

A música é uma das experiências humanas mais assombrosas e inesquecíveis, e este livro do neurologista e escritor Oliver Sacks nos faz entender por quê. A exemplo de seus livros anteriores, entre os quais se destacam Tempo de despertar e O homem que confundiu sua mulher com um chapéu, Sacks nos oferece aqui histórias musicais cheias de drama e compaixão humana envolvendo pessoas comuns ou portadoras de distúrbios neuroperceptivos.

A partir do exame de casos clínicos extraordinários, como o de um pintor que passa a enxergar em preto-e-branco em razão de um acidente ou o do rapaz que só consegue se lembrar dos anos 60, o neurologista elabora uma fascinante teoria da inteligência.

Considerado uno de los grandes escritores clínicos del siglo, Oliver Sacks nos presenta en su último libro siete casos neurológicos que constituyen una profunda reflexión sobre la esencia de la identidad y los mecanismos del conocimiento. Un pintor que tras un accidente de coche deja de ver el color; un cirujano cuyos continuos tics y compulsiones sólo remiten cuando opera o pilota su aeroplano; un hombre que tras toda una vida de ceguera recupera la vista sólo para darse cuenta de que no sabe ver.

Oliver Sacks' The Man Who Mistook His Wife for a Hat tells the stories of individuals afflicted with fantastic perceptual and intellectual aberrations: patients who have lost their memories and with them the greater part of their pasts; who are no longer able to recognize people and common objects; who are stricken with violent tics and grimaces or who shout involuntary obscenities; whose limbs have become alien; who have been dismissed as retarded yet are gifted with uncanny artistic or mathematical talents.

Un giorno, a New York, Oliver Sacks partecipa all'incontro organizzato da un batterista con una trentina di persone affette dalla sindrome di Tourette. Poi il batterista inizia a suonare, e tutti in cerchio lo seguono con i loro tamburi: come per incanto i tic scompaiono, e il gruppo si fonde in una perfetta sincronia ritmica. Presentando questo e molti altri casi con la consueta capacità di immedesimazione, Sacks esplora la "straordinaria forza neurale" della musica e i suoi nessi con le funzioni e disfunzioni del cervello.

Awakenings - which inspired the major motion picture - is the remarkable story of a group of patients who contracted sleeping sickness during the great epidemic just after World War I. Frozen for decades in a trance-like state, these men and women were given up as hopeless until 1969, when Dr. Oliver Sacks gave them the then-new drug L-DOPA, which had an astonishing, explosive, "awakening" effect. Dr. Sacks recounts the moving case histories of his patients, their lives, and their extraordinary transformations.

Oliver Sacks apreende o drama da doença que o levou a morte de forma honesta e eloquente, em toda sua complexidade médica e humana. Durante os últimos meses de sua vida, Oliver Sacks escreveu uma série de ensaios nos quais explorou de maneira comovente seu percurso pessoal para concluir a vida e enfrentar a própria morte da melhor forma.

Oliver Sacks widmet sich in seinem neuen Werk dem Zusammenhang von visueller Wahrnehmung und Bewusstsein. Es gelingt ihm wieder, komplexe Dinge verständlich zu beschreiben. Das Außergewöhnliche: Sacks schildert, wie er selbst 2005 an einem bösartigen Tumor im Auge erkrankte. Er berichtet vom Leben mit dem Krebs und dem Verlust seiner visuellen Fähigkeiten. Doch er entdeckt auch "positive" Phänomene: milde Illusion, Halluzinationen, Veränderungen in der Wahrnehmung von Farben und Umrissen.

To these seven narratives of neurological disorder Dr. Sacks brings the same humanity, poetic observation, and infectious sense of wonder that are apparent in his bestsellers Awakenings and The Man Who Mistook His Wife for a Hat. These men, women, and one extraordinary child emerge as brilliantly adaptive personalities, whose conditions have not so much debilitated them as ushered them into another reality.

As with his previous best seller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world and how we relate to those around us. Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre - patients for whom disorientation and alienation but also adaptation are inescapable facts of life.

We are capable of savage acts of violence but also spectacular feats of kindness: is one side of our nature destined to win out over the other? Every act of human behaviour has multiple layers of causation, spiralling back seconds, minutes, hours, days, months, years, even centuries, right back to the dawn of time and the origins of our species. In the epic sweep of history, how does our biology affect the arc of war and peace, justice and persecution? How have our brains evolved alongside our cultures?

In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience and the arts and calls upon his great scientific and creative heroes - above all, Darwin, Freud and William James. For Sacks these thinkers were constant companions from an early age; the questions they explored - the meaning of evolution, the roots of creativity and the nature of consciousness - lie at the heart of science and of this audiobook.

Dr. Oliver Sacks argues the migraine cannot be understood simply as an illness, but must be viewed as a complex condition with a unique role to play in each individual's life.

Long before Oliver Sacks became a distinguished neurologist and best-selling writer, he was a small English boy fascinated by metals - also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the he chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded.

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat. But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does - humans are a musical species.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.