Títulos em Entretenimento e Artes Cênicas

Die deutsche Filmbranche ist zweifellos eine der anspruchsvollsten und kompetitivsten Branchen weltweit. Besonders in Deutschland, wo Budgets oft begrenzt sind und die Mentalität der Menschen herausfordernd sein kann, ist es schwierig, Fuß zu fassen. Doch inmitten dieser Herausforderungen gibt es stets jene, die es schaffen, sich in dieser Branche zu etablieren und erfolgreich zu sein.

I am an award-winning professional voiceover actor. Every day, people ask me, "How can I get into the Voiceover industry?" This book is a simple and straightforward guide to starting your career in voiceover. You will find all the answers you need in order to get started, including all of the equipment needed and the steps to take.

Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment.

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905-1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—"Orientally yours." Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy.

Starting out in the mid-70s, a time when few women were directing movies, Susan Seidelman was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC.

Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey—from Thomas Anderson, to Neo… to Trinity. Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence.

Whether embellishing the embarrassing, reeling over reality, or analyzing the awkward, author Matt Hribar has collected life stories and experiences into one collective book of comedic essays. Follow Matt’s journey through "professionalism," vacations gone wrong, and career highlights. Jump through awkward moments teaching children creative writing, spinning crazy DJ stories, and amuse over some emotional moments with friends. These essays blend observational comedy, real-life experiences, and even a few moments of existentialism.

Marvel Entertainment was a struggling toymaker not even twenty years ago. Today, Marvel Studios is the dominant player both in Hollywood and in global pop culture. But what accounts for its stunning rise? In MCU, beloved culture writers Joanna Robinson, Dave Gonzales, and Gavin Edwards draw on more than a hundred interviews with actors, producers, directors, and writers to present the definitive chronicle of Marvel Studios and its sole, ongoing production, the Marvel Cinematic Universe.

From psychologist, researcher, and horror film enthusiast Brian A. Sharpless comes Monsters on the Couch, an exploration into the real-life psychological disorders behind famous horror movies. Accounts of clinical syndromes every bit as dramatic as those on the silver screen are juxtaposed with fascinating forays into the science and folklore behind our favorite movie monsters.

In this hilarious compilation of true stories, cult favorite writer-director Jeff Lieberman brings us along on a wild odyssey, going in-depth into his early work in the Golden Age of '70s horror with such classics as Squirm, Blue Sunshine, and Just Before Dawn, then on to award-winning network documentaries and mainstream entertainment. Political and social commentary has always been Lieberman's trademark, and here, he tells it like it was with the same unique comic voice and biting satire that's signified his work from the start.

What happens when SuperGoodMedia, a ridiculous out-of-town newspaper chain, buys the venerable Boston Daily Tribune, which has published every day since 1823? Heads roll and the few journalists left wonder when it will be their turn. That’s protagonist Nick Nolan’s worry, too—until he gets exclusive coverage of a single mother who claims that the Virgin Mary is speaking to the world through her young comatose daughter.

In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows, first on premium cable channels like HBO and then basic cable networks like FX and AMC, dramatically stretched television’s narrative inventiveness, emotional resonance, and artistic ambition. Just as the Big Novel had in the 1960s and the subversive films of New Hollywood had in 1970s, television shows became the place to go to see stories of the triumph and betrayals of the American Dream.

This full-cast performance of Dracula offers a new way to experience Bram Stoker's seminal vampire story, which follows Abraham Van Helsing's efforts to track down Lucy Seward after she becomes the victim of Count Dracula.

稲森夜話 聴かなければよかった話。幼少のころから不思議な体験を数多くした稲森の実話をもとに構成され、その全てが実体験。

Why would anyone want to watch horror movies? Why would Christians, in particular, bother with the genre? In Fear Not!, critic Josh Larsen makes the case that monster movies, creature features, slashers, and other fright films artfully reflect our deep worries in a way that resonates with the Christian experience. Combining critical observation and theological reflection, Larsen devotes each chapter to a different horror subgenre, connecting that subgenre to a commonly shared fear.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Did your first experience as a dungeon master not end up as smoothly as you had hoped? Do you have difficulty dealing with your players and making your game progress without issue? Are you looking for ways to take your dungeon mastering to the next level, create a compelling adventure, and confidently manage players? Then you have come to the right place.

Wie wir lernen, uns alle wieder liebzuhaben: das erste Hörbuch des preisgekrönten Stand-up-Comedians Tutty Tran. "Die Doische lieb lugtik, sagt mein Papa immer. Ja, die Deutschen lieben es lustig. Auch wenn es politisch unkorrekt wird? Darf man denn heutzutage noch über Vorurteile lachen?" Tutty Tran, Sohn vietnamesischer Einwanderer, geht der Frage in diesem Buch ganz genau auf den Grund. Herausgekommen ist ein kleines Toleranz-ABC vom bekanntesten Reisbürger der Republik, das zeigt, wie verbindend es sein kann, wenn wir lernen, wieder mehr über uns selbst zu lachen.

Part backstage tour, part travelogue, part social commentary, Letters from Backstage recounts Michael Kostroff’s adventures touring with the road companies of The Producers and Les Miserables. Trekking through more than 20 American cities large and small, here is the story of an actor’s dream come true and the bizarre things that happened along the way—not to mention personal anecdotes about celebrities, including Mel Brooks, Susan Stroman, Jason Alexander, and Martin Short!

Learn how to lead and follow every step following the three laws of balance, connection, and direction. This is the only unambiguous method of communicating in social dancing. This is the safest, easiest, and most natural way to dance with a partner. You learn to dance without the use of force. You improve your balance. You learn to dance as light as a feather.