Títulos em Epistolar

Aos 15 anos, o personagem Kevin mata 11 pessoas, entre colegas no colégio e familiares. Enquanto ele cumpre pena, a mãe Eva amarga a monstruosidade do filho. Entre culpa e solidão, ela apenas sobrevive. A vida normal se esvai no escândalo, no pagamento dos advogados, nos olhares tortos. Transposto o primeiro estágio da perplexidade, um ano e oito meses depois, ela dá início a uma correspondência com o marido, único interlocutor capaz de entender a tragédia, apesar de ausente. Cada carta é uma ode e uma desconstrução do amor.

The correspondence between Carrie Allsop and David Mayer reveals, piece by piece, the painful details of a devastating affair between their spouses. With each commiserating scratch of the pen, they confess their fears and bare their souls. They share the bewilderment over how things went so wrong and come to wonder where to go from here. Told entirely through the letters of two comforting strangers and those of two illicit lovers, Evidence of the Affair explores the complex nature of the heart. And ultimately, for one woman, how liberating it can be when it’s broken.

Esta novela da autora best-seller Taylor Jenkins Reid explora a complexa natureza das relações humanas e as consequências imprevisíveis de uma traição.

Luke Edgewood isn’t a romantic. Or, at least, he’s always felt certain things like rom-coms were invented as punishment for average guys. Besides, he’s always preferred to be a behind-the-scenes guy who lives a quiet life being a good friend, neighbor, and brother. So when he travels to the island of Skymar to work a few months on restoring abandoned buildings, he never expects to find himself directly in the middle of a romantic, trope-filled story.

A meditation on the nature of life and time, Água Viva (1973) shows Lispector discovering a new means of writing about herself, more deeply transforming her individual experience into a universal poetry. In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

Fräulein Schmidt and Mr. Anstruther is a novella written by Elizabeth von Arnim, a British-German author known for her witty and insightful novels. Published in 1907, the story revolves around the correspondence between two main characters, Fräulein Rose-Marie Schmidt, a spinster in her late 30s, and Mr. Henry Anstruther, a kind and sympathetic stranger, as they navigate their lives and explore their feelings for each other.

Sometimes, one's most sincere thoughts and feelings can only be expressed in a letter to their mother. Letters to you, to her, to no one is a moving story about a girl growing up in a Bulgarian orphanage told through intimate letters to her imaginary mother. The letters span years, recording a journey exploring friendship, loss, anorexia, and, most of all, dreams.

At 104 years of age, Mrs Elsie Drake of Granville Gardens, London, is the sixth oldest woman in Britain. But fed up with sitting in her armchair all day, Elsie is ready for new adventures. And so, armed with a computer she can barely operate, she fires off dozens of letters to everyone from the Prime Minister to Greggs Bakeries, to see if they can help. Whether offering her services as the new Arsenal football mascot dressed as a giant hare, or simply sending Sainsbury's a load of meat, no one can escape the clutches of Elsie Drake.

Adrian Mole continues to struggle valiantly against the slings and arrows of growing up and his own family's attempts to scar him for life in this second volume of his secret diary.

Adrian Mole is thirty-nine and a quarter. He lives in the country in a semi-detached converted pigsty with his wife Daisy and their daughter. His parents George and Pauline live in the adjoining pigsty. But all is not well.

The fourth book in Adrian Mole's diaries, where we catch up with a hapless Adrian and his desperate attempts to win back the love of his life.

Meet Adrian Mole, a hapless teenager providing an unabashed, pimples-and-all glimpse into adolescent life. Writing candidly about his parents' marital troubles, the dog, his life as a tortured poet and 'misunderstood intellectual', Adrian's painfully honest diary is still hilarious and compelling thirty years after it first appeared.

Adrian Mole is thirty, single and a father. His cooking at a top London restaurant has been equally mocked ('the sausage on my plate could have been a turd') and celebrated (will he be the nation's first celebrity offal chef?) And the love of his life, Pandora Braithwaite, is too busy as the newly elected MP for Ashby-de-la-Zouch to notice him. Frustrated, disappointed, and undersexed, Adrian despairs until a letter from his past changes everything.

Adrian Mole is an adult. At least that's what it says on his passport. But living at home, clinging to his threadbare cuddly rabbit 'Pinky', working as a paper pusher for the DoE and pining for the love of his life, Pandora, has proved to him that adulthood isn't quite what he expected.

So how do I greet the New Millennium? In despair. I'm a single parent, I live with my mother...I have a bald spot the size of a jaffa cake on the back of my head...I can't go on like this, drifting into early middle-age. I need a Life Plan....

Still grieving the death of her best friend, Erin knows she needs to start living - but has no idea how. Then she loses her favourite book, a heavily annotated copy of To Kill A Mockingbird containing her friend's last gift. When James finds Erin's note-filled book in his local community bookshelf, it sparks a life-changing conversation. He writes his own message for her to find, inviting her to meet him in the margins of Great Expectations. As the book exchange continues, they both begin to open up . . . and perhaps fall in love.

Grace Porter is reeling from grief after her partner of seven years unexpectedly leaves. Amidst her heartache, the thirty-year-old library tech is tasked with reading newly discovered letters that Amelia Earhart wrote to her lover, Gene Vidal. She becomes captivated by the famous pilot who disappeared in 1937. Letter by letter, Grace understands more about Amelia while piecing her own life back together.

Alice a 48 ans, c’est une femme empêchée, prisonnière d’elle-même, de ses peurs, de ses souvenir douloureux (origines modestes, native de Cambrais, séduite et abandonnée, fille-mère, chassée de chez elle, cabossée par des hommes qui l’ont toujours forcée ou ne l’ont jamais aimée). Ancienne professeur de français, elle vit dans ses rêves et dans les livres auprès de sa fille, richement mariée et qui l’a installée près d’elle, à Paris.

From a life of ease and comfort, Anna Blume embarks on a search for her missing brother. Soon she finds herself trapped in a city obsessed with last things—with the means and manner of death. In this culture of doom, the masses are homeless, theft has ceased to be a crime, production has ceased, and the only growth industries are dying and disassembly.

The students of Royal Hastings University's new Multimedia Art course have been trouble from day one. The year-long course is blighted by accusations of theft, students setting fire to one another's artwork, a rumoured extra-marital affair and a disastrous road trip. ut finally they are given their last assignment: to build an interactive art installation for a local manufacturer. With six students who have nothing in common except their clashing personal agendas, what could possibly go wrong? The answer is: murder.