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This book presents a study by Anne Blood of the pioneering artist Kurt Schwitters (b. June 20, 1887, Hannover, d. January 8, 1948 Kendal) which reviews the Kurt Schwitters exhibition in Britain at Tate Britain, January to May 2013. The author focuses on the Merzbarn, a late work created in a barn at Elterwater, Cumbria in 1947, made in the last year of his life. The Merzbarn is a complex internal sculpture integrated into the building used by permission of the owner Harry Pierce.

The photographers discussed in depth in this essay have all engaged with the everyday or the quotidian, yet they are a small sampling of the numerous photographers who have engaged with this subject.

Cv/VAR 154 publishes a study of photography and art in which authors Marina Vaizey and Anne Blood consider the historical impact of photography from pioneers Hill and Adamson, William Fox Talbot, and Louis Daguerre to contemporary practitioners such as Andreas Gursky and Boris Mikhailov. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Andy Warhol, and Richard Hamilton, and innumerable creative voices. The volume includes biographical details of leading figures and a guide to national collections and study centres.