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In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Crime and Punishment is a novel by the Russian author Fyodor Dostoevsky. It was first published in the literary journal The Russian Messenger in twelve monthly installments during 1866. It was later published in a single volume. It is the second of Dostoevsky's full-length novels following his return from ten years of exile in Siberia. Crime and Punishment is considered the first great novel of his mature period of writing. The novel is often cited as one of the supreme achievements in world literature.

Fyodor Dostoyevsky's final novel, considered to be the culmination of his life's work, "The Brothers Karamazov" is the story of the murder of Father Karamazov, whose four sons are all to some degree complicit in the crime. Within the context of this crime story evolves a brilliant philosophical debate of religion, reason, liberty, and the nature of guilt in society. Considered by Sigmund Freud as "The most magnificent novel ever written", the excellent translation of Constance Garnett is presented here in this edition of "The Brothers Karamazov".

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

These novelists burst with a literary energy that is hard to contain. They cover a myriad of styles and themes, narratives packed full of fully-formed characters in powerful tales that have become an essential and integral part of our literary heritage.

After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The 26-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people”. Even before he reaches home, he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg, the prince finds himself a stranger in a society obsessed with money, power, and manipulation.

The Brothers Karamazov by Fyodor Dostoevsky is a profound philosophical and psychological novel that explores deep questions of faith, doubt, free will, and the nature of evil through the lives of the Karamazov family in 19th century Russia. The narrative delves into the moral struggles and inner turmoil of the three brothers and their relationship with their father, leading to a dramatic and tragic conclusion. This masterpiece is celebrated for its exploration of the human condition, morality, and the search for truth.

The narrator and central character of The Adolescent is Arkady Dolgoruky, a naive 19-year-old boy full of ambition and opinions. The illegitimate son of a dissipated landowner, he is torn between his desire to expose his father’s wrongdoing and the desire to win his love. He travels to St. Petersburg to confront the father he barely knows, inspired by an inchoate dream of communion and armed with a mysterious document that he believes gives him power over others.

The Eternal Husband opens with a man who answers a late-night knock on the door to find himself in a tense and puzzling confrontation with the husband of a former lover—but it isn’t clear if the husband knows about the affair. What follows is one of the most beautiful and piercing considerations ever written about the dualities of love: a dazzling psychological duel between the two men over knowledge they may or may not share, bringing them both to a shattering conclusion.

Inspired by the true story of a political murder that horrified Russians in 1869, Dostoevsky conceived of Demons as a "novel-pamphlet" in which he would say everything about the plague of materialist ideology that he saw infecting his native land. What emerged was a prophetic and ferociously funny masterpiece of ideology and murder in pre-revolutionary Russia.

In this dark and compelling short novel, Dostoevsky tells the story of Alexey Ivanovitch, a young tutor working in the household of an imperious Russian general. Alexey tries to break through the wall of the established order in Russia, but instead becomes mired in the endless downward spiral of betting and loss. His intense and inescapable addiction is accentuated by his affair with the General’s cruel yet seductively adept niece, Polina. In The Gambler, Dostoevsky reaches the heights of drama with this stunning psychological portrait.

Accused of political subversion as a young man, Dostoyevsky was sentenced to four years of hard labor at a Siberian prison camp — a horrifying experience from which he developed this astounding semi-autobiographical memoir of a man condemned to ten years of servitude for murdering his wife. A haunting and remarkable work filled with wonder and resignation, The House of the Dead ranks among the Russian novelist's greatest masterpieces. Of this powerful autobiographical novel, Tolstoy wrote, "I know no better book in all modern literature.

The young Sergei is summoned from St Petersburg by his uncle, the retired colonel Yegor Rostanev, to the remote country estate of Stepanchikovo. Rostanev’s household, populated by a medley of remarkable characters, is dominated by the figure of Foma Opiskin, a devious, manipulative hanger-on who has everyone in thrall and plots to marry the colonel to the woman of his choice, Tatyana Ivanovna. When Opiskin finds that his plans are being thwarted, a confrontation with Rostanev ensues, and all hell is let loose.

Oscar Wilde claimed that The Humiliated and Insulted is "not at all inferior to the other great masterpieces," and Friedrich Nietzsche is said to have wept over it. Its construction is that of an intricate detective novel, and the reader is plunged into a world of moral degradation, childhood trauma, and unrequited love. Found at the center of the story are a young struggling author, an orphaned teenager, and a depraved aristocrat who not only foreshadows the great figures of evil in Dostoevsky's later fiction, but is a powerful and original presence in his own right.

White Nights by Fyodor Dostoyevsky is a poignant and introspective short story that delves into the complexities of human emotions and the transient nature of romantic connections. Set against the backdrop of St. Petersburg's nocturnal charm, the narrative follows the lonely protagonist through four consecutive white nights, where he encounters a mysterious young woman. As the two form a deep but ephemeral connection, Dostoyevsky explores themes of love, isolation, and the fleeting nature of human connections.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. Blackmail, betrayal, and murder follow in the footsteps of his dangerous and all-consuming journey.

When the aging Russian Prince Prince K. arrives in the town of Mordasov, Marya Alexandrovna Moskaleva, a doyenne of local society life, takes him under her protection with the aim of engineering his marriage with her 23-year-old daughter Zina. Yet with many rivals for the hands of both parties, events are not guaranteed to run smoothly. A rare foray into comedy by the giant of Russian literature, this tale still possesses all the hallmarks of Dostoevsky's psychological and philosophical writing.